Posts Tagged ‘handmade’

Altered Vintage Postcards. Small Paper Collages.

Friday, January 8th, 2016

Altered Vintage Postcards. Small Paper Collages.

A couple of altered postcards. I call them “postacards”. When I’m in a creative slump, I pull out a box of vintage postcards, found papers and tear, cut & paste. Weird things happen when you throw in unrelated images together. A whole new narrative is created.

Vintage cards collected from all over the world

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This is one of my first postacards I created using paper off-cuts from other projects. Its a bit of a time- machine embeded in an underground chamber.

D’arc time capsule

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This one is untitled for now. 3 ominous figures, guardians or threatening invaders.

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© 2016, Jenny Davis. All rights reserved.

Thoughts on Collage.

Sunday, August 31st, 2014

 

My 10 quick thoughts on creating original collage.

 

"13 pour" Jenny Davis

“13 pour” Jenny Davis

 

1. Just when you think you’ve got it licked, it can change, by adding one tiny piece of paper, or mark.

 

"Bitter Interception" Jenny Davis

“Bitter Interception” Jenny Davis

 

2. Collage can’t be controlled, trust in the doing.

 

"No" Jenny Davis

“No” Jenny Davis

 

3. If you don’t like something tear it off, paint or paste over it.

 

"Generous Nation" Jenny Davis

“Generous Nation” Jenny Davis

 

4. By elimination, breaking and tearing to restructure the work, you can open up a new vision.

 

"Clash 3" Jenny Davis

“Clash 3” Jenny Davis

 

 

5. Text adds interest and throws it off again. Do you take it literally, or as a design element?

 

"De'ranger" Jenny Davis

“De’ranger” Jenny Davis

 

6. Working on the whole collage at once and not just in one area, is more satisfying.

 

"Clash" Jenny Davis

“Clash” Jenny Davis

 

7. Elements of design come into play too. Colour, shape, texture, line and form.

 

"84" Jenny Davis

“84” Jenny Davis

 

 

8. When creating collage, I use the same cognitive process as when painting.

 

"Torn" Jenny Davis

“Torn” Jenny Davis

 

9. It’s all about trusting the creative process, your intuition, taking risks and challenging yourself.

 

"Paris Burning" Jenny Davis

“Paris Burning” Jenny Davis

 

10. It’s also heaps of fun expressing yourself in this way!

Back to “Free Tutorials”

© 2014 – 2015, Jenny Davis. All rights reserved.

Collaborative Art Project.

Sunday, August 24th, 2014

The original “No Yes” book below is now finished after 2 collaborative swaps with Australian artist Jack Oudyn

Please see previous post on “Collaborative Art”

1st swap with my marks only

 

2nd swap with Jacks marks and we both decided it was finished!

 

It has an oriental feel to it.

Coming up soon, the other finished artist book!

 

© 2014, Jenny Davis. All rights reserved.

Sun Prints. Coffee. Vintage Textiles.

Saturday, August 23rd, 2014

Experimenting today with sun prints using coffee and the sun

Vintage damaged cloth stretched over wooden frames with French flourish stamping

 

Tattered antique French doilies placed on top of stretched cloth

 

 

Using the doilies as a stencils spray with coffee and vinegar diluted in hot water and leave under the sun for an hour or so

 

 

Resulting in subtle ghostly images embedded for further embellishment later

 

Iron each image 3 mins. to make colour fast

 

© 2014, Jenny Davis. All rights reserved.

Collaborative Art. Artist Books.

Sunday, August 17th, 2014

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We mostly think of artists working alone in a studio to produce works of art but, artists have also been working collaboratively, in groups and partnerships for centuries, even in the Renaissance. Now with technology, it’s even easier to connect and work with other creative people.

 

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Lately, I have been working on a collaborative arts project with Australian artist Jack Oudyn using a couple of little handmade books I created .

 

 

 

The books are sent by snail- mail back and forth to each other. We then, work on each page, the reverse sides or, add to each others marks and collage, until we are both satisfied with the piece.

