Posts Tagged ‘outlook8studio’

Rust & Decay. Experiments with Rust Paint.

Sunday, November 19th, 2017

Everybody who knows me, knows, how much, I love metal, rust and decay. Many years ago, I collected old rusty, metal objects from the roadsides and turned them into sculptures. I also gained my certificates in welding. At the time, with myself and 3 children to support,  I welded in factories to make a living and in between, I made sculptures from the rusty found objects. I don’t weld much anymore, as it’s a problem for me to move around the heavy metal, but I still have a large collection of smaller bits, I use, to rust up, paper, objects and textiles for my projects. Lately, I have been playing around with some commercial rust paints.

 

 

Clay, Botanics Rust Paint, IOD Décor Moulds

 

 

Today, I tried out, Botanic’s rust paint, from L’essential in Australia. I love the fact they are all environmentally-conscious products, free from nasty additives and are preservative-free where possible. They smell good too. I’m very pleased with the result and it does, really look like rust.

 

Clay, Botanics Rust Paint, IOD Décor Moulds

 

The problem I have is, I need large amounts of rust paint for my projects and now looking for a brand with reasonable prices.

Maybe I could even make my own…

 

 

© 2017, Jenny Davis. All rights reserved.

Homemade Gesso Paint!

Saturday, November 18th, 2017

I love Gesso paint and use heaps of it in my work. It’s gritty, chalky and can be applied to artwork to give a translucent or opaque look. It’s also very expensive so I decided to make my own.

 

Gesso is used for many things such as a primer for canvas or on paper to give a good base for painting, drawing or mixed media work.  When making collage I use it as a gluing medium to stick on papers, in-between, painting and drawing layers.

The recipe below makes 2 litres of Gesso paint

( If not using straight away, this Gesso will last approx. 4-6 weeks)

Homemade Gesso

PLASTER MIX

1 cup Plaster of Paris or fine white plaster powder

1 cup of PVA or white glue

1 cup hot water

PAINT

3 cups white acrylic paint

UTENSILS

Container, cup and mixing stick or spoon

RATIO: 1-3

Plaster Mix 1 – Acrylic paint 3

Method

To make the plaster mix. Add the plaster to the hot water and stir ( Safety purposes: always add the plaster powder to the liquid, not liquid to plaster, as it will blow up into your face and always wear a dust mask)

Dust Mask

“Plaster of Paris” and cup

Hot water and mix

Next add the PVA or white glue, stir.

Finally add the white acrylic paint and mix. ( I used some acrylic powder paint I had and made it up with water) You can use any kind of acrylic paint or colour .

 

Result

I was very happy with the result. The gesso is translucent with the gritty bits I like. You can also do several layers of gesso to give a more opaque appearance. It covered my canvas very well with only 1 coat. When adding more than 1 coat you can sand in- between to give a really smooth surface for detailed work .

2 litres of Gesso

Gesso on stretched canvas

Gesso on paper

 

 

To see this and more of my free tutorials, please go to  Tutorials I even show you how to make my large studio easel.

 

© 2017, Jenny Davis. All rights reserved.

The Power of an Object. Identity through Object.

Sunday, November 12th, 2017

One of my life- time interests is collecting vintage, antique and found objects. I believe, through objects, stories can be told, and through imagination, new ones found.

Objects and their stories, often inspire my art making too. I deconstruct items for sculpture. Old clothing and antique quilts, are often used in textile pieces, artist books and collage. Aged  surfaces and patinas of collections, make their way into my abstract paintings, too.

 

 

Lately, I have been asking myself a few questions about, collecting and identity. Especially after the passing of my step father a few years ago, when I had the huge task, of cleaning out his house and shed. Overwhelming at times, the hoard, has found it’s way into my life & studio

 

 

Having only known him for a short time, (5yrs) I’ve discovered, through his belongings and objects, a hidden or, new identity.

 

 

Strangely , I now find myself imagining, a new “make believe identity” through the objects he hoarded

 

 

This has lead me to many questions…

When alive, do we really know a person? and can things and objects help us to see, a new, or different identity?

Through objects and belongings, can we feel connected to that person?

Can objects change, how we see others & ourselves?

 

 

 

 

 

© 2017, Jenny Davis. All rights reserved.

