Archive for the ‘textile art’ Category

Art Blog Diaries. Reminiscing & Evolving as an Artist.

Saturday, May 13th, 2017

I started this blog back in the early 2000’s as a sort of diary, to document my work and creative life and to give something back to others.

 

 

Going through some of my old posts recently, I was able to pin point, some pivotal moments in my life, of where my ideas and artworks originally came from, why my work and arts practice has changed and how, it’s evolved over the years, to where it is today.

 

 

 

After visits to Europe, UK and an arts residency in Spain, in 2005, I especially noticed some changes in the way I was working. Though I have always worked between disciplines, painting was always my main form of expression. I was becoming more dissatisfied with just painting and found it hard to do any creative work for awhile. Then, after a 3 month stay in France 2007, I realized I could no longer, only use paint, to express my ideas.

 

 

 

 

This led to a series of experimental installations, videos and a book of photographs. Touched by Dada and Surrealist ideas, I had to re-access what I was doing as an artist.

 

 

 

 

 

The installation and video below “Parisgrit” was shown at Tilt Gallery, in Melbourne in 2006. I can see quite a few interesting elements in it, but it’s way too long and very noisy. Maybe someday, I will get around to re-working it and revamping it into something else.

 

 

 

 

 

By looking back over my old blog posts or (diary entries) I find it helpful, to reflect on the areas, where I can make improvements and expand on previous ideas. I can also see where, my ideas have come from. I get a glimpse of how & why, my artwork, techniques and materials have changed over time and maybe where I could be heading in my arts practice.

Old Army Blanket and Collage.

Friday, April 21st, 2017

Still working on small textile collages.

 

 

I found an old army blanket from my childhood and couldn’t resist  it’s raggedy worn, loveliness and further rusted it. Leaving it in the elements outside for a few weeks.

 

 

It can take ages moving pieces around to get the right composition.

 

 

then sometimes it just happens straight away.

 

 

 

Adding more marks…

 

The good thing about using a stretched canvas as a base, I can stitch right into it.

Just like using a embroidery hoop.

 

Working with Textiles. Textile Collage & Drawing.

Tuesday, April 11th, 2017

I am a visual artist who works with a range of mediums and my process varies.

 

 

I use which ever vehicle helps me to express my ideas. Each work informs the other and leads onto the next idea.

 

 

The collages I’m working on at the moment are a follow on from my hand sewn fabric pieces and with more experiments I can see 3d objects creeping in

 

 

 

 

Time, Change, Erosion and Decay + Freebie Rust Dyeing Tutorial

Friday, March 17th, 2017

The process of transformation. Time, change, erosion and decay are qualities I like to celebrate. I examine and explore, the properties and possibilities, of my material and want to push the boundaries of something to get a deeper understanding.

In my latest project, I’m working with textiles over a 100 years old. I want to work with the worn and deteriorated textiles and collaborate alongside those, who in the past, so carefully stitched, mended and created, the pieces for comfort and warmth.

Each piece was once, carefully hand -stitched and now, breaking down and worn. I have very selectivity pulled apart and unpicked areas, and kept some intact.

Some areas of fabric, are so badly worn it breaks in my hands, so I have to reinforce it. Most pieces though are just left in their original state.

I then, like to push the process further with, natural & rust dying methods, mark making, hand stitching and painting with caste iron, botanical paints.

Numerous times, I expose the materials to the elements to experience the changes.

Getting to the essence of my material helps me to translate and describe its being. I rarely know the outcome of my projects and just go with the flow.

Wanting to know how to rust – dye?  Please see my  free rust – dyeing tutorial

Stuck for Ideas.

Tuesday, February 28th, 2017

Sometimes, when I’m stuck for ideas making artwork and it’s just not happening, I  like to throw a heap of things together and arrange them near my work.

The items, may relate in colour, texture and type or be opposing which, I find much more exciting. Your brain will automatically try to come up with solutions. Expanding your ideas and creating new ones.

The flow on of ideas is sometimes amazing. It can lead to, resolving the artwork in front of you, as well as, give you ideas for a whole new body of work.

Juxtaposition and connections of items together seems to work for me.

I believe there is a creative force that is connected to everything we do.

Digital Collage and Photoshop.

Wednesday, November 16th, 2016

Digital Collage and Photoshop.

When making my art, I rarely follow rules. Not knowing, techniques, materials and technology, doesn’t bother me and can be a blessing. It gives me more freedom to play around and discover things, that wouldn’t otherwise, be found.

A few images of recent experiments in Photoshop and other programs using my own artworks.

 

 

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Do you always follow the rules when creating?

 

Wallmatter Exhibition Photos – Jenny Davis – 2016

Thursday, July 14th, 2016

Wallmatter Exhibition Photos – Jenny Davis – 2016

A huge thank you to everybody who attended the opening of my new exhibition Wallmatter last Saturday. A special thank you to all the people who helped me pull it altogether and make it a special day.  I feel so blessed and encouraged with all the support shown for my artwork and the new friendships I made.