We will then, colour photocopy the book and both have a copy, or keep an original each.

After 2 collaborative swaps the book below is still a work in progress. Today, I created more marks and will send it off  to Jack, for more additions or thoughts on the project.

 

I find it lots of fun and liberating working in this way, as well as, a bit scary. You never know if you will connect with each others mark- making and make the piece, work for both artists.

You can see the “No Yes” book finished here…

 

 

 

© 2014, Jenny Davis. All rights reserved.

Mail Art. Nomad Art. Transportable Art.

Wednesday, July 9th, 2014

Finished Mail Art. Sending off to Australia, France, South Africa, USA, Canada and Portugal.

“Earth Works” series.

Gocco screen print. Distress inks. Stencil. Thread. Collage. Coloured pencil on vintage graph paper and  found cardboard packaging.

© 2014, Jenny Davis. All rights reserved.

Selected Artist. Museum of Shenandoah Valley

Friday, June 6th, 2014

Second Time Around: The Hubcap as Art.

September 2014 – March 2015

I am excited to announce my environmental art object I created for the Landfillart project in 2009, has just been selected to be part of an environmental installation at the The Museum of Shenandoah Valley in Virginia USA later this year. I will send more info. closer to the opening.

 

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“I chose to be part of this project because I believe in the power of art to move… to encourage change. For me ‘This’ project demonstrates ‘The Power of Art’ to pass on important concerns about our fragile ecological state whilst giving examples of how we can recycle and reuse in creative ways.”Jenny Davis

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Dear Landfillart Artist:

Today, World Environment Day of the United Nations—an annual celebration to encourage positive environmental action—is the perfect time to inform you that the artwork you created and donated to the Landfillart Project will be included in the exhibition Second Time Around: The Hubcap as Art.

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The exhibition will open September 7, 2014, at The Museum of the Shenandoah Valley (MSV), in Winchester, Virginia, USA, and be on exhibit through March 1, 2015. Yours is one of 287 objects selected out of more than 1,000 artworks now in the Landfillart Collection. The exhibition presents work from artists in every U.S. state and 35 other countries. The dense, visually exciting installation has a strong environmental message and will incorporate WASTE NOT from the Green Revolution “eco-zibit,” which is based on an exhibition originally created by the Museum of Science and Industry, Chicago, and its Black Creativity Council and made available by the Smithsonian Institution Traveling Exhibition Service.

 

Jenny Davis_ Letters from the border_ Landfillart Project

Congratulations on your inclusion in Second Time Around: The Hubcap as Art. We hope to see you in Winchester to celebrate this exciting exhibition with us.

Dana Hand Evans
Executive Director, Museum of the Shenandoah Valley

Ken Marquis
Founder, The Landfillart Project

© 2014, Jenny Davis. All rights reserved.

In Transit. Tiny Collages. New Work

Monday, May 26th, 2014

In Transit.

Using trickery and lies, Australian Navy and Customs and Border Protection officers intercepted a boat carrying asylum seekers in December 2012. They were told they would be taken to Christmas island and transferred onto a small lifeboat and handed a document that said: “You only have enough fuel to reach land in Indonesia. You do not have enough fuel to continue your voyage to Australia … if you continue on your journey, the master and crew of your boat will face harsh penalties, which may include a jail term.

The United Nations 1951 Refugee Convention defines a refugee as someone: “owing to well-founded fear of being persecuted for reasons of race, religion, nationality, membership of a particular social group or political opinion, is outside the country of his nationality and is unable or, owing to such fear, is unwilling to avail himself of the protection of that country; or who, not having a nationality and being outside the country of his former habitual residence as a result of such events, is unable or, owing to such fear, is unwilling to return to it.”All refugees have been asylum seekers. People who arrive in countries that are signatory to the 1951 Convention, regardless of their method of arrival, are entitled to seek refugee protection. Refugee status determination does not discriminate between how a person arrived in a country and lodged their application.