The Life of a Painting. Changing Back to Oil Paints.

Sunday, November 5th, 2017

A few years ago, I changed from oil paints, to acrylics, after I became allergic to the turps. I’m still not used to painting with acrylics as, I just love the lushness, depth and movement of oil paints. Something, I haven’t been able to achieve with acrylics. So, recently I bought some oil painting supplies, eco friendly turps, to see, if I’m still allergic to it.

 

The life of a Painting.

Oil paint , medium, wax on canvas

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sometimes I think, I should stop earlier, when its fresh and spontaneous, but usually keep going. I  just have to trust the process and know, that eventually, I will end up with something I’m happy with.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I will revisit the painting, in a few days time to decide, whether I will take it further. At the moment, I’m feeling, times long past.

© 2017, Jenny Davis. All rights reserved.

Rustmatter. Limited Edition Artist Books

Wednesday, November 1st, 2017

Connections and contrasts of imperfections, found in the urban environment, highlighting, insignificant marks, weathered surfaces and cast – offs. I am influenced by abandoned and derelict spaces, vacant industrial sites, structures, old walls & graffiti.One of a kind, handmade ( Limited Edition) artist books from Australian contemporary artist Jenny Davis

Each book consists of:
1 Vintage cigar tin lined with eco- dyed crochet scrap in Shibori- dyed indigo blue, or rust.
1 Handmade concertina artist book, collage with rust – dyed papers and slow stitched with Japanese Shibori threads.
A vintage button with an 1800’s, rusted suspender buckle, winds around the book to close. Some buckles have “Paris” engraved.
1 Scrap piece of rust – dyed canvas cloth, frayed, embellished with slow stitching.
1 Handmade collage created from aged, rust paper, antique suspender buckle and slow stitching.
2 photographs in an acrylic pouch, taken beneath the City of Paris, France.
1 rusted fence loop found in the outback Australia.
(Each artist book is original, handmade and differs from the other. They are all created from the same materials though, making each one, a collectable piece of art)

Please click on photos to purchase!

Rust 2

 

Rust 3

 

Rust 4

 

Rust 5

 

Rust 6

 

Rust 7

 

Rust 8

 

Rust 9

 

Rust 10

 

 

 

© 2017, Jenny Davis. All rights reserved.

BOAA – Biennale of Australian Art 2018.

Thursday, June 15th, 2017

I am happy to announce I have been selected from 800 artists across Australia, to be part of BOAA-Biennale of Australian Art  in 2018.

 

 

BOAA is a multi layered art festival with various opportunities for artistic engagement. My work will be part of the ‘Hit Me With Your Best Shot’ project, which will be BOAA’s largest installation. Supported by the City of Ballarat, this installation will form an impressive sea of images representing artists Australia wide and it will be displayed in Ballarat’s historic Mining Exchange building.

 

© 2017, Jenny Davis. All rights reserved.

Mixed- Media Collage on Vintage Book Pages

Wednesday, December 21st, 2016

Mixed- Media Collage on Vintage Book Pages

3 abstract artworks
Size: Each artwork
Artwork 7.5″ x 5.5″ – 19 x 14cm
Size: with matt, 10″ x 8″ – 26 x 20cm.
Year 2016

“No Goodbye”

 

Mixed media collage. Found book paper, archive grey matt, thread on vintage book pages (Unframed)

 

“Indigo”

 

( Artwork is matted ready to frame)

 

“Air Attacks”

 

Signed and dated on the back.

 

 

© 2016, Jenny Davis. All rights reserved.

Wallmatter Exhibition Photos – Jenny Davis – 2016

Thursday, July 14th, 2016

Wallmatter Exhibition Photos – Jenny Davis – 2016

A huge thank you to everybody who attended the opening of my new exhibition Wallmatter last Saturday. A special thank you to all the people who helped me pull it altogether and make it a special day.  I feel so blessed and encouraged with all the support shown for my artwork and the new friendships I made.

Wallmatter continues until Tuesday August 16th at The Memo, Healesville Victoria. Free Entry. All artworks are for sale.

A few photos I took the next day as I forgot my camera on opening night.

Wallmatter

An installation of paint, concrete, rust and
textiles, inspired by imperfections and
weathered surfaces, linking to the abandoned
and neglected spaces found in urban and rural
environments.

