Archive for the ‘Abstract art’ Category

Spaces Below. Bubble – Wrap. Gaffa Tape.

Wednesday, March 28th, 2018

The countdown is on… only 14 days until I install my exhibition, “Spaces Below” at Yering Station Gallery, which means, 14 days of bubble-wrap and gaffa tape tangles, labeling, organizing transport, invites, and the opening.

 

 

The artworks in the house are all ready to go and still lots more in the studio to wrap, but for now, I think its time to grab some lunch and veg out for awhile….

 

 

 

© 2018, Jenny Davis. All rights reserved.

“Spaces Below” Jenny Davis

Saturday, March 17th, 2018

Jenny Davis

Spaces Below

11th – April – 20th May

Official Opening: Friday April 13th –  6.00 – 7.30 pm

Dear Friends

Jenny Davis would like to invite you to her new exhibition, “Spaces Below”

 in the beautiful Yarra Valley, at the historical Yering Station at Yarra Glen in Victoria.

Exhibition runs – April 11th – May 20th

Address – Yering Station Art Gallery
38 Melba Highway Yarra Glen

Opening Times – Monday-Friday
10:00am – 5:00pm
Weekends & Public Holidays (including Anzac Long weekend)
10:00am – 6:00 pm

 

Commission from all sales will be donated to… L.A.R.C.H. 

(Leukaemia Auxiliary Royal Children’s Hospital)

 

For more information please contact

Dr Ewen Jarvis

Curator

Yering Station Gallery

PO Box 390

Yarra Glen Vic 3775

P + 61 3 9730 0100

M + 0400 894 646

artgallery@yering.com

www.yering.com

 

Yering Station is located at 38 Melba Hwy Yering 3770 Victoria, Australia. Directions.

© 2018, Jenny Davis. All rights reserved.

Pure Abstract Painting. Abstract Art. New Course.

Sunday, March 4th, 2018

Abstract art strips away the narrative, the real and expected visual story. It requires us to resolve a problem. We want to impose a rational explanation – or see something in abstract art so we feel comfortable. It makes our brains work harder and in a different way – at a subconscious level.

 

 

 

Maybe that’s why some people find abstract art more intimidating and are quick to dismiss it.

 

 

If you are interested in learning more about abstract art and how to create abstract paintings, I am in the process of creating my first online course. “Pure Abstract Painting”

 

 

 

This is something I have been wanting to do for many years and will let you know when my course is ready for enrollment.

 

 

A few abstract paintings I’ve been working on today.  I love the continual changes when working this way.

 

 

 

© 2018, Jenny Davis. All rights reserved.

Spaces Below. New Exhibition. Yering Station Gallery.

Saturday, March 3rd, 2018

A small glimpse of paintings in progress for my next exhibition, in April at Yering Station Gallery. I will be showing, new and older paintings and will include an installation of framed photographs, “Spaces Below”, shot in France. The gallery is large and raw with an industrial feel.  A perfect space for larger abstracts. All commissions taken from my sold artworks at Yering Station Gallery will be donated to…

 

 

© 2018, Jenny Davis. All rights reserved.

Affordable Art. Framed Art. Art Prints.

Monday, February 19th, 2018

Ever wish you could buy that original piece of art but it was just too expensive and out of reach?  I know I have.

Have you ever considered prints of your favourite originals?

Even if you can’t afford an original piece of art, purchasing prints can be more affordable and if the original artwork is sold, there may be prints available. It not only brings art into your home but, it also supports the artist community too.Clear

Clear

ClearI have recently been setting up my online print shop, where you can now purchase prints of my original artworks.

Please see my Gallery page or, click the headings below. There you can browse my selection of framed prints, canvas prints, art prints, acrylic block prints and metal prints.

ABOUT MY PRINTS

The source, for all my art prints, are created in my studio by hand, in (Australia) using my original artworks and photographs. Hand drawing, painting, photography and making collage, is all part of the creative process. Then, the prints are ethically produced by my digital printing partners in Melbourne, Australia, USA and London,England. My prints come in many sizes and prices, to suit your budget. All prints are created from the best, fine artist grade, papers, canvas and materials. Each print is clear and vibrant using specialists inks that will last. Your purchase is wrapped carefully then, packaged in sturdy custom- made boxes, so they make it safely to your door. Please see … Worldwide Delivery  plus 100% Returns and Exchanges

I am still in the process of creating my online print shop and will gradually add more prints over time. Enjoy your browse!

Framed Prints

Custom-made box or flat frame styles. High-quality timber frame finishes to suit your decor. Premium Perspex – clearer and lighter than glass. Exhibition quality box or flat frame styles.

Canvas Prints

Each custom artwork is hand stretched and printed for your order. Vibrant colors printed on artist grade canvas. Printed image wraps 0.25 inch (0.6 cm) over the edges; the sides are white. Hanging hardware is included.