A series of little collages “In Transit” on canvas made from vintage papers, wallpaper, found street litter F.G, Washi tape, pen and ink .

Size 10.2 x 10. 2 each

 

© 2014 – 2015, Jenny Davis. All rights reserved.

Handmade Books. Recycling.

Monday, April 14th, 2014

Jenny Davis_ Handmade Book

I love to recycle packaging, junk mail and advertising materials into books

 

Jenny Davis_ Handmade Book

I like the freedom of designing my books as I make them, discovering ideas along the the way

 

Jenny Davis_ Handmade Book

Its amazing how much packaging can be saved over time

 

 

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For this book I used cereal packaging with a peephole and pasta boxes with acetate windows for the interior pages

 

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and sealed the pages with white Gesso

 

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only on one side because I liked the dark look of the cardboard ( later I painted them with Parisian essence to age )

 

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On the cover I used double sided tape to stick down the tabs

 

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to make it more sturdy

 

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The little window will have something inside

 

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Taking a load of baguette bags I bought back from France

 

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I scrunched them up into balls and wrinkled them

 

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opened them up and stuck them to the cover packaging with pva glue

 

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This gave the cover an oldish feel with a lovely rough texture.French text shows through the window

 

Jenny Davis_ Handmade Book

 

I covered the inside with some French text from a 1900’s magazine, stamping and my hand drawn doodle drawings.

 

Jenny Davis_ Handmade Book

 

I didn’t like the brightness of the gessoed pages so aged them with washes of Parisian essence

 

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When dry I cut off some of side flaps from the inside pages saving them for tags and pockets later

 

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I didn’t have an awl to make the holes for binding the book, instead I used a hammer and nail. It worked fine

 

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I punched 3 rows of holes weaving in and out with cotton mop thread

 

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leaving a tail inside I then plaited the threads and added a piece cardboard for a bead thing

 

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The extra holes seen were a mistake and can be covered up with more baguette paper and glue later

 

Jenny Davis_ Handmade Book

 

Jenny Davis_ Handmade Book

 

Side flaps on some of the pages hold piles of water colour papers for collage and drawing

 

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They are tied with cotton mop thread

 

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The loose water colour papers are white and hand dyed with Parisian essence

 

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See through windows add more interest

 

Jenny Davis_ Handmade Book

 

Jenny Davis_ Handmade Book

 

Pockets and string hold found papers and tags. The book is still not finished and I will probably add more tags and pockets

 

Jenny Davis_ Handmade Book

 

Toggles were sewn on the front with a string to close

 

Jenny Davis_ Handmade Book

This book has a Japanese feel to it and measures 24 x19cm. 5 pockets hold 40 pieces of water colour paper with another 12 pages. Some have windows.

I try to keep on top of my collecting by making something with the packaging every few weeks.

What do you make from your junk?

© 2014 – 2015, Jenny Davis. All rights reserved.

Traces Left Behind. My Brother.

Saturday, March 29th, 2014

Couldn’t get out of bed this morning after a rough night’s sleep.

 

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Instead, I grabbed my old Pilot mechanical pencil and did some little drawings on an old book cover I rescued from hard garbage.

 

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My drawings are intuitive and spontaneous. Using construction type marks, I like to pull apart things and go back to the beginning to find the essence

 

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leaving traces of where I’ve just been, like traces left behind in the environment from nature, human beings and all living creatures.

 

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Sometimes, when drawing, I remember my childhood when watching my older brother draw plans for buildings, real and imaginary. When he was at work I would go into his room and look for ages at the drawings on graph paper and lined exercise books.

 

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Today, my brother is a very creative builder, cabinet maker and teacher. 50 years later, I still love to watch him draw his plans and architectural ideas on bits of paper. They are so precise, detailed and unique.

 

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Where does drawing take you ?

 

 

 

 

 

 

 

 

 

© 2014 – 2015, Jenny Davis. All rights reserved.