Archive for the ‘Painting’ Category

Happy New Year ! New Work. New Exhibition.

Saturday, January 13th, 2018

After, a much needed break it’s back to work for 2018. I’m getting all geared up for my next solo exhibition, in April. I’m just waiting on a paint delivery and sorting out the studio, before I start the new work.

During my break, I worked on my website and listed more paintings in my Gallery.

I will also be adding more paintings, mixed media and textile pieces shortly.

 

“Silver Cad Connections” 1 & 2

A static flow through and within .

 

 

“Lemon Under Cad”

It just is…

 

 

“Moment 3”

One fleeting moment. A thought caught in a fraction of time.

 

 

“Fleeting Moment 4”

One fleeting moment. A thought caught in a fraction of time.

 

 

“Fleeting Moment 5”

One fleeting moment. A thought caught in a fraction of time.

 

 

 

 

How to Stretch a Canvas for Painting

Monday, December 4th, 2017

When I first started painting, the thought of stretching my own canvas was frightening, but after a few attempts of stretching a canvas it came to me automatically. I was able to make canvases for half the price of store bought ones. Also, stretching your own canvas can trigger off the beginning of the creation through the hands on process of doing it yourself. Hope this helps.

Materials and equipment

Pre- made stretcher frame/ or self-made

Canvas material cut 10cm approx larger than your stretcher frame

Canvas staple gun

How to Stretch a Canvas

Lay your canvas on a flat surface wrong side up then lay your stretcher right side down on top of canvas. Pull the sides of your canvas up and round to the top of the stretcher.

DIAGRAM 1 Secure the 4 points with staples or tacks to create a diamond shaped wrinkle in the canvas. Check diagonals and adjust the stretcher for squareness before going further.

 

CANVAS DIA 1DIAGRAM 2– Secure the canvas to the stretcher with staples approx. every 6 cm. around the edge, working from the center points outwards. Pulling the canvas as you go. Continue working out to the corners in this pattern. Do not overstretch the canvas. When applying tension, the canvas pliers should not be forced to pull the canvas in place. The tension of course will become greater as you work towards the corners.

CANVAS DIA 2FOLD– the corners under; as neatly as you can, leaving no exposed tab that maybe caught and damaged. Staple or tack excess canvas that wraps around to the back of the frame.

HINT– Once finished and your canvas and is not as tight as you would like, fill a small spray bottle with luke-warm water and spray the canvas on the back. Once dry your canvas will be as tight as a drum. Happy painting!

Back to Outlook8studio  Tutorials

Homemade Gesso Paint!

Saturday, November 18th, 2017

I love Gesso paint and use heaps of it in my work. It’s gritty, chalky and can be applied to artwork to give a translucent or opaque look. It’s also very expensive so I decided to make my own.

 

Gesso is used for many things such as a primer for canvas or on paper to give a good base for painting, drawing or mixed media work.  When making collage I use it as a gluing medium to stick on papers, in-between, painting and drawing layers.

The recipe below makes 2 litres of Gesso paint

( If not using straight away, this Gesso will last approx. 4-6 weeks)

Homemade Gesso

PLASTER MIX

1 cup Plaster of Paris or fine white plaster powder

1 cup of PVA or white glue

1 cup hot water

PAINT

3 cups white acrylic paint

UTENSILS

Container, cup and mixing stick or spoon

RATIO: 1-3

Plaster Mix 1 – Acrylic paint 3

Method

To make the plaster mix. Add the plaster to the hot water and stir ( Safety purposes: always add the plaster powder to the liquid, not liquid to plaster, as it will blow up into your face and always wear a dust mask)

Dust Mask

“Plaster of Paris” and cup

Hot water and mix

Next add the PVA or white glue, stir.

Finally add the white acrylic paint and mix. ( I used some acrylic powder paint I had and made it up with water) You can use any kind of acrylic paint or colour .

 

Result

I was very happy with the result. The gesso is translucent with the gritty bits I like. You can also do several layers of gesso to give a more opaque appearance. It covered my canvas very well with only 1 coat. When adding more than 1 coat you can sand in- between to give a really smooth surface for detailed work .