Art Prints

Custom sized prints (with various border widths). Gallery quality vibrant colours.
Lightly textured 100% cotton paper.
Refer to size chart for dimensions if self framing.

Acrylic Blocks

Vibrant back mounted photographic prints 1″ (2.5 cm) thick. Solid free-standing acrylic block for desk, table top or shelves. Diamond cut sides provide a sharp image from any angle. Hand polished for a crystal clear finish.

 

Metal Prints

Available in both High Gloss and Satin. Gently rounded corners. Cleanable surface. Lightweight aluminium is literally infused with the chosen artwork.

© 2018, Jenny Davis. All rights reserved.

Happy New Year ! New Work. New Exhibition.

Saturday, January 13th, 2018

After, a much needed break it’s back to work for 2018. I’m getting all geared up for my next solo exhibition, in April. I’m just waiting on a paint delivery and sorting out the studio, before I start the new work.

During my break, I worked on my website and listed more paintings in my Gallery.

I will also be adding more paintings, mixed media and textile pieces shortly.

 

“Silver Cad Connections” 1 & 2

A static flow through and within .

 

 

“Lemon Under Cad”

It just is…

 

 

“Moment 3”

One fleeting moment. A thought caught in a fraction of time.

 

 

“Fleeting Moment 4”

One fleeting moment. A thought caught in a fraction of time.

 

 

“Fleeting Moment 5”

One fleeting moment. A thought caught in a fraction of time.

 

 

 

 

© 2018, Jenny Davis. All rights reserved.

How to Stretch a Canvas for Painting

Monday, December 4th, 2017

When I first started painting, the thought of stretching my own canvas was frightening, but after a few attempts of stretching a canvas it came to me automatically. I was able to make canvases for half the price of store bought ones. Also, stretching your own canvas can trigger off the beginning of the creation through the hands on process of doing it yourself. Hope this helps.

Materials and equipment

Pre- made stretcher frame/ or self-made

Canvas material cut 10cm approx larger than your stretcher frame

Canvas staple gun

How to Stretch a Canvas

Lay your canvas on a flat surface wrong side up then lay your stretcher right side down on top of canvas. Pull the sides of your canvas up and round to the top of the stretcher.

DIAGRAM 1 Secure the 4 points with staples or tacks to create a diamond shaped wrinkle in the canvas. Check diagonals and adjust the stretcher for squareness before going further.

 

CANVAS DIA 1DIAGRAM 2– Secure the canvas to the stretcher with staples approx. every 6 cm. around the edge, working from the center points outwards. Pulling the canvas as you go. Continue working out to the corners in this pattern. Do not overstretch the canvas. When applying tension, the canvas pliers should not be forced to pull the canvas in place. The tension of course will become greater as you work towards the corners.

CANVAS DIA 2FOLD– the corners under; as neatly as you can, leaving no exposed tab that maybe caught and damaged. Staple or tack excess canvas that wraps around to the back of the frame.

HINT– Once finished and your canvas and is not as tight as you would like, fill a small spray bottle with luke-warm water and spray the canvas on the back. Once dry your canvas will be as tight as a drum. Happy painting!

Back to Outlook8studio  Tutorials

© 2017, Jenny Davis. All rights reserved.

The Life of a Painting. Changing Back to Oil Paints.

Sunday, November 5th, 2017

A few years ago, I changed from oil paints, to acrylics, after I became allergic to the turps. I’m still not used to painting with acrylics as, I just love the lushness, depth and movement of oil paints. Something, I haven’t been able to achieve with acrylics. So, recently I bought some oil painting supplies, eco friendly turps, to see, if I’m still allergic to it.

 

The life of a Painting.

Oil paint , medium, wax on canvas

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sometimes I think, I should stop earlier, when its fresh and spontaneous, but usually keep going. I  just have to trust the process and know, that eventually, I will end up with something I’m happy with.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I will revisit the painting, in a few days time to decide, whether I will take it further. At the moment, I’m feeling, times long past.

© 2017, Jenny Davis. All rights reserved.

The Old School House & Friends.

Thursday, September 7th, 2017

For the past decade or so, I have worked with an amazing group of women artists at the old schoolhouse in Badger Crk. Victoria. We meet up weekly to paint, throw around ideas, experiment and play with new, unusual, materials and techniques. This time is invaluable to me, as it, gives me a break from the usual, business side of making art and gets me out of the studio. We chat about our work, share ideas and discuss what’s happening in the world and our lives. Mostly,  it’s just a whole lot of fun, mucking around with good friends who happen to love making art.

 

Lately at the schoolhouse I have been working on some mixed media pieces with paint paper, cloth and thread.

