Posts Tagged ‘jenny davis’

Homemade Gesso Update!

Tuesday, August 14th, 2018

Homemade Gesso!

Update 2018! Since writing this recipe in 2014, Ive been using this homemade Gesso recipe, for 14 years now and haven’t had an issue, with ageing, layers coming apart, seepage, changes in colour etc. on any of my artworks. I use it with both oil and acrylic paints. I also seal my papers with it when, making books, sewing on paper, paper for collage, painting with paint, inks etc. As to the quality, I find the homemade isn’t as white, but just as good quality, as professional artists Gesso. I also use store bought gesso too, if I’ve run out and for convenience. My version is more gritty, than store bought, but if you sandpaper in between coats, I find it’s not an issue. For me, this recipe is just as good as, the store bought and if you use archival PVA/Elmers glue, it will make it all the more stable, for longevity.

Homemade Gesso!

I love Gesso paint and use heaps of it in my work. It’s gritty, chalky and can be applied to artwork to give a translucent or opaque look. It’s also very expensive so I decided to make my own.

 

Gesso is used for many things such as a primer for canvas or on paper to give a good base for painting, drawing or mixed media work.  When making collage I use it as a gluing medium to stick on papers, in-between, painting and drawing layers.

The recipe below makes 2 litres of Gesso paint

( If not using straight away, this Gesso will last approx. 4-6 weeks)

Homemade Gesso

PLASTER MIX

1 cup Plaster of Paris or fine white plaster powder

1 cup of PVA or white glue (archival if available)

1 cup hot water

PAINT

3 cups white acrylic paint

UTENSILS

Container, cup and mixing stick or spoon

RATIO: 1-3

Plaster Mix 1 – Acrylic paint 3

Method

To make the plaster mix. Add the plaster to the hot water and stir ( Safety purposes: always add the plaster powder to the liquid, not liquid to plaster, as it will blow up into your face and always wear a dust mask)

Dust Mask

“Plaster of Paris” and cup

Hot water and mix

Next add the PVA or white glue, stir.

Finally add the white acrylic paint and mix. ( I used some acrylic powder paint I had and made it up with water) You can use any kind of acrylic paint or colour .

 

Result

I was very happy with the result. The gesso is translucent with the gritty bits I like. You can also do several layers of gesso to give a more opaque appearance. It covered my canvas very well with only 1 coat. When adding more than 1 coat you can sand in- between to give a really smooth surface for detailed work .

2 litres of Gesso

Gesso on stretched canvas

Gesso on paper

 

© 2014 – 2018, Jenny Davis. All rights reserved.

© 2018, Jenny Davis. All rights reserved.

TurkRedghost Series. Textile Art. Antique & Vintage Textiles.

Wednesday, June 27th, 2018

I grew up in a “make do and mend” family, where nothing much was thrown away and would be mended or, re-purposed into something else, therefore, many of my textile pieces are hand- made, created from antique & vintage sourced materials and may include, discarded, abandoned, found objects. I have been working with textiles all my life. My mother was a dressmaker and as a child, I would collect the fabric scraps and make wall hangings and soft sculpture.

For further details about my textile pieces, please go to my gallery page and click under  “Textile Art”

“TurkRedghost” series

Sometimes the antique textiles I work with, seem to yell at me, but mostly, they lay silent, as I make my own marks alongside, others gone before. Ragged bits, old and new stitching, tracing marks left behind on old textiles are a reminder, of a time when women, had many obligations and few choices. I feel comfortable, as I stitch, tear, dye and reinforce the fragmented pieces. Somehow, I hope, in a small way, by reclaiming and reworking the textiles, I can give a voice to those women.

 

 

 

 

TurkRedghost 1

 

 

 

TurkRedghost 4

 

 

TurkRedghost 3

 

 

 

TurkRedghost 2

 

 

© 2018, Jenny Davis. All rights reserved.

After Exhibition Blues. Textiles.

Wednesday, May 2nd, 2018

After exhibition blues has hit!  I’m all painted out at the moment, but still enjoying some textile pieces Ive been playing around with for a while now.  Looks like some old photos and found objects will make their way into the project too.  Please see “Spaces Below” exhibition details in the sidebar on the right.

 

 

Ragged bits , old and new stitching, tracing the marks left behind on, 120 yr old textiles.

 

 

Memories and ghosts from the 1800s, remind me, as I work, of a time when women had many obligations and few choices.

 

 

A time when, women were completely controlled by their fathers, brothers and male relatives and their sole purpose in life was to find a husband, reproduce and then spend the rest of their lives serving him.

 

 

If you were to break free, you would be crucified, ridiculed and seen as “not normal, insane, bullied and tossed aside.

 

 

The textiles from the 120 year old quilt toppers I work with, sometimes, seem to yell at me, but mostly, they lay silent, as I make my own marks alongside others gone before.

 

 

I feel comfortable, as I stitch, tear, dye and reinforce the fragmented pieces.