2 litres of Gesso

Gesso on stretched canvas

Gesso on paper

 

 

To see this and more of my free tutorials, please go to  Tutorials I even show you how to make my large studio easel.

 

The Life of a Painting. Changing Back to Oil Paints.

Sunday, November 5th, 2017

A few years ago, I changed from oil paints, to acrylics, after I became allergic to the turps. I’m still not used to painting with acrylics as, I just love the lushness, depth and movement of oil paints. Something, I haven’t been able to achieve with acrylics. So, recently I bought some oil painting supplies, eco friendly turps, to see, if I’m still allergic to it.

 

The life of a Painting.

Oil paint , medium, wax on canvas

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sometimes I think, I should stop earlier, when its fresh and spontaneous, but usually keep going. I  just have to trust the process and know, that eventually, I will end up with something I’m happy with.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I will revisit the painting, in a few days time to decide, whether I will take it further. At the moment, I’m feeling, times long past.

The Old School House & Friends.

Thursday, September 7th, 2017

For the past decade or so, I have worked with an amazing group of women artists at the old schoolhouse in Badger Crk. Victoria. We meet up weekly to paint, throw around ideas, experiment and play with new, unusual, materials and techniques. This time is invaluable to me, as it, gives me a break from the usual, business side of making art and gets me out of the studio. We chat about our work, share ideas and discuss what’s happening in the world and our lives. Mostly,  it’s just a whole lot of fun, mucking around with good friends who happen to love making art.

 

Lately at the schoolhouse I have been working on some mixed media pieces with paint paper, cloth and thread.

 

I use thread and needle to make marks through the artwork.

 

Each stitch leads onto the next, weaving over the painting.

 

Found papers intermingle with rotted and rusted cloth.

 

I like to use off- cuts of textile, paper and patterns and throw it against slabs of paint and marks.

 

In the above artwork I am enjoying the contrast of the piece of vintage cross stitch, I found in an op shop once.

 

I just let the stitches wander around and find their own place in their own time. I’m not in control and use the thread, as another tool to make marks.

 

I don want to make embroidery’s and my mistakes can be my jewels.

 

All these artworks are in progress and not yet finished. Some may just be experiments for fun and to learn from.

 

 

 

 

Art Blog Diaries. Reminiscing & Evolving as an Artist.

Saturday, May 13th, 2017

I started this blog back in the early 2000’s as a sort of diary, to document my work and creative life and to give something back to others.

 

 

Going through some of my old posts recently, I was able to pin point, some pivotal moments in my life, of where my ideas and artworks originally came from, why my work and arts practice has changed and how, it’s evolved over the years, to where it is today.

 

 

 

After visits to Europe, UK and an arts residency in Spain, in 2005, I especially noticed some changes in the way I was working. Though I have always worked between disciplines, painting was always my main form of expression. I was becoming more dissatisfied with just painting and found it hard to do any creative work for awhile. Then, after a 3 month stay in France 2007, I realized I could no longer, only use paint, to express my ideas.

 

 

 

 

This led to a series of experimental installations, videos and a book of photographs. Touched by Dada and Surrealist ideas, I had to re-access what I was doing as an artist.

 

 

 

 

 

The installation and video below “Parisgrit” was shown at Tilt Gallery, in Melbourne in 2006. I can see quite a few interesting elements in it, but it’s way too long and very noisy. Maybe someday, I will get around to re-working it and revamping it into something else.

 

 

 

 

 

By looking back over my old blog posts or (diary entries) I find it helpful, to reflect on the areas, where I can make improvements and expand on previous ideas. I can also see where, my ideas have come from. I get a glimpse of how & why, my artwork, techniques and materials have changed over time and maybe where I could be heading in my arts practice.

The Venice Biennale 57. Wallmatter 17.

Saturday, May 6th, 2017

I just found out my painting “Wallmatter 17” has selected to be presented as a digital display at, The Biennial Project’s extravagant, event in Venice, Italy, during the opening/press week of The Venice Biennale 57. “La Biennale di Venezia”

Thank you The Biennial Project!