 

I use thread and needle to make marks through the artwork.

 

Each stitch leads onto the next, weaving over the painting.

 

Found papers intermingle with rotted and rusted cloth.

 

I like to use off- cuts of textile, paper and patterns and throw it against slabs of paint and marks.

 

In the above artwork I am enjoying the contrast of the piece of vintage cross stitch, I found in an op shop once.

 

The stitches wander around and find their own place in their own time. I’m not in control and use the thread, as another tool to make marks.

 

I don want to make embroidery’s and my mistakes can be my jewels.

 

All these artworks are in progress and not yet finished. Some may just be experiments for fun and to learn from.

 

 

 

 

© 2017 – 2018, Jenny Davis. All rights reserved.

BOAA – Biennale of Australian Art 2018.

Thursday, June 15th, 2017

I am happy to announce I have been selected from 800 artists across Australia, to be part of BOAA-Biennale of Australian Art  in 2018.

 

 

BOAA is a multi layered art festival with various opportunities for artistic engagement. My work will be part of the ‘Hit Me With Your Best Shot’ project, which will be BOAA’s largest installation. Supported by the City of Ballarat, this installation will form an impressive sea of images representing artists Australia wide and it will be displayed in Ballarat’s historic Mining Exchange building.

 

© 2017, Jenny Davis. All rights reserved.

Art Blog Diaries. Reminiscing & Evolving as an Artist.

Saturday, May 13th, 2017

I started this blog back in the early 2000’s as a sort of diary, to document my work and creative life and to give something back to others.

 

 

Going through some of my old posts recently, I was able to pin point, some pivotal moments in my life, of where my ideas and artworks originally came from, why my work and arts practice has changed and how, it’s evolved over the years, to where it is today.

 

 

 

After visits to Europe, UK and an arts residency in Spain, in 2005, I especially noticed some changes in the way I was working. Though I have always worked between disciplines, painting was always my main form of expression. I was becoming more dissatisfied with just painting and found it hard to do any creative work for awhile. Then, after a 3 month stay in France 2007, I realized I could no longer, only use paint, to express my ideas.

 

 

 

 

This led to a series of experimental installations, videos and a book of photographs. Touched by Dada and Surrealist ideas, I had to re-access what I was doing as an artist.

 

 

 

 

 

The installation and video below “Parisgrit” was shown at Tilt Gallery, in Melbourne in 2006. I can see quite a few interesting elements in it, but it’s way too long and very noisy. Maybe someday, I will get around to re-working it and revamping it into something else.

 

 

 

 

 

By looking back over my old blog posts or (diary entries) I find it helpful, to reflect on the areas, where I can make improvements and expand on previous ideas. I can also see where, my ideas have come from. I get a glimpse of how & why, my artwork, techniques and materials have changed over time and maybe where I could be heading in my arts practice.

© 2017, Jenny Davis. All rights reserved.

The Venice Biennale 57. Wallmatter 17.

Saturday, May 6th, 2017

I just found out my painting “Wallmatter 17” has selected to be presented as a digital display at, The Biennial Project’s extravagant, event in Venice, Italy, during the opening/press week of The Venice Biennale 57. “La Biennale di Venezia”

Thank you The Biennial Project!

 

TITLE Wallmatter 17
MED Acrylic paint, lime, sand, cement, sealer on canvas. (Contemporary washed veneer wooden frame)

© 2017, Jenny Davis. All rights reserved.

New Paintings. Overland Nomadic Wandering.

Sunday, April 23rd, 2017

In the media we are bombarded with images relating to the massive global refugee problem. Links to the landscape, tracing the inhuman, nomadic chaos of the exiled, wandering the earth at this time in history. Each painting has been created, using acrylic paints and oil pigment on stretched canvas. Varies sizes.

 

 

Title –  Deep Blue Walking

 

 

 

 

Title –  Blue on Ochre on Cream

 

 

 

 

Title –  Blue on Ochre on Grey

 

 

 

 

Title –  Yellow Walking

 

 

 

 

Title –  White Trail Walking

 

 

 

 

 

© 2017, Jenny Davis. All rights reserved.

Old Army Blanket and Collage.

Friday, April 21st, 2017

Still working on small textile collages.

 

 

I found an old army blanket from my childhood and couldn’t resist  it’s raggedy worn, loveliness and further rusted it. Leaving it in the elements outside for a few weeks.

 

 

It can take ages moving pieces around to get the right composition.

 

 

then sometimes it just happens straight away.

 

 

 

Adding more marks…

 

The good thing about using a stretched canvas as a base, I can stitch right into it.

Just like using a embroidery hoop.

 

© 2017, Jenny Davis. All rights reserved.

Working with Textiles. Textile Collage & Drawing.

