Archive for the ‘Painting’ Category

Rustmatter abstract paintings now available.

Sunday, July 8th, 2018

New paintings available in my gallery. “Rustmatter” series. I want to capture the “beauty & hope” in decline, before its gone and continues my investigation into the disintegration and decay of the environment, of life and the human psyche.

 

Experiments with layers of rust, paint, iron shavings and salt. Finally, surfaces emerged, worn , weathered and sometimes ancient. I then sealed the paintings to keep stable and lock in the layers.

 

 

 

 

Each painting is a visual and textural descent into the abandoned, the derelict, the vacant and the forgotten. Curator & Arts Writer, Dr. Ewen Jarvis.

 

 

Rustmatter 17

 

Rustmatter 12

 

Rustmatter 16

Rustmatter 14

 

Rustmatter 15

 

 

NOTE – All inclusive : Express Post, Tracking, Signature, Insurance & Packaging.

 

Exhibition Launch. Yering Station. Jenny Davis. Spaces Below.

Monday, April 9th, 2018

Jenny Davis

Spaces Below

10 April – 20 May 2018

Exhibition Launch: Friday 13 April 6.00 – 7.30 pm

 

For more information please contact

Dr Ewen Jarvis

Curator

Yering Station Art Gallery

38 Melba Highway

Yarra Glen Vic 3775

P + 61 3 9730 0100

M + 0400 894 646

artgallery@yering.com

www.yering.com

View of Urban Paris.

Friday, April 6th, 2018

One thing leads to another, everything is connected…

split second images flash by –  embed

opening cracks

rough

rust

decay

rubble

dirt

paint

crumble

torn

scratchy

weathered

worn

unseen

forgotten

abandoned beauty…

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

“Spaces Below” Jenny Davis

Saturday, March 17th, 2018

Jenny Davis

Spaces Below

11th – April – 20th May

Official Opening: Friday April 13th –  6.00 – 7.30 pm

Dear Friends

Jenny Davis would like to invite you to her new exhibition, “Spaces Below”

 in the beautiful Yarra Valley, at the historical Yering Station at Yarra Glen in Victoria.

Exhibition runs – April 11th – May 20th

Address – Yering Station Art Gallery
38 Melba Highway Yarra Glen

Opening Times – Monday-Friday
10:00am – 5:00pm
Weekends & Public Holidays (including Anzac Long weekend)
10:00am – 6:00 pm

 

Commission from all sales will be donated to… L.A.R.C.H. 

(Leukaemia Auxiliary Royal Children’s Hospital)

 

For more information please contact

Dr Ewen Jarvis

Curator

Yering Station Gallery

PO Box 390

Yarra Glen Vic 3775

P + 61 3 9730 0100

M + 0400 894 646

artgallery@yering.com

www.yering.com

 

Yering Station is located at 38 Melba Hwy Yering 3770 Victoria, Australia. Directions.

Pure Abstract Painting. Abstract Art. New Course.

Sunday, March 4th, 2018

Abstract art strips away the narrative, the real and expected visual story. It requires us to resolve a problem. We want to impose a rational explanation – or see something in abstract art so we feel comfortable. It makes our brains work harder and in a different way – at a subconscious level.

 

 

 

Maybe that’s why some people find abstract art more intimidating and are quick to dismiss it.

 

 

If you are interested in learning more about abstract art and how to create abstract paintings, I am in the process of creating my first online course. “Pure Abstract Painting”

 

 

 

This is something I have been wanting to do for many years and will let you know when my course is ready for enrollment.

 

 

A few abstract paintings I’ve been working on today.  I love the continual changes when working this way.

 

 

 

Happy New Year ! New Work. New Exhibition.

Saturday, January 13th, 2018

After, a much needed break it’s back to work for 2018. I’m getting all geared up for my next solo exhibition, in April. I’m just waiting on a paint delivery and sorting out the studio, before I start the new work.

During my break, I worked on my website and listed more paintings in my Gallery.

I will also be adding more paintings, mixed media and textile pieces shortly.

 

“Silver Cad Connections” 1 & 2

A static flow through and within .

 

 

“Lemon Under Cad”

It just is…

 

 

“Moment 3”

One fleeting moment. A thought caught in a fraction of time.

 

 

“Fleeting Moment 4”

One fleeting moment. A thought caught in a fraction of time.

 

 

“Fleeting Moment 5”

One fleeting moment. A thought caught in a fraction of time.

 

 

 

 

How to Stretch a Canvas for Painting

Monday, December 4th, 2017

When I first started painting, the thought of stretching my own canvas was frightening, but after a few attempts of stretching a canvas it came to me automatically. I was able to make canvases for half the price of store bought ones. Also, stretching your own canvas can trigger off the beginning of the creation through the hands on process of doing it yourself. Hope this helps.