 

TITLE Wallmatter 17
MED Acrylic paint, lime, sand, cement, sealer on canvas. (Contemporary washed veneer wooden frame)

New Paintings. Overland Nomadic Wandering.

Sunday, April 23rd, 2017

In the media we are bombarded with images relating to the massive global refugee problem. Links to the landscape, tracing the inhuman, nomadic chaos of the exiled, wandering the earth at this time in history. Each painting has been created, using acrylic paints and oil pigment on stretched canvas. Varies sizes.

 

 

Title –  Deep Blue Walking

 

 

 

 

Title –  Blue on Ochre on Cream

 

 

 

 

Title –  Blue on Ochre on Grey

 

 

 

 

Title –  Yellow Walking

 

 

 

 

Title –  White Trail Walking

 

 

 

 

 

Small Abstract Oil Paintings. Still & Interruption.

Sunday, November 20th, 2016

Small Abstract Oil Paintings. Still & Interruption.

 

 

 

jenny-davis_still2-_oil-paint-on-canvas_2016jenny-davis_still3-_oil-paint-on-canvas_2016jenny-davis_still1-_oil-paint-on-canvas_2016s

 

 

 

 

 

I spent a lot of time trying to get the surface just right, on these 3 paintings, as I wanted each piece to stand on its own, as well as, together as a whole. I also wanted to convey a feeling of stillness. A space to sit awhile.

 

 

 

 

jenny-davis_sti-l-horizontal_oil-paint-on-canvas_2016

 

 

 

The 3 below have colour and movement. I feel they are not yet resolved and will probably work back in with more layers.

 

 

 

jenny-davis_interuption_oil-paint-on-canvas_2016bs

 

 

 

I’m enjoying, the smaller scale paintings at the moment, especially after all the large ones I did over the past year for my “Wallmatter” exhibition.

 

 

 

 

jenny-davis_interuption-3-_oil-paint-on-canvas_2016sjenny-davis_interuption-1-_oil-paint-on-canvas_2016sjenny-davis_interuption-2-_oil-paint-on-canvas_2016s

 

 

Its a whole different way of working. Large paintings have huge sweeping strokes, where the whole body is involved. Smaller artworks allow me to come in close and are not so hard on my body. I can work longer on them, without too much pain to my back and neck.

Wallmatter Exhibition Photos – Jenny Davis – 2016

Thursday, July 14th, 2016

Wallmatter Exhibition Photos – Jenny Davis – 2016

A huge thank you to everybody who attended the opening of my new exhibition Wallmatter last Saturday. A special thank you to all the people who helped me pull it altogether and make it a special day.  I feel so blessed and encouraged with all the support shown for my artwork and the new friendships I made.

Wallmatter continues until Tuesday August 16th at The Memo, Healesville Victoria. Free Entry. All artworks are for sale.

A few photos I took the next day as I forgot my camera on opening night.

Wallmatter

An installation of paint, concrete, rust and
textiles, inspired by imperfections and
weathered surfaces, linking to the abandoned
and neglected spaces found in urban and rural
environments.

Jenny Davis_Wallmatter Exhibition_2016 5s

 

Jenny Davis_Wallmatter Exhibition_2016 4s

 

Jenny Davis_Wallmatter Exhibition_2016 16s

 

Jenny Davis_Wallmatter Exhibition_2016 3s

 

Jenny Davis_Wallmatter Exhibition_2016 8s

“Surfaces and objects touched by time tell a
story and are a raw reflection of their environment.
I want to highlight the significance of a random
mark, or the crumbling texture of a wall in an
underground space. They are evidence to a
previous time in history. My abstractions are
investigations into marks and traces left behind
in the urban and rural environment.”
– Jenny Davis, Artist

 

Jenny Davis_Wallmatter Exhibition_2016 s

 

Jenny Davis_Wallmatter Exhibition_2016 19s

 

Jenny Davis_Wallmatter Exhibition_2016 10s

 

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Jenny Davis_Wallmatter Exhibition_2016 17s

 

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Jenny Davis_Wallmatter Exhibition_2016 10s

 

Jenny Davis_Wallmatter Exhibition_2016 14s