Archive for the ‘abandoned’ Category

Rustmatter abstract paintings now available.

Sunday, July 8th, 2018

New paintings available in my gallery. “Rustmatter” series. I want to capture the “beauty & hope” in decline, before its gone and continues my investigation into the disintegration and decay of the environment, of life and the human psyche.

 

Experiments with layers of rust, paint, iron shavings and salt. Finally, surfaces emerged, worn , weathered and sometimes ancient. I then sealed the paintings to keep stable and lock in the layers.

 

 

 

 

Each painting is a visual and textural descent into the abandoned, the derelict, the vacant and the forgotten. Curator & Arts Writer, Dr. Ewen Jarvis.

 

 

Rustmatter 17

 

Rustmatter 12

 

Rustmatter 16

Rustmatter 14

 

Rustmatter 15

 

 

NOTE – All inclusive : Express Post, Tracking, Signature, Insurance & Packaging.

 

© 2018, Jenny Davis. All rights reserved.

TurkRedghost Series. Textile Art. Antique & Vintage Textiles.

Wednesday, June 27th, 2018

I grew up in a “make do and mend” family, where nothing much was thrown away and would be mended or, re-purposed into something else, therefore, many of my textile pieces are hand- made, created from antique & vintage sourced materials and may include, discarded, abandoned, found objects. I have been working with textiles all my life. My mother was a dressmaker and as a child, I would collect the fabric scraps and make wall hangings and soft sculpture.

For further details about my textile pieces, please go to my gallery page and click under  “Textile Art”

“TurkRedghost” series

Sometimes the antique textiles I work with, seem to yell at me, but mostly, they lay silent, as I make my own marks alongside, others gone before. Ragged bits, old and new stitching, tracing marks left behind on old textiles are a reminder, of a time when women, had many obligations and few choices. I feel comfortable, as I stitch, tear, dye and reinforce the fragmented pieces. Somehow, I hope, in a small way, by reclaiming and reworking the textiles, I can give a voice to those women.

 

 

 

 

TurkRedghost 1

 

 

 

TurkRedghost 4

 

 

TurkRedghost 3

 

 

 

TurkRedghost 2

 

 

© 2018, Jenny Davis. All rights reserved.

After Exhibition Blues. Textiles.

Wednesday, May 2nd, 2018

After exhibition blues has hit!  I’m all painted out at the moment, but still enjoying some textile pieces Ive been playing around with for a while now.  Looks like some old photos and found objects will make their way into the project too.  Please see “Spaces Below” exhibition details in the sidebar on the right.

 

 

Ragged bits , old and new stitching, tracing the marks left behind on, 120 yr old textiles.

 

 

Memories and ghosts from the 1800s, remind me, as I work, of a time when women had many obligations and few choices.

 

 

A time when, women were completely controlled by their fathers, brothers and male relatives and their sole purpose in life was to find a husband, reproduce and then spend the rest of their lives serving him.

 

 

If you were to break free, you would be crucified, ridiculed and seen as “not normal, insane, bullied and tossed aside.

 

 

The textiles from the 120 year old quilt toppers I work with, sometimes, seem to yell at me, but mostly, they lay silent, as I make my own marks alongside others gone before.

 

 

I feel comfortable, as I stitch, tear, dye and reinforce the fragmented pieces.

 

 

Somehow, I hope, in a small way, by reclaiming and reworking the textiles, I can give a voice to those women.

 

 

Just like in my own life, when I was powerless, art gave me a voice to express myself, where once I had none.

 

 

 

 

 

© 2018, Jenny Davis. All rights reserved.

Yering Station Art Gallery & Spaces Below

Wednesday, April 11th, 2018

Current Exhibition in the Main Gallery at Yering Station –  10 April – 20 May.

JENNY DAVIS — SPACES BELOW

Wallmatter, Oil paint on canvas, 140 x 180 cm

‘Spaces Below’ is a visual and textural descent into the abandoned, the derelict, the vacant and the forgotten. Through her utilisation of forlorn industrial structures, stained and crumbling walls, acts of graffiti, redundant signage, and portals giving access to meandering subterranean systems, Jenny Davis evokes a unique vision at once spare and lavish, material and ghostly. It is a vision that elevates the significance of random marks, stress fractures and other imperfections, while enfolding the viewer in an atmosphere of chromatically gentle and strangely opulent decay. The abstractions that haunt these works are investigations of the many traces that run like hieroglyphs and riddles across the surface of neglected structures.

Davis’s subterranean life began in childhood. Drawn to ‘small spaces’ where she wouldn’t be disturbed, she would play in drainpipes, on vacant industrial sites and in newly constructed buildings, often working discarded materials into makeshift furniture and decorative objects. After an arts residency in Barcelona in 2005 and a visit to France in 2006, Davis steered her arts practice toward spaces reminiscent of those early childhood memories. In researching and documenting understructures, abandoned buildings and marks left behind in the built environment, she found ‘beauty in decay, random marks, aerial perspectives, graffiti and weathered surfaces’. Ever attuned to the narrative and oneiric possibilities of timeworn surfaces, Davis’s latest exhibition creates an altogether seductive immateriality from abrasive mediums such as cement, iron and rust.