 

 

Somehow, I hope, in a small way, by reclaiming and reworking the textiles, I can give a voice to those women.

 

 

Just like in my own life, when I was powerless, art gave me a voice to express myself, where once I had none.

 

 

 

 

 

© 2018, Jenny Davis. All rights reserved.

Yering Station Art Gallery & Spaces Below

Wednesday, April 11th, 2018

Current Exhibition in the Main Gallery at Yering Station –  10 April – 20 May.

JENNY DAVIS — SPACES BELOW

Wallmatter, Oil paint on canvas, 140 x 180 cm

‘Spaces Below’ is a visual and textural descent into the abandoned, the derelict, the vacant and the forgotten. Through her utilisation of forlorn industrial structures, stained and crumbling walls, acts of graffiti, redundant signage, and portals giving access to meandering subterranean systems, Jenny Davis evokes a unique vision at once spare and lavish, material and ghostly. It is a vision that elevates the significance of random marks, stress fractures and other imperfections, while enfolding the viewer in an atmosphere of chromatically gentle and strangely opulent decay. The abstractions that haunt these works are investigations of the many traces that run like hieroglyphs and riddles across the surface of neglected structures.

Davis’s subterranean life began in childhood. Drawn to ‘small spaces’ where she wouldn’t be disturbed, she would play in drainpipes, on vacant industrial sites and in newly constructed buildings, often working discarded materials into makeshift furniture and decorative objects. After an arts residency in Barcelona in 2005 and a visit to France in 2006, Davis steered her arts practice toward spaces reminiscent of those early childhood memories. In researching and documenting understructures, abandoned buildings and marks left behind in the built environment, she found ‘beauty in decay, random marks, aerial perspectives, graffiti and weathered surfaces’. Ever attuned to the narrative and oneiric possibilities of timeworn surfaces, Davis’s latest exhibition creates an altogether seductive immateriality from abrasive mediums such as cement, iron and rust.

Davis’s practice spans twenty-five years and encompasses painting, sculpture, drawing, collage, photography, book arts, textiles, installation‚ video‚ sound and virtual worlds.  Her artwork has been exhibited in Australia, Germany, France, Spain, the UK and the US and is represented in numerous private and public collections. She has received awards and residencies both nationally and internationally, and her digital artworks have been projected onto buildings in Times Square, New York and in 2017 at The Venice Biennale 57. “La Biennale di Venezia” in Italy. Davis currently works from her studio in the Yarra Valley region of Victoria, Australia. By DR. Ewen Jarvis 2018

Wallmatter 5, Acrylic, shellac, pigment, sealer on canvas, 122 x 92 cm

For more information please contact

Dr Ewen Jarvis

Curator

Yering Station Art Gallery

38 Melba Highway

Yarra Glen Vic 3775

P + 61 3 9730 0100

M + 0400 894 646

artgallery@yering.com

www.yering.com

© 2018, Jenny Davis. All rights reserved.

Small Ideas. An installation of abstract paintings and found images.

Friday, March 30th, 2018

My next exhibition,”Spaces Below” is an installation of new & older paintings, linking to found, instantaneous marks, surfaces and fragments. Subconscious notes and messages, snatched from urban and rustic environments when passing through. Also includes, a series of framed images, shot in the city and outer suburbs of Paris, France.

(Please see details of “Spaces Below” exhibition in the sidebar)

 

 

I’m still amused and amazed, how one little idea can consume, inspire and provide enough fodder, leading to many forms of expression.

 

 

 

 

 

 

 

 

© 2018, Jenny Davis. All rights reserved.

Tuesday, December 26th, 2017

Seasons Greetings to you all from Outlook8studio and all best wishes for a peaceful 2018. Many thanks for all your support over the years !

 

 

© 2017, Jenny Davis. All rights reserved.

How to Stretch a Canvas for Painting

Monday, December 4th, 2017

When I first started painting, the thought of stretching my own canvas was frightening, but after a few attempts of stretching a canvas it came to me automatically. I was able to make canvases for half the price of store bought ones. Also, stretching your own canvas can trigger off the beginning of the creation through the hands on process of doing it yourself. Hope this helps.

Materials and equipment

Pre- made stretcher frame/ or self-made

Canvas material cut 10cm approx larger than your stretcher frame

Canvas staple gun

How to Stretch a Canvas

Lay your canvas on a flat surface wrong side up then lay your stretcher right side down on top of canvas. Pull the sides of your canvas up and round to the top of the stretcher.

DIAGRAM 1 Secure the 4 points with staples or tacks to create a diamond shaped wrinkle in the canvas. Check diagonals and adjust the stretcher for squareness before going further.

 

CANVAS DIA 1DIAGRAM 2– Secure the canvas to the stretcher with staples approx. every 6 cm. around the edge, working from the center points outwards. Pulling the canvas as you go. Continue working out to the corners in this pattern. Do not overstretch the canvas. When applying tension, the canvas pliers should not be forced to pull the canvas in place. The tension of course will become greater as you work towards the corners.