Tuesday, April 11th, 2017

I am a visual artist who works with a range of mediums and my process varies.

 

 

I use which ever vehicle helps me to express my ideas. Each work informs the other and leads onto the next idea.

 

 

The collages I’m working on at the moment are a follow on from my hand sewn fabric pieces and with more experiments I can see 3d objects creeping in

 

 

 

 

© 2017, Jenny Davis. All rights reserved.

3 New Collages using fragments.

Friday, March 3rd, 2017

100 yr old cotton textile fragments, vintage found objects, oil pigments,vintage card, linen thread, linen cloth.

 

 

The pieces of cloth are extremely fragile so each piece

 

 

needs to be reinforced and sealed and stitched into very carefully

 

 

 

 

 

 

 

 

before being attached to book board.

 

 

 

 

© 2017, Jenny Davis. All rights reserved.

Mixed- Media Collage on Vintage Book Pages

Wednesday, December 21st, 2016

Mixed- Media Collage on Vintage Book Pages

3 abstract artworks
Size: Each artwork
Artwork 7.5″ x 5.5″ – 19 x 14cm
Size: with matt, 10″ x 8″ – 26 x 20cm.
Year 2016

“No Goodbye”

 

Mixed media collage. Found book paper, archive grey matt, thread on vintage book pages (Unframed)

 

“Indigo”

 

( Artwork is matted ready to frame)

 

“Air Attacks”

 

Signed and dated on the back.

 

 

© 2016, Jenny Davis. All rights reserved.

Wallmatter. New Paintings and more available in the Gallery.

Monday, December 5th, 2016

New Paintings, sculpture and more available in the Gallery   Some are already framed others are ready to hang with all hardware attached.   Shipping included in the price!

I am influenced by abandoned and derelict spaces, vacant industrial sites, structures, old walls & graffiti.  The paintings below are about the connections and contrasts of imperfections, found in the urban environment, highlighting, insignificant marks, weathered surfaces.

Wallmatter 13

 

 

 

 

 

 

 

 

 

 

 

Wallmatter 13

 

 

 

 

 

 

 

 

 

 

Wallmatter 17

 

 

 

 

Wallmatter 17

 

 

Wallmatter 14

 


 


 

     

Wallmatter 14

 

 

 

Wallmatter 16

 

 

 

 

Wallmatter 16

 

 

 

Wallmatter 12

 

 

 

 

© 2016, Jenny Davis. All rights reserved.

Small Abstract Oil Paintings. Still & Interruption.

Sunday, November 20th, 2016

Small Abstract Oil Paintings. Still & Interruption.

 

 

 

jenny-davis_still2-_oil-paint-on-canvas_2016jenny-davis_still3-_oil-paint-on-canvas_2016jenny-davis_still1-_oil-paint-on-canvas_2016s

 

 

 

 

 

I spent a lot of time trying to get the surface just right, on these 3 paintings, as I wanted each piece to stand on its own, as well as, together as a whole. I also wanted to convey a feeling of stillness. A space to sit awhile.

 

 

 

 

jenny-davis_sti-l-horizontal_oil-paint-on-canvas_2016

 

 

 

The 3 below have colour and movement. I feel they are not yet resolved and will probably work back in with more layers.

 

 

 

jenny-davis_interuption_oil-paint-on-canvas_2016bs

 

 

 

I’m enjoying, the smaller scale paintings at the moment, especially after all the large ones I did over the past year for my “Wallmatter” exhibition.

 

 

 

 

jenny-davis_interuption-3-_oil-paint-on-canvas_2016sjenny-davis_interuption-1-_oil-paint-on-canvas_2016sjenny-davis_interuption-2-_oil-paint-on-canvas_2016s

 

 

Its a whole different way of working. Large paintings have huge sweeping strokes, where the whole body is involved. Smaller artworks allow me to come in close and are not so hard on my body. I can work longer on them, without too much pain to my back and neck.

© 2016, Jenny Davis. All rights reserved.

Digital Collage and Photoshop.

Wednesday, November 16th, 2016

Digital Collage and Photoshop.

When making my art, I rarely follow rules. Not knowing, techniques, materials and technology, doesn’t bother me and can be a blessing. It gives me more freedom to play around and discover things, that wouldn’t otherwise, be found.

A few images of recent experiments in Photoshop and other programs using my own artworks.

 

 

jenny-davis_d-collage_-2016_7s

 

 

jenny-davis_d-collage_-2016_s

 

 

jenny-davis_d-collage_-2016_2s

 

 

jenny-davis_d-collage_-2016_6s

 

 

jenny-davis_d-collage_-2016_3s

 

 

jenny-davis_d-collage_-2016_5s

 

Do you always follow the rules when creating?

 

© 2016, Jenny Davis. All rights reserved.