Looking to use an image of my artwork, in your next book, game, album, magazine cover, advertisement, film, prints and merchandise, then you’ll need to request a image license.
Australian requests click on the link above ^
International requests contact the artist directly info@outlook8studio.com
Cape Schanck Victoria 1 – 1994 Tracing the marks left behind along the coastline Landwrap Series 2023.
Cape Schanck Victoria 2 – 1994 Tracing the marks left behind along the coastline
Capturing the imperfections and traces left behind in the environment in 1994. 29 years later and still exploring the moments of change, rust and decay, as well as, the renewal and growth, in the transformation of the environment.
Chequered Flight – 2017 The creation of order out of chaos and the eventual return to randomness along the seine river in France.
Rustmatter 16 – 2018 Marks found traveling on the Metro train system, Paris FranceEarth & Bio Dyeing
I want to engage viewers in a conversation about the relationship between our environment, our history, and the importance of embracing the beauty and raw power of the natural environment.
Wallmatter 8 – 2016 Connections and contrasts of imperfections, found in the urban environment, highlighting, insignificant marks and weathered surfaces
Rustmatter 14 – 2016 A visual and textural descent into the abandoned, the derelict, the vacant and the forgotten. Show Less
Wallmatter 16 – 2016 Connections and contrasts of imperfections, found in the urban environment, highlighting, insignificant marks and weathered surfaces
I work primarily with abstract painting and often focus on layering paint and mixed media materials, creating incomplete impressions – random, yet imperfect. My process involves building up and breaking down surfaces, playing with decay and renew. In my textile and found object pieces I bring in texture and rust to give depth.
Landwrap 3 – 2023 The artworks link to the primal aerial view over Australia. Land Wrap is my relationship with the earth. A subconscious rendering of the desolate wilderness, granite landscapes, deserts, forests, waterholes and walking tracks of Australia. Being a primal source of the earth , once one is cloaked in “Land Wrap” it gives protection and wisdom for our future survival.
At the core of my work remains the act of intuitive and experimental marks, smudges and scratches that reference my relationship with the environment and moments in History. I hope my works will ignite the imagination and evoke an honest and curious connection to the environment. Jenny Davis 2023
A series of mixed media collages. By reclaiming and re-using abandoned matter, each piece gives new meaning to the (discarded) found in the environment. Mark making with thread, found papers and stains.
VMX – Jenny Davis
TITLE VMX.
MED Acrylic gesso paint, ink, staining, acrylic sealer, found papers & font, thread and cardboard packaging mounted on deep olive green acid free board.
SIZE Artwork 5.5″x 3″ – 14x7cm.
SIZE Mount Board 8″ x5″ – 21 x 13cm. approx.
YEAR 2014
Signed on front by artist
Ready to frame
TITLE TraXE.
MED Acrylic gesso paint, ink, staining, acrylic sealer, found papers & font, thread and cardboard packaging mounted on deep olive green acid free board.
SIZE Artwork 5.5″x 3″ – 14x7cm.
SIZE Mount Board 8″ x5″ – 21 x 13cm. approx.
YEAR 2014
Signed on front by artist
Ready to frame
TITLE TraX.
MED Acrylic gesso paint, ink, staining, acrylic sealer, found papers & font, thread and cardboard packaging mounted on deep olive green acid free board.
SIZE Artwork 5.5″x 3″ – 14x7cm.
SIZE Mount Board 8″ x5″ – 21 x 13cm. approx.
YEAR 2014
Signed on front by artist
Ready to frame
TITLE TraX2.
MED Acrylic gesso paint, ink, staining, acrylic sealer, found papers & font, thread and cardboard packaging mounted on deep olive green acid free board.
SIZE Artwork 5.5″x 3″ – 14x7cm.
SIZE Mount Board 8″ x5″ – 21 x 13cm. approx.
YEAR 2014
Signed on front by artist
Ready to frame
TITLE VArow.
MED Acrylic gesso paint, ink, staining, acrylic sealer, found papers & font, thread and cardboard packaging mounted on deep olive green acid free board.
SIZE Artwork 5.5″x 3″ – 14x7cm.
SIZE Mount Board 8″ x 5″ – 21 x 13cm. approx.
YEAR 2014
Signed on front by artist
Ready to frame
In support of the opening of Second Time Around, the MSV will concurrently present WASTE NOT, a version of the exhibition Green Revolution which is made available by the Smithsonian Institution Traveling Exhibition Service based on an exhibition originally created by the Museum of Science and Industry, Chicago, and its Black Creativity Council. WASTE NOT uses family-friendly, interactive activities and reused or re-purposed materials to focus on the environmental need to rethink, reuse, recycle, and reduce.
MUSEUM OF THE SHENANDOAH VALLEY
901 Amherst Street, Winchester, VA, 22601 USA
888-556-57997th. September 2014 – March 1st. 2015Opening Saturday, September 06, 2014 at 7:00 PM – 9:00 pm
Finally, be sure to register for the opening party on September 6 if you plan to attend!
If you have any questions, please contact Marge Lee at mlee@museumword.comArts Project Creator
Image credits on exhibition logotype: Pasta Maker Machine, 2010, Kathy Rebek, New Jersey, and Untitled 2009 by Linda Leviton, Ohio. Courtesy of the Museum of the Shenandoah Valley.
I am excited to announce my environmental art object I created for the Landfillart project in 2009, has just been selected to be part of an environmental installation at the The Museum of Shenandoah Valley in Virginia USA later this year. I will send more info. closer to the opening.
“I chose to be part of this project because I believe in the power of art to move… to encourage change. For me ‘This’ project demonstrates ‘The Power of Art’ to pass on important concerns about our fragile ecological state whilst giving examples of how we can recycle and reuse in creative ways.”Jenny Davis
Dear Landfillart Artist:
Today, World Environment Day of the United Nations—an annual celebration to encourage positive environmental action—is the perfect time to inform you that the artwork you created and donated to the Landfillart Project will be included in the exhibition Second Time Around: The Hubcap as Art.
The exhibition will open September 7, 2014, at The Museum of the Shenandoah Valley (MSV), in Winchester, Virginia, USA, and be on exhibit through March 1, 2015. Yours is one of 287 objects selected out of more than 1,000 artworks now in the Landfillart Collection. The exhibition presents work from artists in every U.S. state and 35 other countries. The dense, visually exciting installation has a strong environmental message and will incorporate WASTE NOT from the Green Revolution “eco-zibit,” which is based on an exhibition originally created by the Museum of Science and Industry, Chicago, and its Black Creativity Council and made available by the Smithsonian Institution Traveling Exhibition Service.
Congratulations on your inclusion in Second Time Around: The Hubcap as Art. We hope to see you in Winchester to celebrate this exciting exhibition with us.
Dana Hand Evans Executive Director, Museum of the Shenandoah Valley
