Archive for the ‘contemporary art’ Category

New Work. Abstract Paintings

Friday, May 17th, 2019

I use my work as a way to process whatever I’m seeing or thinking at the time. This can be purely self indulgent and personal, as well as sometimes, tapping into a broader or shared concern.

I like to let people bring their own thoughts to a piece. My work is the entry point, then people might be inclined to look harder and tease out other thoughts and connections to the work. 

© 2019, Jenny Davis. All rights reserved.

The life of an Abstract Painting.

Wednesday, February 27th, 2019

It’s amazing how many stages an abstract painting goes through. Ive had the beginnings of this painting sitting in the studio a few months now. Its only recently, I started to photograph the process of painting. Eventually I want to do time lapse video’s while working, but not sure yet, how I will set up my camera.

I wanted to dirty it up a bit

Added some black lines and spaces

The red slowly crept in

More drawing with oil pigments below and the circle was bothering me so I took a risk and blocked it out with red. And that’s what its all about. Taking risks, going along with whatever comes along and using your gut feeling.

I’m pretty happy with the results but will sit with it for a while, before I touch it or, leave it alone. It’s only afterwards, I’ll see connections and links to the context or meaning. Sometimes though this happens when doing, but mainly it’s a play with colour, line and space and knowing when it’s resolved.

© 2019, Jenny Davis. All rights reserved.

Art & Recycling. Textiles & Mixed media.

Friday, January 18th, 2019

Art and recycling goes hand-in-hand in the textile and mixed- media side of my arts practice.

My artworks are often created from old, discarded clothing, vintage and antique textiles, papers and found objects. I enjoy making use of stuff that has had a life already; a life that is often purely functional and as far removed from ‘art’ as you can imagine.

I’ve been recycling all my life to make art. As a child, I pulled apart, old clothing and nylon stockings “I used to collect fabric waste from mum’s sewing and knitting basket, making wall hangings out of that.” Nowadays, I cut up my own clothing and others, antique quilts, vintage linens, fancywork and men’s suits.

The process of searching and collecting materials, is also, a very important part of my art’s making. It may take weeks, months, even years, to find a piece that talks to me. Most of the time though, a fragment of fabric, clothing or object, will trigger off the idea. I collect and document many of the pieces I find, by labeling or remembering, its history of when & where it was found. This gives me another layer to work with.

The search for materials has taken me to many weird and wonderful places over the years.

The sometimes, dodgy, back streets of cities, in Barcelona, Italy and France. Markets and charity shops in Australia, France and England. Underground spaces, abandoned buildings, coast lines and vacant beaches. Friends, family and strangers, have also, donated materials to use in my work.

By transforming old, recycled and reused materials, it enriches the stories I like to tell in my contemporary art and gives a new life, to materials destined to be wasted and thrown away.

© 2019, Jenny Davis. All rights reserved.

Mixed Media Collage. 3 New Works on Paper.

Sunday, September 2nd, 2018

3 New mixed- media collages on 300gsm watercolour paper (Unframed).

I  like to create new visions, by recycling and dissecting vintage papers that I may, or not hand paint with acrylic paints and inks.

Process – On a background of strong 350gsm artist water- colour paper, I add layers of acrylic paints, fragments of vintage papers and random marks, using French ink pens.

Earth Renewable

Recycled Polyhedron

Recycled Symmetry

 

 

© 2018, Jenny Davis. All rights reserved.

Art backgrounds or not? Do you like to see artwork in a room?

Monday, July 23rd, 2018

 

I’m not sure how I feel about showing artworks with mock -up backgrounds. So, recently I purchased a few mock – ups, and have been playing around with them. I’d like to display my artworks a little bit differently, being, there are, so many other artists online.  I’m just wondering, if putting artworks with interesting backgrounds, makes any difference, for viewers, collectors etc. and, in getting it found in the search engines easier. I think they look cleaner, but at the same time, I don’t want to categorize my artwork as being, just “interior design” pieces. I’d love to hear what others think…

 

 

If you feel inclined, your welcome to add a comment at the bottom of this post.

 

 

 

Do you like to see artworks viewed in a room, or framed ? or do you prefer see artworks on their own, with no backgrounds?

You can also view some of my artworks in rooms in my gallery area

 

 

Thank you in advance!

 

 

© 2018, Jenny Davis. All rights reserved.

Rustmatter abstract paintings now available.

Sunday, July 8th, 2018

New paintings available in my gallery. “Rustmatter” series. I want to capture the “beauty & hope” in decline, before its gone and continues my investigation into the disintegration and decay of the environment, of life and the human psyche.

 

Experiments with layers of rust, paint, iron shavings and salt. Finally, surfaces emerged, worn , weathered and sometimes ancient. I then sealed the paintings to keep stable and lock in the layers.

 

 

 

 

Each painting is a visual and textural descent into the abandoned, the derelict, the vacant and the forgotten. Curator & Arts Writer, Dr. Ewen Jarvis.

 

 

Rustmatter 17

 

Rustmatter 12

 

Rustmatter 16

Rustmatter 14

 

Rustmatter 15

 

 

NOTE – All inclusive : Express Post, Tracking, Signature, Insurance & Packaging.

 

© 2018, Jenny Davis. All rights reserved.

Time Worn Surfaces. Fine Art Prints. Jenny Davis

Sunday, July 1st, 2018

Currently available in my Gallery ,” Limited Edition” art prints

To purchase my Wallmatter series, please go to the Gallery  page.

