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A small selection of artworks available from my studio. To see the artworks below and more, please go to the Art section in the menu on the left.
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It’s a chilly weekend in Melbourne, hope you are all keeping warm xox
As a small child I pulled things apart. Even, before I could talk, I ripped apart dolls and toys. I used to make little displays, installations of the fragments and other discarded things. Today I still pull things apart. I find fragments more pleasing and sometimes, even more interesting than the original object.
Recently, I pulled apart an old chair that had been hanging around for years. The wood was still good. The cloth and leather had grit and rust, just perfect for sculpture. The rustic bits and pieces also related to some textile fragments, I unpicked from an 1800’s, quilt topper. I’m still working on outcomes and painting has crept in too. Below are some pics of the process.
One of my life- time interests is collecting vintage, antique and found objects. I believe, through objects, stories can be told, and through imagination, new ones found.
Objects and their stories, often inspire my art making too. I deconstruct items for sculpture. Old clothing and antique quilts, are often used in textile pieces, artist books and collage. Aged surfaces and patinas of collections, make their way into my abstract paintings, too.
Lately, I have been asking myself a few questions about, collecting and identity. Especially after the passing of my step father a few years ago, when I had the huge task, of cleaning out his house and shed. Overwhelming at times, the hoard, has found it’s way into my life & studio
Having only known him for a short time, (5yrs) I’ve discovered, through his belongings and objects, a hidden or, new identity.
Strangely , I now find myself imagining, a new “make believe identity” through the objects he hoarded
This has lead me to many questions…
When alive, do we really know a person? and can things and objects help us to see, a new, or different identity?
Through objects and belongings, can we feel connected to that person?
Can objects change, how we see others & ourselves?
New Paintings, sculpture and more available in the Gallery Some are already framed others are ready to hang with all hardware attached. Shipping included in the price!
I am influenced by abandoned and derelict spaces, vacant industrial sites, structures, old walls & graffiti. The paintings below are about the connections and contrasts of imperfections, found in the urban environment, highlighting, insignificant marks, weathered surfaces.
Many thanks to Bek at Bluethumb in Melbourne, for the recent feature article about my exhibition, Wallmatter.
Wallmatter Exhibition update! In addition to the recent Bluethumb article, I was recently interviewed to be included in a book project about female artist’s for release next year. More details on that coming soon!
I would also like to remind any visitors to my latest exhibition, Wallmatter, to not forget to check out the collection of smaller artworks in the foyer and the reception desk, with prices ranging $50 – $150. Thank you to all who have visited Wallmatter! The Memo, Healesville Victoria. Until Tues. 16th. August 2016
To construct my 3D objects, I have used various methods: eco rust and Japanese Shibori dyeing, molding, casting, curing, sanding, chiselling, engraving, embedding, propagating, tearing, burning, sealing and finishing. To create the pieces, I combine hard and soft materials: industrial concrete, found packaging, lichen, moss, seaweed, vintage glass, cloth fragments and rusted found objects.
A huge thank you to everybody who attended the opening of my new exhibition Wallmatter last Saturday. A special thank you to all the people who helped me pull it altogether and make it a special day. I feel so blessed and encouraged with all the support shown for my artwork and the new friendships I made.
Wallmatter continues until Tuesday August 16th at The Memo, Healesville Victoria. Free Entry. All artworks are for sale.
A few photos I took the next day as I forgot my camera on opening night.
An installation of paint, concrete, rust and
textiles, inspired by imperfections and
weathered surfaces, linking to the abandoned
and neglected spaces found in urban and rural
environments.
“Surfaces and objects touched by time tell a
story and are a raw reflection of their environment.
I want to highlight the significance of a random
mark, or the crumbling texture of a wall in an
underground space. They are evidence to a
previous time in history. My abstractions are
investigations into marks and traces left behind
in the urban and rural environment.”
– Jenny Davis, Artist
“Wallmatter” Exhibition Progress. Jenny Davis 2016.
All my paintings are now finished and have been taken to the framers for my upcoming exhibition, in July and I managed to fit all, 17 paintings, into the car for the short trip to Healesville.
While the paintings are at the framers I have been creating and finishing off, other pieces in the show. It has also, given me pockets of time to concentrate on the written stuff, which I find a bit difficult sometimes.
My art statement has changed a million times, but I think I’m happy with it now. Id rather just let my artwork speak for itself but, finally, after many years, I’m actually starting to enjoy the process of writing the art statement. I see it now, as an extension of my work and not, just an unrelated, add on . As an artist, you know yourself, what your art is all about, but putting it out there, for the viewer, in words, honestly, without all that “artspeak”, is a whole different art, I’ve had to learn over the years.
If you need help writing art statements, here is fantastic book that has helped me. “Art-Write. The Writing Guide for Visual Artists by Vicki Krohn Amorose.” It’s a simple, step by step guide on writing, not only, art statements but also, speeches, proposals, bio, press release’s and more. Its all related to the visual artist.
