Archive for the ‘Painting’ Category

New Paintings. Overland Nomadic Wandering.

Sunday, April 23rd, 2017

In the media we are bombarded with images relating to the massive global refugee problem. Links to the landscape, tracing the inhuman, nomadic chaos of the exiled, wandering the earth at this time in history. Each painting has been created, using acrylic paints and oil pigment on stretched canvas. Varies sizes.

 

 

Title –  Deep Blue Walking

 

 

 

 

Title –  Blue on Ochre on Cream

 

 

 

 

Title –  Blue on Ochre on Grey

 

 

 

 

Title –  Yellow Walking

 

 

 

 

Title –  White Trail Walking

 

 

 

 

 

Small Abstract Oil Paintings. Still & Interruption.

Sunday, November 20th, 2016

Small Abstract Oil Paintings. Still & Interruption.

 

 

 

jenny-davis_still2-_oil-paint-on-canvas_2016jenny-davis_still3-_oil-paint-on-canvas_2016jenny-davis_still1-_oil-paint-on-canvas_2016s

 

 

 

 

 

I spent a lot of time trying to get the surface just right, on these 3 paintings, as I wanted each piece to stand on its own, as well as, together as a whole. I also wanted to convey a feeling of stillness. A space to sit awhile.

 

 

 

 

jenny-davis_sti-l-horizontal_oil-paint-on-canvas_2016

 

 

 

The 3 below have colour and movement. I feel they are not yet resolved and will probably work back in with more layers.

 

 

 

jenny-davis_interuption_oil-paint-on-canvas_2016bs

 

 

 

I’m enjoying, the smaller scale paintings at the moment, especially after all the large ones I did over the past year for my “Wallmatter” exhibition.

 

 

 

 

jenny-davis_interuption-3-_oil-paint-on-canvas_2016sjenny-davis_interuption-1-_oil-paint-on-canvas_2016sjenny-davis_interuption-2-_oil-paint-on-canvas_2016s

 

 

Its a whole different way of working. Large paintings have huge sweeping strokes, where the whole body is involved. Smaller artworks allow me to come in close and are not so hard on my body. I can work longer on them, without too much pain to my back and neck.

Wallmatter Exhibition Photos – Jenny Davis – 2016

Thursday, July 14th, 2016

Wallmatter Exhibition Photos – Jenny Davis – 2016

A huge thank you to everybody who attended the opening of my new exhibition Wallmatter last Saturday. A special thank you to all the people who helped me pull it altogether and make it a special day.  I feel so blessed and encouraged with all the support shown for my artwork and the new friendships I made.

Wallmatter continues until Tuesday August 16th at The Memo, Healesville Victoria. Free Entry. All artworks are for sale.

A few photos I took the next day as I forgot my camera on opening night.

Wallmatter

An installation of paint, concrete, rust and
textiles, inspired by imperfections and
weathered surfaces, linking to the abandoned
and neglected spaces found in urban and rural
environments.

Jenny Davis_Wallmatter Exhibition_2016 5s

 

Jenny Davis_Wallmatter Exhibition_2016 4s

 

Jenny Davis_Wallmatter Exhibition_2016 16s

 

Jenny Davis_Wallmatter Exhibition_2016 3s

 

Jenny Davis_Wallmatter Exhibition_2016 8s

“Surfaces and objects touched by time tell a
story and are a raw reflection of their environment.
I want to highlight the significance of a random
mark, or the crumbling texture of a wall in an
underground space. They are evidence to a
previous time in history. My abstractions are
investigations into marks and traces left behind
in the urban and rural environment.”
– Jenny Davis, Artist

 

Jenny Davis_Wallmatter Exhibition_2016 s

 

Jenny Davis_Wallmatter Exhibition_2016 19s

 

Jenny Davis_Wallmatter Exhibition_2016 10s

 

Jenny Davis_Wallmatter Exhibition_2016 2s

 

Jenny Davis_Wallmatter Exhibition_2016 17s

 

Jenny Davis_Wallmatter Exhibition_2016 7s

 

Jenny Davis_Wallmatter Exhibition_2016 11s

 

Jenny Davis_Wallmatter Exhibition_2016 15s

 

Jenny Davis_Wallmatter Exhibition_2016 13s

 

Jenny Davis_Wallmatter Exhibition_2016 12s

 

Jenny Davis_Wallmatter Exhibition_2016 9s

 

Jenny Davis_Wallmatter Exhibition_2016 10s

 

Jenny Davis_Wallmatter Exhibition_2016 14s

Crut. New Paintings. Cradled Boards.

Saturday, June 25th, 2016

Crut. New Paintings. Cradled Boards.

Jenny Davis_Crut_Acrylic paint oil paint on birch cradled Board under 2rgb

 

3 new paintings, well, it’s actually one painting, a triptych, I did for a recent art prize. Each painting was made with acrylic paint and small areas of oil paint on birch cradled boards.