Materials and equipment

Pre- made stretcher frame/ or self-made

Canvas material cut 10cm approx larger than your stretcher frame

Canvas staple gun

How to Stretch a Canvas

Lay your canvas on a flat surface wrong side up then lay your stretcher right side down on top of canvas. Pull the sides of your canvas up and round to the top of the stretcher.

DIAGRAM 1 Secure the 4 points with staples or tacks to create a diamond shaped wrinkle in the canvas. Check diagonals and adjust the stretcher for squareness before going further.

 

CANVAS DIA 1DIAGRAM 2– Secure the canvas to the stretcher with staples approx. every 6 cm. around the edge, working from the center points outwards. Pulling the canvas as you go. Continue working out to the corners in this pattern. Do not overstretch the canvas. When applying tension, the canvas pliers should not be forced to pull the canvas in place. The tension of course will become greater as you work towards the corners.

CANVAS DIA 2FOLD– the corners under; as neatly as you can, leaving no exposed tab that maybe caught and damaged. Staple or tack excess canvas that wraps around to the back of the frame.

HINT– Once finished and your canvas and is not as tight as you would like, fill a small spray bottle with luke-warm water and spray the canvas on the back. Once dry your canvas will be as tight as a drum. Happy painting!

Back to Outlook8studio  Tutorials

Homemade Gesso Paint!

Saturday, November 18th, 2017

I love Gesso paint and use heaps of it in my work. It’s gritty, chalky and can be applied to artwork to give a translucent or opaque look. It’s also very expensive so I decided to make my own.

 

Gesso is used for many things such as a primer for canvas or on paper to give a good base for painting, drawing or mixed media work.  When making collage I use it as a gluing medium to stick on papers, in-between, painting and drawing layers.

The recipe below makes 2 litres of Gesso paint

( If not using straight away, this Gesso will last approx. 4-6 weeks)

Homemade Gesso

PLASTER MIX

1 cup Plaster of Paris or fine white plaster powder

1 cup of PVA or white glue

1 cup hot water

PAINT

3 cups white acrylic paint

UTENSILS

Container, cup and mixing stick or spoon

RATIO: 1-3

Plaster Mix 1 – Acrylic paint 3

Method

To make the plaster mix. Add the plaster to the hot water and stir ( Safety purposes: always add the plaster powder to the liquid, not liquid to plaster, as it will blow up into your face and always wear a dust mask)

Dust Mask

“Plaster of Paris” and cup

Hot water and mix

Next add the PVA or white glue, stir.

Finally add the white acrylic paint and mix. ( I used some acrylic powder paint I had and made it up with water) You can use any kind of acrylic paint or colour .

 

Result

I was very happy with the result. The gesso is translucent with the gritty bits I like. You can also do several layers of gesso to give a more opaque appearance. It covered my canvas very well with only 1 coat. When adding more than 1 coat you can sand in- between to give a really smooth surface for detailed work .

2 litres of Gesso

Gesso on stretched canvas

Gesso on paper

 

 

To see this and more of my free tutorials, please go to  Tutorials I even show you how to make my large studio easel.

 

The Life of a Painting. Changing Back to Oil Paints.

Sunday, November 5th, 2017

A few years ago, I changed from oil paints, to acrylics, after I became allergic to the turps. I’m still not used to painting with acrylics as, I just love the lushness, depth and movement of oil paints. Something, I haven’t been able to achieve with acrylics. So, recently I bought some oil painting supplies, eco friendly turps, to see, if I’m still allergic to it.

 

The life of a Painting.

Oil paint , medium, wax on canvas

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sometimes I think, I should stop earlier, when its fresh and spontaneous, but usually keep going. I  just have to trust the process and know, that eventually, I will end up with something I’m happy with.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I will revisit the painting, in a few days time to decide, whether I will take it further. At the moment, I’m feeling, times long past.

The Old School House & Friends.

Thursday, September 7th, 2017

For the past decade or so, I have worked with an amazing group of women artists at the old schoolhouse in Badger Crk. Victoria. We meet up weekly to paint, throw around ideas, experiment and play with new, unusual, materials and techniques. This time is invaluable to me, as it, gives me a break from the usual, business side of making art and gets me out of the studio. We chat about our work, share ideas and discuss what’s happening in the world and our lives. Mostly,  it’s just a whole lot of fun, mucking around with good friends who happen to love making art.

 

Lately at the schoolhouse I have been working on some mixed media pieces with paint paper, cloth and thread.

 

I use thread and needle to make marks through the artwork.

 

Each stitch leads onto the next, weaving over the painting.

 

Found papers intermingle with rotted and rusted cloth.

 

I like to use off- cuts of textile, paper and patterns and throw it against slabs of paint and marks.

 

In the above artwork I am enjoying the contrast of the piece of vintage cross stitch, I found in an op shop once.

 

The stitches wander around and find their own place in their own time. I’m not in control and use the thread, as another tool to make marks.

 

I don want to make embroidery’s and my mistakes can be my jewels.

 

All these artworks are in progress and not yet finished. Some may just be experiments for fun and to learn from.