In the Studio Today. Orange. Copper. Gold.
Closing up the studio today, for holidays, I couldn’t help it. I just had to touch my paintings. 3 hours later…
In the Studio Today. Orange. Copper. Gold.
Closing up the studio today, for holidays, I couldn’t help it. I just had to touch my paintings. 3 hours later…
Gestural Acrylic Paintings. Mixed Media on Canvas.
Mixed media on gallery stretched canvas.
Acrylic paint & oil pigments.
Spontaneous gestural marks
with a play of colour
and forgotten marks
on gallery stretched canvas.
Landscapes of traces
left behind
in the environment
and mind.
Each painting measures, 40cm. x 30cm. x 4cm.
Year completed, 2015
Building Layers. Mixed Media. Cradled Boards.
Mixed-media art works on cradled birch boards, I started a few weeks ago.
Working on board allows me to scrape back, sand & scratch into the surface
I have left areas raw to show the grain. Building layers with shellac stains, found papers and textiles.
More oil pigments, graphite dust and inks.
I may add some encaustic wax, as well.
See the beginning of the series here
Paintings & Gelatin Prints. The backgrounds are experiments with gelatin prints I made on canvas with my homemade gelatin block. Inks and acrylic paint were added afterwards to the surface. (How to make a gelatin block and the printing process (tutorial)
Cimetière des Chiens Playground
Cimetière des Chiens Playground 1
Cimetière des Chiens Playground 2
Cimetière des Chiens Playground 3 (Sold)
Inspiration for the paintings.
A celebration to animals…Mapping and playing in the Cimetière des Chiens et Autres Animaux Domestiques in Paris. Opened in 1899 its a cemetery of dogs and cats and other domestic animals. Some of the cemetery’s residents are famous, such as Rin Tin Tin.
The plots and plaques are just so lovingly decorated. My daughter and I like to spend time with the stray cats and dogs who wander in and out of the cemetery .The kind staff feed and shelter any stray animal by scattering little semi- enclosed boxes around the cemetery.
(My gelatin print tutorial here)
Not fully resolved, this is the first in a series of mixed-media art works on cradled wooden board, followed by further details of the process.
This artwork was inspired by an old piece of spotty paper.
I wanted to leave space around the wooden board and still show the grain
An old piece of canvas and hand- stitching.
Found papers with generous pourings of shellac and ink.
More papers and cloth.
I’m still not satisfied and will probably sand back in areas.
See Jenny’s other artworks in this series
My latest little abstract paintings with bursts of high-energy marks, dissolving into planes of colour with blocks of cobalt blue found papers walking across the surface.
This painting was started about 6 weeks ago and is still morphing…
Beginning with large areas of loose colour. I lived with it and watched
I tightened it up with more colour, dribbles and abstract geometric forms. For the next week I watched again…
Still not satisfied, I threw it on the floor and used, bucket and broom, to scrub, pour & glaze with puddles of watery acrylic paint and Gesso to muddy it up
Once dry, I worked into the forms to bring them back again
Recently, I scrubbed away more areas, added several paint glazes and played across the surface with oil pastel for days
When is a painting finished?
It will tell me…
ART+MEL from Redbubble on Vimeo.
A selection of my artworks have been chosen to be included in Art + Mel a two day art event in Melbourne. We are taking art out of the galleries and onto the streets of Melbourne, showcasing local artists at two interactive hotspots in the heart of the CBD, at Federation Square and city lane-ways in the heart of the CBD Melbourne
Everyone is welcome!
Two new paintings from the studio!
Sitting on a line at the cusp of making a decision enjoying the moment before.
Acrylic paint, Oil pastel and sealer on gallery wrapped canvas
12″x 16″ X 1-3/4″ (30x40x4cm)
Colour field abstract painting
Acrylic paint, Oil pastel and sealer on gallery wrapped canvas
12″x 16″ X 1-3/4″ (30x40x4cm)
Found Abstractions
Manholes utility holes, cable chambers, access chambers, inspection chambers, maintenance holes, confined spaces) Top openings to underground spaces.