 

Jenny Davis_2016_Crut_Acrylic Paint, Oil Paint on Birch Cradled Board 1

 

I love using boards for painting. The surface is much more forgiving than canvas. Perfect for the spontaneous, mark-making and material layering I tend to do.  I can scratch, sand, scrape back, engrave and it won’t tear, or break like canvas.

 

Jenny Davis_2016_Crut_Acrylic Paint, Oil Paint on Birch Cradled Board

 

If I could get larger cradled boards and still be able to lift them, I would be very happy. The size of these boards are 50 x 50cm. each. Overall size 150cm. x 50cm.

 

Jenny Davis_2016_Crut_Acrylic Paint, Oil Paint on Birch Cradled Board 2

 

About Crut

Communication to the masses. Text in the environment can mark territory, give control and can validate those, who don’t have a voice in the mainstream order. Through mark-making in the environment everybody can be heard. I see beauty and at times, desperation in the messages, found in the streets, and in the abandoned, underground and derelict spaces. Layers of tagging, graffiti and found marks on weathered surfaces tell stories about the past, present and future. Aesthetically they can be beautiful, even though they may have been painted illicitly on a wall, or other surface’s. My abstractions are investigations into, marks, traces and messages, left behind, in the urban and rural environment.

 

Jenny Davis_Crut_Acrylic paint oil paint on birch cradled Board under 2rgb

“Wallmatter” Exhibition Progress. Jenny Davis 2016.

Sunday, May 29th, 2016

“Wallmatter” Exhibition Progress. Jenny Davis 2016.

Wallmatter 3s

 

All my paintings are now finished and have been taken to the framers for my upcoming exhibition, in July and I managed to fit all, 17 paintings, into the car for the short trip to Healesville.

 

Jenny Davis_Wallmatter paintigns framers

 

While the paintings are at the framers I have been creating and finishing off, other pieces in the show. It has also, given me pockets of time to concentrate on the written stuff, which I find a bit difficult sometimes.

 

Jenny Davis_Sculpture2_2016

Jenny Davis_Sculpture6s_2016

Jenny Davis_Sculpture7s_2016

 

My art statement has changed a million times, but I think I’m happy with it now. Id rather just let my artwork speak for itself but, finally, after many years, I’m actually starting to enjoy the process of writing the art statement. I see it now, as an extension of my work and not, just an unrelated, add on . As an artist, you know yourself, what your art is all about, but putting it out there, for the viewer, in words, honestly, without all that “artspeak”, is a whole different art, I’ve had to learn over the years.

 

Jenny Davis_Wallmatter Paintings lot_ 2016

 

If you need help writing art statements, here is fantastic book that has helped me.  “Art-Write. The Writing Guide for Visual Artists by Vicki Krohn Amorose.”  It’s a simple, step by step guide on writing, not only, art statements but also,  speeches, proposals, bio, press release’s and more. Its all related to the visual artist.

 

Jenny Davis_Sculpture8_2016

 

The ad for “Art Almanac” magazine has been designed and sent off to the magazine and the invite/ad for “Wallmatter” exhibition, has been designed, with some help from my daughter overseas in France… Amazing Skype!

 

Jenny Davis_Sculpture3_2016

Jenny Davis_Sculpture4_2016

Jenny Davis_Sculpture_2016

 

The catalogue price list has taken a long time as every detail of every single piece has to be written down and priced.  It’s an ongoing venture and still in progress as I keep adding more pieces. The food and drinks for the opening have all been taken care of, thanks, to a couple of dear friends for their help.

 

Jenny Davis_Artist Books4s_2016

 

I’m still making some flat concrete stands I want to sit my sculpture’s on. One of them broke, so I’m not sure yet, whether Ill to use them, or not. I also need to find a way to get my paintings to the exhibition. Once framed they won’t fit into my car. Something I didn’t think off:)

 

Jenny Davis_Artist Books2s_2016

 

The last thing I will need to do is photograph and document all the pieces, before they are sent off to the gallery. Encase they don’t come back home again:) Hopefully!

 

Jenny Davis_Artist Books_2016

 

More details of what? when? and where? coming very soon!

 

 

Experimental Painting. Industrial Materials and Methods.

Friday, April 22nd, 2016

Experimental Painting. Industrial Materials and Methods.

Its been almost a year since I started this group of paintings using traditional, non traditional, industrial, materials and processes. There are 20 paintings altogether.

After several months of research and practical experiments, I finally discovered how to make my textural, gritty surfaces, stable and permanent for a flexible base.

 

Jenny Davis_Wallmatter Studio1_Workinprigress

Jenny Davis_Wallmatter Paintings lot_ 2016

Jenny Davis_Wallmatter Paintings_ 2016

Jenny Davis_Outlook8studio

_20160416_075432

Jenny Davis_Wallmatter Paintings closeup2_ 2016

Jenny Davis_Wallmatter Paintings_Mixed Media_ 2016

Jenny Davis_Wallmatter Paintings closeup_ 2016

Jenny Davis_3 Wallmatter Paintings _ 2016