Archive for the ‘mixed media’ Category

Digital Collage and Photoshop.

Wednesday, November 16th, 2016

Digital Collage and Photoshop.

When making my art, I rarely follow rules. Not knowing, techniques, materials and technology, doesn’t bother me and can be a blessing. It gives me more freedom to play around and discover things, that wouldn’t otherwise, be found.

A few images of recent experiments in Photoshop and other programs using my own artworks.

 

 

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Do you always follow the rules when creating?

 

Concretematter. New Sculpture in the Gallery.

Wednesday, July 27th, 2016

New Sculpture in the Gallery. Concretematter.

New sculpture available from my exhibition at The Memo,in Healesville Victoria Until Tues.16th August 2016

Jenny Davis_Wallmatter Exhibition_2016 16s

For more information please contact

Jade Bitar
Regional Exhibitions Officer
03 5965 3509 / 0419 384 526
exhibitions@yarraranges.vic.gov.au

Concretematter

To construct my 3D objects, I have used various methods: eco rust and Japanese Shibori dyeing, molding, casting, curing, sanding, chiselling, engraving, embedding, propagating, tearing, burning, sealing and finishing. To create the pieces, I combine hard and soft materials: industrial concrete, found packaging, lichen, moss, seaweed, vintage glass, cloth fragments and rusted found objects.

 

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Wallmatter Exhibition Photos – Jenny Davis – 2016

Thursday, July 14th, 2016

Wallmatter Exhibition Photos – Jenny Davis – 2016

A huge thank you to everybody who attended the opening of my new exhibition Wallmatter last Saturday. A special thank you to all the people who helped me pull it altogether and make it a special day.  I feel so blessed and encouraged with all the support shown for my artwork and the new friendships I made.

Wallmatter continues until Tuesday August 16th at The Memo, Healesville Victoria. Free Entry. All artworks are for sale.

A few photos I took the next day as I forgot my camera on opening night.

Wallmatter

An installation of paint, concrete, rust and
textiles, inspired by imperfections and
weathered surfaces, linking to the abandoned
and neglected spaces found in urban and rural
environments.

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“Surfaces and objects touched by time tell a
story and are a raw reflection of their environment.
I want to highlight the significance of a random
mark, or the crumbling texture of a wall in an
underground space. They are evidence to a
previous time in history. My abstractions are
investigations into marks and traces left behind
in the urban and rural environment.”
– Jenny Davis, Artist

 

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Unresolved, Revenge, Dangerous, Strange. Published Artworks.

Tuesday, June 14th, 2016

 

 

As mentioned in my previous post, here are some photographs from my published article in “Sew Somerset Summer 2016” magazine on, how to make your own mixed media collage’s, from vintage, Pulp Fiction paperback books or, any other damaged books.

 

 

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I love reclaiming and re-using, old tattered books that would otherwise, be tossed in the garbage giving them a new life and a new meaning. Instead of them being destroyed and forgotten.

 

 

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I collect discarded objects and litter from the streets, along with items people would otherwise throw away and use them in my art and installation work. I physically dismantle my collected items, and then reassemble them, with the intention to reconstruct its purpose, from its earlier meaning and appearance.

 

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My artworks are little mixed-media collage’s, created from, vintage “Pulp Fiction” book pages, old linen cloth, thread, paint, coloured pencils and ink.

 

 

Vintage Pulp by Jenny Davis 14m

 

As a thank you to all my readers Use Coupon Code PUBL0616 for a  50% discount on this magazine when you checkout at Stampington.com, and buy four (4) or more copies of the title. Click on image below!

 

Vintage Pulp Artwork & Article Published in US. Magazine.

Saturday, June 4th, 2016

Artwork & Article Published in US. Magazine.

 

 

Vintage Pulp

Congratulations on having your artwork and article published in Sew Somerset!

Earlier this year I was approached by Stampington & Company in the USA. to write a feature article, about my mixed- media collages, for their magazine.

Today I am happy to announce my article and artwork has been published and is featured in the latest, “Sew Somerset Summer 2016” magazine.

 

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My paper mixed media collages, are created from old, damaged, vintage pulp fiction book pages, vintage pieces of linen and more.

I will post photographs of the article and where you can buy the magazine soon!

 

Experiments with Concrete Cloth and Rust. Sculpture.

Sunday, May 15th, 2016

Experiments with Concrete Cloth and Rust. Sculpture.

Just a quick update about what Ive been doing lately.

 

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Work for my exhibition was almost finished, until, I discovered a bunch of rusted textiles Id forgotten about. Now, I want to make more sculpture. A solid form with thin wafers of cloth, concrete and rust.

 

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Today, I’m heading into the studio to work out how to achieve this. Wet concrete is very formless so pouring, layer, upon layer of cloth then, concrete, in a mold, just wouldn’t work. The cloth would get covered with concrete on the outer edges and I want slices of cloth sticking out and visible on the outside.

 

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Funny thing is, when I Googled it, all I came up with was my own experiments and work with concrete, cloth and rust.

 

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So, I’m now in the process of inventing how to do this:)

More details about my “Wallmatter” exhibition coming soon!

 

 

Experimental Painting. Industrial Materials and Methods.

Friday, April 22nd, 2016

Experimental Painting. Industrial Materials and Methods.

Its been almost a year since I started this group of paintings using traditional, non traditional, industrial, materials and processes. There are 20 paintings altogether.

After several months of research and practical experiments, I finally discovered how to make my textural, gritty surfaces, stable and permanent for a flexible base.

 

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Concrete. Rust. Textile. Sculpture. Work in the Studio.

Sunday, April 3rd, 2016

Concrete. Rust. Textile. Sculpture. Work in the Studio.

Experiments with concrete, rust and textiles in developing sculpture.

 

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Junk packaging for mold making

 

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Taped up packaging filled with concrete, rust and cloth.

 

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Poured wet concrete sculpture

 

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A series of 3D objects in the making

 

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The first raw reveal after 24 hours. At this stage, I need to make my final decisions and changes to this sculpture, while the concrete is still soft enough to work with. I discovered in some of my earlier experiments, once its rock hard, its more difficult to work with.

 

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I am still working on this series of sculptures using concrete, rust and textiles that will be part of my “Wallmatter” exhibition.

 

“Just turn up and the work will show itself”. New Work.

Monday, February 15th, 2016

I’m not sure where I’ve heard this, but fully believe in this saying,

“Just turn up and the work will show itself”

Today, I headed to the studio and let go of all the pressure, I had been putting on myself for weeks, about starting new work for my next exhibition.

 

Jenny Davis_Concrete Mixed Media 6a

 

I sat for awhile without any expectations, trying to connect to something.

 

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I then started playing around with materials, I hadn’t used since art school

 

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and after finding some leftover weathered metal from my welding days

 

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my ideas eventually came together.

 

 

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By just letting go and believing in the creative process

 

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I now, have a better idea of where I’m heading with my project

 

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and some of the materials I will be using.

 

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Stripping Back Layers. Plaster. Old Wallpaper. Paint.

Saturday, January 16th, 2016

Stripping Back Layers. Plaster. Old Wallpaper. Paint.

Taking away layers stripping back identity to get to the essence of something

 

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is much more interesting to me than creating something recognizable

 

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As a child I was more interested in pulling things apart to investigate the material it was made from

 

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I then went further and tried to destroy the material scratching into it to get back the original source

 

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I still do that today in all my work

 

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experimenting with layers of paint plaster found papers antique french print vintage wallpapers and ink

 

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pulling apart scratching tearing and ripping