CANVAS DIA 2FOLD– the corners under; as neatly as you can, leaving no exposed tab that maybe caught and damaged. Staple or tack excess canvas that wraps around to the back of the frame.

HINT– Once finished and your canvas and is not as tight as you would like, fill a small spray bottle with luke-warm water and spray the canvas on the back. Once dry your canvas will be as tight as a drum. Happy painting!

Back to Outlook8studio  Tutorials

© 2017, Jenny Davis. All rights reserved.

Rust & Decay. Experiments with Rust Paint.

Sunday, November 19th, 2017

Everybody who knows me, knows, how much, I love metal, rust and decay. Many years ago, I collected old rusty, metal objects from the roadsides and turned them into sculptures. I also gained my certificates in welding. At the time, with myself and 3 children to support,  I welded in factories to make a living and in between, I made sculptures from the rusty found objects. I don’t weld much anymore, as it’s a problem for me to move around the heavy metal, but I still have a large collection of smaller bits, I use, to rust up, paper, objects and textiles for my projects. Lately, I have been playing around with some commercial rust paints.

 

 

Clay, Botanics Rust Paint, IOD Décor Moulds

 

 

Today, I tried out, Botanic’s rust paint, from L’essential in Australia. I love the fact they are all environmentally-conscious products, free from nasty additives and are preservative-free where possible. They smell good too. I’m very pleased with the result and it does, really look like rust.

 

Clay, Botanics Rust Paint, IOD Décor Moulds

 

The problem I have is, I need large amounts of rust paint for my projects and now looking for a brand with reasonable prices.

Maybe I could even make my own…

 

 

© 2017, Jenny Davis. All rights reserved.

Homemade Gesso Paint!

Saturday, November 18th, 2017

I love Gesso paint and use heaps of it in my work. It’s gritty, chalky and can be applied to artwork to give a translucent or opaque look. It’s also very expensive so I decided to make my own.

 

Gesso is used for many things such as a primer for canvas or on paper to give a good base for painting, drawing or mixed media work.  When making collage I use it as a gluing medium to stick on papers, in-between, painting and drawing layers.

The recipe below makes 2 litres of Gesso paint

( If not using straight away, this Gesso will last approx. 4-6 weeks)

Homemade Gesso

PLASTER MIX

1 cup Plaster of Paris or fine white plaster powder

1 cup of PVA or white glue

1 cup hot water

PAINT

3 cups white acrylic paint

UTENSILS

Container, cup and mixing stick or spoon

RATIO: 1-3

Plaster Mix 1 – Acrylic paint 3

Method

To make the plaster mix. Add the plaster to the hot water and stir ( Safety purposes: always add the plaster powder to the liquid, not liquid to plaster, as it will blow up into your face and always wear a dust mask)

Dust Mask

“Plaster of Paris” and cup

Hot water and mix

Next add the PVA or white glue, stir.

Finally add the white acrylic paint and mix. ( I used some acrylic powder paint I had and made it up with water) You can use any kind of acrylic paint or colour .

 

Result

I was very happy with the result. The gesso is translucent with the gritty bits I like. You can also do several layers of gesso to give a more opaque appearance. It covered my canvas very well with only 1 coat. When adding more than 1 coat you can sand in- between to give a really smooth surface for detailed work .

2 litres of Gesso

Gesso on stretched canvas

Gesso on paper

 

 

To see this and more of my free tutorials, please go to  Tutorials I even show you how to make my large studio easel.

 

© 2017, Jenny Davis. All rights reserved.

Rustmatter. Limited Edition Artist Books

Wednesday, November 1st, 2017

Connections and contrasts of imperfections, found in the urban environment, highlighting, insignificant marks, weathered surfaces and cast – offs. I am influenced by abandoned and derelict spaces, vacant industrial sites, structures, old walls & graffiti.One of a kind, handmade ( Limited Edition) artist books from Australian contemporary artist Jenny Davis

Each book consists of:
1 Vintage cigar tin lined with eco- dyed crochet scrap in Shibori- dyed indigo blue, or rust.
1 Handmade concertina artist book, collage with rust – dyed papers and slow stitched with Japanese Shibori threads.
A vintage button with an 1800’s, rusted suspender buckle, winds around the book to close. Some buckles have “Paris” engraved.
1 Scrap piece of rust – dyed canvas cloth, frayed, embellished with slow stitching.
1 Handmade collage created from aged, rust paper, antique suspender buckle and slow stitching.
2 photographs in an acrylic pouch, taken beneath the City of Paris, France.
1 rusted fence loop found in the outback Australia.
(Each artist book is original, handmade and differs from the other. They are all created from the same materials though, making each one, a collectable piece of art)

Please click on photos to purchase!

Rust 2

 

Rust 3

 

Rust 4

 

Rust 5

 

Rust 6

 

Rust 7

 

Rust 8

 

Rust 9

 

Rust 10

 

 

 

© 2017, Jenny Davis. All rights reserved.