Davis’s practice spans twenty-five years and encompasses painting, sculpture, drawing, collage, photography, book arts, textiles, installation‚ video‚ sound and virtual worlds.  Her artwork has been exhibited in Australia, Germany, France, Spain, the UK and the US and is represented in numerous private and public collections. She has received awards and residencies both nationally and internationally, and her digital artworks have been projected onto buildings in Times Square, New York and in 2017 at The Venice Biennale 57. “La Biennale di Venezia” in Italy. Davis currently works from her studio in the Yarra Valley region of Victoria, Australia. By DR. Ewen Jarvis 2018

Wallmatter 5, Acrylic, shellac, pigment, sealer on canvas, 122 x 92 cm

For more information please contact

Dr Ewen Jarvis

Curator

Yering Station Art Gallery

38 Melba Highway

Yarra Glen Vic 3775

P + 61 3 9730 0100

M + 0400 894 646

artgallery@yering.com

www.yering.com

© 2018, Jenny Davis. All rights reserved.

Exhibition Launch. Yering Station. Jenny Davis. Spaces Below.

Monday, April 9th, 2018

Jenny Davis

Spaces Below

10 April – 20 May 2018

Exhibition Launch: Friday 13 April 6.00 – 7.30 pm

 

For more information please contact

Dr Ewen Jarvis

Curator

Yering Station Art Gallery

38 Melba Highway

Yarra Glen Vic 3775

P + 61 3 9730 0100

M + 0400 894 646

artgallery@yering.com

www.yering.com

© 2018, Jenny Davis. All rights reserved.

Spaces Below. New Exhibition. Yering Station Gallery.

Saturday, March 3rd, 2018

A small glimpse of paintings in progress for my next exhibition, in April at Yering Station Gallery. I will be showing, new and older paintings and will include an installation of framed photographs, “Spaces Below”, shot in France. The gallery is large and raw with an industrial feel.  A perfect space for larger abstracts. All commissions taken from my sold artworks at Yering Station Gallery will be donated to…

 

 

© 2018, Jenny Davis. All rights reserved.

Fragments. An old chair. Inspiration for new work.

Wednesday, February 7th, 2018

As a small child I pulled things apart. Even, before I could talk, I ripped apart dolls and toys. I used to make little displays, installations of the fragments and other discarded things. Today I still pull things apart. I find fragments more pleasing and sometimes, even more interesting than the original object.

 

 

Recently, I pulled apart an old chair that had been hanging around for years. The wood was still good. The cloth and leather had grit and rust, just perfect for sculpture. The rustic bits and pieces also related to some textile fragments, I unpicked from an 1800’s, quilt topper. I’m still working on outcomes and painting has crept in too. Below are some pics of the process.

 

 

 

 

 

© 2018, Jenny Davis. All rights reserved.

New Paintings. Overland Nomadic Wandering.

Sunday, April 23rd, 2017

In the media we are bombarded with images relating to the massive global refugee problem. Links to the landscape, tracing the inhuman, nomadic chaos of the exiled, wandering the earth at this time in history. Each painting has been created, using acrylic paints and oil pigment on stretched canvas. Varies sizes.

 

 

Title –  Deep Blue Walking

 

 

 

 

Title –  Blue on Ochre on Cream

 

 

 

 

Title –  Blue on Ochre on Grey

 

 

 

 

Title –  Yellow Walking

 

 

 

 

Title –  White Trail Walking

 

 

 

 

 

© 2017, Jenny Davis. All rights reserved.

Old Army Blanket and Collage.

Friday, April 21st, 2017

Still working on small textile collages.

 

 

I found an old army blanket from my childhood and couldn’t resist  it’s raggedy worn, loveliness and further rusted it. Leaving it in the elements outside for a few weeks.

 

 

It can take ages moving pieces around to get the right composition.

 

 

then sometimes it just happens straight away.

 

 

 

Adding more marks…

 

The good thing about using a stretched canvas as a base, I can stitch right into it.

Just like using a embroidery hoop.

 

© 2017, Jenny Davis. All rights reserved.

Working with Textiles. Textile Collage & Drawing.

Tuesday, April 11th, 2017

I am a visual artist who works with a range of mediums and my process varies.

 

 

I use which ever vehicle helps me to express my ideas. Each work informs the other and leads onto the next idea.

 

 

The collages I’m working on at the moment are a follow on from my hand sewn fabric pieces and with more experiments I can see 3d objects creeping in

 

 

 

 

© 2017, Jenny Davis. All rights reserved.