The ad for “Art Almanac” magazine has been designed and sent off to the magazine and the invite/ad for “Wallmatter” exhibition, has been designed, with some help from my daughter overseas in France… Amazing Skype!
The catalogue price list has taken a long time as every detail of every single piece has to be written down and priced. It’s an ongoing venture and still in progress as I keep adding more pieces. The food and drinks for the opening have all been taken care of, thanks, to a couple of dear friends for their help.
I’m still making some flat concrete stands I want to sit my sculpture’s on. One of them broke, so I’m not sure yet, whether Ill to use them, or not. I also need to find a way to get my paintings to the exhibition. Once framed they won’t fit into my car. Something I didn’t think off:)
The last thing I will need to do is photograph and document all the pieces, before they are sent off to the gallery. Encase they don’t come back home again:) Hopefully!
More details of what? when? and where? coming very soon!
Experiments with Concrete Cloth and Rust. Sculpture.
Just a quick update about what Ive been doing lately.
Work for my exhibition was almost finished, until, I discovered a bunch of rusted textiles Id forgotten about. Now, I want to make more sculpture. A solid form with thin wafers of cloth, concrete and rust.
Today, I’m heading into the studio to work out how to achieve this. Wet concrete is very formless so pouring, layer, upon layer of cloth then, concrete, in a mold, just wouldn’t work. The cloth would get covered with concrete on the outer edges and I want slices of cloth sticking out and visible on the outside.
Funny thing is, when I Googled it, all I came up with was my own experiments and work with concrete, cloth and rust.
So, I’m now in the process of inventing how to do this:)
More details about my “Wallmatter” exhibition coming soon!
Concrete. Rust. Textile. Sculpture. Work in the Studio.
Experiments with concrete, rust and textiles in developing sculpture.
Junk packaging for mold making
Taped up packaging filled with concrete, rust and cloth.
Poured wet concrete sculpture
A series of 3D objects in the making
The first raw reveal after 24 hours. At this stage, I need to make my final decisions and changes to this sculpture, while the concrete is still soft enough to work with. I discovered in some of my earlier experiments, once its rock hard, its more difficult to work with.
I am still working on this series of sculptures using concrete, rust and textiles that will be part of my “Wallmatter” exhibition.
It’s never too late… finally after many changes, a couple of sculpture’s I started back in 2006 are now complete. ( I think). Sometimes I have to wait around a long time for the right object to turn up. Of course, I don’t know what it is until I come across it.
TITLE – Axis of Evil Sonata. 2006-2015
SIZE – 19x12x11cm. approx
MED – plastic cowboy, eagle, wooden music box, mirror, metal, glass vials, black sand, paper,enamel paint, music box movement.
Found -Object sculpture. Music box beats out Beethoven’s “Moonlight Sonata” while a gunslinger from the “Wild West” spins around. Beside the black box sit, 5 glass vials, filled with fine black gravel. The inside of the box is filled with more, fine black gravel. Reflections on war and global conflict. A response to the invasion into Iraq, 2003.
TITLE- Equilibrium. 2006-2015
SIZE- 18″ x 8″ – 47x20cm approx.
MED – plastic,rock-metal,music box ballerina,wire, enamel paint.
You may remember a couple of years ago I wrote a post ‘Letters from the Border” about my entry into Landfillart Projectwhere I had to create art on a car hubcap . Below is the latest update video I received about the project.
On June 1, 2011 The Associated Press released a wonderful wire service news story about our international Landfillart Project.Our story was featured in hundreds of newspapers and many broadcast television news stories.
Healesville is full of many quaint little cafes, restaurants, bakeries’ hotels, specialist delis, selling local gourmet foods and wines, second-hand /antique shops and eateries.
Recently the artists have taken over the town with the opening of many new spaces and galleries showcasing local artists and artisan’s wares.
One such space is “Artists Lounge” This shop is a real treat. A new corner gallery that has a Contemporary/Industrial feel to it. My favourite thing at “Artist’s Lounge” is the long black chalk wall running right along one side of the building, where you can make your mark amongst the contemporary artworks on display.
Friendly, Ali and Billy who run the space, have jam packed it with unique Contemporary art from the local Yarra Valley artists. You can browse the paintings and sculpture, but there is also an eclectic array of affordable, artsy items created by the artists.
I saw some lovely pieces of wearable art with handmade books, badges, cards, recycled arts, pottery, textile pieces, silk scarves, felting, and jewellery.
For the creative, they also sell high quality artist supplies and gorgeous papers to die for. If they don’t have what you are looking for they will order it for you.
So, grab yourself a cup of Billy’s delicious coffee and soak up the atmosphere and gorgeous things at “Artist’s Lounge” in Healesville
“Artist’s Lounge”
222 Maroondah Highway, Healesville.
Open Wednesday to-Sunday 10.30am -4.30pm
Phone 59625150
Email artistslounge.com.au Show Map