Photographs taken in Paris, France and England by Jenny Davis. 2005,2007 & 2009.
A series of mixed media collages. By reclaiming and re-using abandoned matter, each piece gives new meaning to the (discarded) found in the environment. Mark making with thread, found papers and stains.
TITLE VMX.
MED Acrylic gesso paint, ink, staining, acrylic sealer, found papers & font, thread and cardboard packaging mounted on deep olive green acid free board.
SIZE Artwork 5.5″x 3″ – 14x7cm.
SIZE Mount Board 8″ x5″ – 21 x 13cm. approx.
YEAR 2014
Signed on front by artist
Ready to frame
TITLE TraXE.
MED Acrylic gesso paint, ink, staining, acrylic sealer, found papers & font, thread and cardboard packaging mounted on deep olive green acid free board.
SIZE Artwork 5.5″x 3″ – 14x7cm.
SIZE Mount Board 8″ x5″ – 21 x 13cm. approx.
YEAR 2014
Signed on front by artist
Ready to frame
TITLE TraX.
MED Acrylic gesso paint, ink, staining, acrylic sealer, found papers & font, thread and cardboard packaging mounted on deep olive green acid free board.
SIZE Artwork 5.5″x 3″ – 14x7cm.
SIZE Mount Board 8″ x5″ – 21 x 13cm. approx.
YEAR 2014
Signed on front by artist
Ready to frame
TITLE TraX2.
MED Acrylic gesso paint, ink, staining, acrylic sealer, found papers & font, thread and cardboard packaging mounted on deep olive green acid free board.
SIZE Artwork 5.5″x 3″ – 14x7cm.
SIZE Mount Board 8″ x5″ – 21 x 13cm. approx.
YEAR 2014
Signed on front by artist
Ready to frame
TITLE VArow.
MED Acrylic gesso paint, ink, staining, acrylic sealer, found papers & font, thread and cardboard packaging mounted on deep olive green acid free board.
SIZE Artwork 5.5″x 3″ – 14x7cm.
SIZE Mount Board 8″ x 5″ – 21 x 13cm. approx.
YEAR 2014
Signed on front by artist
Ready to frame
My 10 quick thoughts on creating original collage.
1. Just when you think you’ve got it licked, it can change, by adding one tiny piece of paper, or mark.
2. Collage can’t be controlled, trust in the doing.
3. If you don’t like something tear it off, paint or paste over it.
4. By elimination, breaking and tearing to restructure the work, you can open up a new vision.
5. Text adds interest and throws it off again. Do you take it literally, or as a design element?
6. Working on the whole collage at once and not just in one area, is more satisfying.
7. Elements of design come into play too. Colour, shape, texture, line and form.
8. When creating collage, I use the same cognitive process as when painting.
9. It’s all about trusting the creative process, your intuition, taking risks and challenging yourself.
10. It’s also heaps of fun expressing yourself in this way!
Back to “Free Tutorials”
We mostly think of artists working alone in a studio to produce works of art but, artists have also been working collaboratively, in groups and partnerships for centuries, even in the Renaissance. Now with technology, it’s even easier to connect and work with other creative people.
Lately, I have been working on a collaborative arts project with Australian artist Jack Oudyn using a couple of little handmade books I created .
The books are sent by snail- mail back and forth to each other. We then, work on each page, the reverse sides or, add to each others marks and collage, until we are both satisfied with the piece.
We will then, colour photocopy the book and both have a copy, or keep an original each.
After 2 collaborative swaps the book below is still a work in progress. Today, I created more marks and will send it off to Jack, for more additions or thoughts on the project.
I find it lots of fun and liberating working in this way, as well as, a bit scary. You never know if you will connect with each others mark- making and make the piece, work for both artists.
You can see the “No Yes” book finished here…