Jenny Davis_Wallmatter Exhibition_2016 5s

 

Jenny Davis_Wallmatter Exhibition_2016 4s

 

Jenny Davis_Wallmatter Exhibition_2016 16s

 

Jenny Davis_Wallmatter Exhibition_2016 3s

 

Jenny Davis_Wallmatter Exhibition_2016 8s

“Surfaces and objects touched by time tell a
story and are a raw reflection of their environment.
I want to highlight the significance of a random
mark, or the crumbling texture of a wall in an
underground space. They are evidence to a
previous time in history. My abstractions are
investigations into marks and traces left behind
in the urban and rural environment.”
– Jenny Davis, Artist

 

Jenny Davis_Wallmatter Exhibition_2016 s

 

Jenny Davis_Wallmatter Exhibition_2016 19s

 

Jenny Davis_Wallmatter Exhibition_2016 10s

 

Jenny Davis_Wallmatter Exhibition_2016 2s

 

Jenny Davis_Wallmatter Exhibition_2016 17s

 

Jenny Davis_Wallmatter Exhibition_2016 7s

 

Jenny Davis_Wallmatter Exhibition_2016 11s

 

Jenny Davis_Wallmatter Exhibition_2016 15s

 

Jenny Davis_Wallmatter Exhibition_2016 13s

 

Jenny Davis_Wallmatter Exhibition_2016 12s

 

Jenny Davis_Wallmatter Exhibition_2016 9s

 

Jenny Davis_Wallmatter Exhibition_2016 10s

 

Jenny Davis_Wallmatter Exhibition_2016 14s

© 2016, Jenny Davis. All rights reserved.

Unresolved, Revenge, Dangerous, Strange. Published Artworks.

Tuesday, June 14th, 2016

 

 

As mentioned in my previous post, here are some photographs from my published article in “Sew Somerset Summer 2016” magazine on, how to make your own mixed media collage’s, from vintage, Pulp Fiction paperback books or, any other damaged books.

 

 

Vintage Pulp by Jenny Davis m

 

 

I love reclaiming and re-using, old tattered books that would otherwise, be tossed in the garbage giving them a new life and a new meaning. Instead of them being destroyed and forgotten.

 

 

Vintage Pulp by Jenny Davis 1m

 

I collect discarded objects and litter from the streets, along with items people would otherwise throw away and use them in my art and installation work. I physically dismantle my collected items, and then reassemble them, with the intention to reconstruct its purpose, from its earlier meaning and appearance.

 

Vintage Pulp by Jenny Davis 4m

 

 

My artworks are little mixed-media collage’s, created from, vintage “Pulp Fiction” book pages, old linen cloth, thread, paint, coloured pencils and ink.

 

 

Vintage Pulp by Jenny Davis 14m

 

As a thank you to all my readers Use Coupon Code PUBL0616 for a  50% discount on this magazine when you checkout at Stampington.com, and buy four (4) or more copies of the title. Click on image below!

 

© 2016, Jenny Davis. All rights reserved.

Experiments with Concrete Cloth and Rust. Sculpture.

Sunday, May 15th, 2016

Experiments with Concrete Cloth and Rust. Sculpture.

Just a quick update about what Ive been doing lately.

 

IMGP0141s

 

Work for my exhibition was almost finished, until, I discovered a bunch of rusted textiles Id forgotten about. Now, I want to make more sculpture. A solid form with thin wafers of cloth, concrete and rust.

 

Jenny Davis_Concrete Mixed Media s7

 

Today, I’m heading into the studio to work out how to achieve this. Wet concrete is very formless so pouring, layer, upon layer of cloth then, concrete, in a mold, just wouldn’t work. The cloth would get covered with concrete on the outer edges and I want slices of cloth sticking out and visible on the outside.

 

Jenny Davis_Concrete Mixed Media 2s

 

Funny thing is, when I Googled it, all I came up with was my own experiments and work with concrete, cloth and rust.

 

Jenny Davis_Wallmatter Sculpture_ 2016

 

So, I’m now in the process of inventing how to do this:)

More details about my “Wallmatter” exhibition coming soon!

 

 

© 2016, Jenny Davis. All rights reserved.