Each collection of 10 prints is $35.00 AU. and includes (Free Worldwide Postage)

You will receive
1 collection of 10 Wallmatter art prints/cards shown
Blank on back + 10 white paper envelopes
One of each design
6″ x 4″ – 15 x 10cm. ea.
Designed from my original abstract paintings
Printed professionally
100% Recycled paper stock
Sustainably sourced
Matt finish

 

 

 

 

 

A beautiful way to send a personal message to your friends and family or, frame for a unique art display in your home or workplace.

 

About Wallmatter series.”A visual and textural descent into the abandoned, the derelict, the vacant and the, forgotten surface.”Through her utilisation of forlorn industrial structures, stained and crumbling walls, acts of graffiti, redundant signage, and portals giving access to meandering subterranean systems,of timeworn surfaces. Jenny Davis evokes a unique vision at once spare and lavish, material and ghostly. It is a vision that elevates the significance of random marks, stress fractures and other imperfections, while enfolding the viewer in an atmosphere of chromatically gentle and strangely opulent decay.”

 

 

To purchase please go to my Gallery page and scroll down to “Small Art Prints”.

(Free Worldwide Postage)

 

 

© 2018, Jenny Davis. All rights reserved.

TurkRedghost Series. Textile Art. Antique & Vintage Textiles.

Wednesday, June 27th, 2018

I grew up in a “make do and mend” family, where nothing much was thrown away and would be mended or, re-purposed into something else, therefore, many of my textile pieces are hand- made, created from antique & vintage sourced materials and may include, discarded, abandoned, found objects. I have been working with textiles all my life. My mother was a dressmaker and as a child, I would collect the fabric scraps and make wall hangings and soft sculpture.

For further details about my textile pieces, please go to my gallery page and click under  “Textile Art”

“TurkRedghost” series

Sometimes the antique textiles I work with, seem to yell at me, but mostly, they lay silent, as I make my own marks alongside, others gone before. Ragged bits, old and new stitching, tracing marks left behind on old textiles are a reminder, of a time when women, had many obligations and few choices. I feel comfortable, as I stitch, tear, dye and reinforce the fragmented pieces. Somehow, I hope, in a small way, by reclaiming and reworking the textiles, I can give a voice to those women.

 

 

 

 

TurkRedghost 1

 

 

 

TurkRedghost 4

 

 

TurkRedghost 3

 

 

 

TurkRedghost 2

 

 

© 2018, Jenny Davis. All rights reserved.

Yering Station Art Gallery & Spaces Below

Wednesday, April 11th, 2018

Current Exhibition in the Main Gallery at Yering Station –  10 April – 20 May.

JENNY DAVIS — SPACES BELOW

Wallmatter, Oil paint on canvas, 140 x 180 cm

‘Spaces Below’ is a visual and textural descent into the abandoned, the derelict, the vacant and the forgotten. Through her utilisation of forlorn industrial structures, stained and crumbling walls, acts of graffiti, redundant signage, and portals giving access to meandering subterranean systems, Jenny Davis evokes a unique vision at once spare and lavish, material and ghostly. It is a vision that elevates the significance of random marks, stress fractures and other imperfections, while enfolding the viewer in an atmosphere of chromatically gentle and strangely opulent decay. The abstractions that haunt these works are investigations of the many traces that run like hieroglyphs and riddles across the surface of neglected structures.

Davis’s subterranean life began in childhood. Drawn to ‘small spaces’ where she wouldn’t be disturbed, she would play in drainpipes, on vacant industrial sites and in newly constructed buildings, often working discarded materials into makeshift furniture and decorative objects. After an arts residency in Barcelona in 2005 and a visit to France in 2006, Davis steered her arts practice toward spaces reminiscent of those early childhood memories. In researching and documenting understructures, abandoned buildings and marks left behind in the built environment, she found ‘beauty in decay, random marks, aerial perspectives, graffiti and weathered surfaces’. Ever attuned to the narrative and oneiric possibilities of timeworn surfaces, Davis’s latest exhibition creates an altogether seductive immateriality from abrasive mediums such as cement, iron and rust.

Davis’s practice spans twenty-five years and encompasses painting, sculpture, drawing, collage, photography, book arts, textiles, installation‚ video‚ sound and virtual worlds.  Her artwork has been exhibited in Australia, Germany, France, Spain, the UK and the US and is represented in numerous private and public collections. She has received awards and residencies both nationally and internationally, and her digital artworks have been projected onto buildings in Times Square, New York and in 2017 at The Venice Biennale 57. “La Biennale di Venezia” in Italy. Davis currently works from her studio in the Yarra Valley region of Victoria, Australia. By DR. Ewen Jarvis 2018

Wallmatter 5, Acrylic, shellac, pigment, sealer on canvas, 122 x 92 cm

For more information please contact

Dr Ewen Jarvis

Curator

Yering Station Art Gallery

38 Melba Highway

Yarra Glen Vic 3775

P + 61 3 9730 0100

M + 0400 894 646

artgallery@yering.com

www.yering.com

© 2018, Jenny Davis. All rights reserved.

View of Urban Paris.

Friday, April 6th, 2018

One thing leads to another, everything is connected…

split second images flash by –  embed

opening cracks

rough

rust

decay

rubble

dirt

paint

crumble

torn

scratchy

weathered

worn

unseen

forgotten

abandoned beauty…

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

© 2018, Jenny Davis. All rights reserved.