Wallmatter continues until Tuesday August 16th at The Memo, Healesville Victoria. Free Entry. All artworks are for sale.

A few photos I took the next day as I forgot my camera on opening night.

Wallmatter

An installation of paint, concrete, rust and
textiles, inspired by imperfections and
weathered surfaces, linking to the abandoned
and neglected spaces found in urban and rural
environments.

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“Surfaces and objects touched by time tell a
story and are a raw reflection of their environment.
I want to highlight the significance of a random
mark, or the crumbling texture of a wall in an
underground space. They are evidence to a
previous time in history. My abstractions are
investigations into marks and traces left behind
in the urban and rural environment.”
– Jenny Davis, Artist

 

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Unresolved, Revenge, Dangerous, Strange. Published Artworks.

Tuesday, June 14th, 2016

 

 

As mentioned in my previous post, here are some photographs from my published article in “Sew Somerset Summer 2016” magazine on, how to make your own mixed media collage’s, from vintage, Pulp Fiction paperback books or, any other damaged books.

 

 

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I love reclaiming and re-using, old tattered books that would otherwise, be tossed in the garbage giving them a new life and a new meaning. Instead of them being destroyed and forgotten.

 

 

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I collect discarded objects and litter from the streets, along with items people would otherwise throw away and use them in my art and installation work. I physically dismantle my collected items, and then reassemble them, with the intention to reconstruct its purpose, from its earlier meaning and appearance.

 

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My artworks are little mixed-media collage’s, created from, vintage “Pulp Fiction” book pages, old linen cloth, thread, paint, coloured pencils and ink.

 

 

Vintage Pulp by Jenny Davis 14m

 

As a thank you to all my readers Use Coupon Code PUBL0616 for a  50% discount on this magazine when you checkout at Stampington.com, and buy four (4) or more copies of the title. Click on image below!

 

Vintage Pulp Artwork & Article Published in US. Magazine.

Saturday, June 4th, 2016

Artwork & Article Published in US. Magazine.

 

 

Vintage Pulp

Congratulations on having your artwork and article published in Sew Somerset!

Earlier this year I was approached by Stampington & Company in the USA. to write a feature article, about my mixed- media collages, for their magazine.

Today I am happy to announce my article and artwork has been published and is featured in the latest, “Sew Somerset Summer 2016” magazine.

 

Jenny Davis_Cloth Collages_8 x 6inches smallJenny Davis_Cloth Collage Backs_8 x 6inches

 

My paper mixed media collages, are created from old, damaged, vintage pulp fiction book pages, vintage pieces of linen and more.

I will post photographs of the article and where you can buy the magazine soon!

 

“Wallmatter” Exhibition Progress. Jenny Davis 2016.

Sunday, May 29th, 2016

“Wallmatter” Exhibition Progress. Jenny Davis 2016.

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All my paintings are now finished and have been taken to the framers for my upcoming exhibition, in July and I managed to fit all, 17 paintings, into the car for the short trip to Healesville.

 

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While the paintings are at the framers I have been creating and finishing off, other pieces in the show. It has also, given me pockets of time to concentrate on the written stuff, which I find a bit difficult sometimes.

 

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My art statement has changed a million times, but I think I’m happy with it now. Id rather just let my artwork speak for itself but, finally, after many years, I’m actually starting to enjoy the process of writing the art statement. I see it now, as an extension of my work and not, just an unrelated, add on . As an artist, you know yourself, what your art is all about, but putting it out there, for the viewer, in words, honestly, without all that “artspeak”, is a whole different art, I’ve had to learn over the years.

 

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If you need help writing art statements, here is fantastic book that has helped me.  “Art-Write. The Writing Guide for Visual Artists by Vicki Krohn Amorose.”  It’s a simple, step by step guide on writing, not only, art statements but also,  speeches, proposals, bio, press release’s and more. Its all related to the visual artist.

 

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The ad for “Art Almanac” magazine has been designed and sent off to the magazine and the invite/ad for “Wallmatter” exhibition, has been designed, with some help from my daughter overseas in France… Amazing Skype!

 

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The catalogue price list has taken a long time as every detail of every single piece has to be written down and priced.  It’s an ongoing venture and still in progress as I keep adding more pieces. The food and drinks for the opening have all been taken care of, thanks, to a couple of dear friends for their help.

 

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I’m still making some flat concrete stands I want to sit my sculpture’s on. One of them broke, so I’m not sure yet, whether Ill to use them, or not. I also need to find a way to get my paintings to the exhibition. Once framed they won’t fit into my car. Something I didn’t think off:)

 

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The last thing I will need to do is photograph and document all the pieces, before they are sent off to the gallery. Encase they don’t come back home again:) Hopefully!

 

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More details of what? when? and where? coming very soon!