Posts Tagged ‘artist jenny davis’

Arts Business Ideas. Artist’s Websites. Jenny Davis.

Monday, April 25th, 2016

Arts Business Ideas. Artist’s Websites. Jenny Davis.

Outlook8studio -Jenny Davis

 

Over the past 14 years, I have been promoting and selling my art online, as well as, exhibiting my artwork worldwide. I have also had many artists contact me, during this time, wanting to know, how I market, promote and sell my artwork on and offline. So in this post, I would like to share a few things I’ve learned from having my own, artist’s website and a few other arts business tips.

 

Outlook8studio_ Jenny Davis Etsy

 

Very early on, I learned, if you want people to take you seriously, your career as an artist is only as serious as you take it. You either work at it, as a job, putting in “regular” hours, or “occasionally” as a hobby. Its either a hobby, or your job. As a working artist its about working on your art day by day, as well as, marketing your art in all areas.

 

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I think every artist needs a website! With some hard work in the initial stages of setting up your own website, it’s always, worthwhile, getting your art online. In your own space you can do anything.

 

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Exposing your art online, helps promote and gets your work seen worldwide by potential collectors, gallery directors and other artists for collaborations and projects. Remember though, you are also competing with millions of other artists artwork, as well. So, your website, which is your online creative space, has to be place where, people will want to stop and spend time.

 

 

Handmade Brushes_ Jenny Davis

 

After the initial set-up of my own website, with the generous help of several family members, (who I am forever grateful too) I then, had to put in the hard yards myself and learn the rest. I did many courses, tutorials and googled everything, I wanted to know. I soon found out, it’s not just a matter of making the website, uploading your artworks and sitting back, waiting for sales to walk out the door. Sounds great! But, it doesn’t usually work that way.

 

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You have to work really hard on your arts business and take it seriously. Mostly on a daily, or weekly basis, promoting, marketing, photographing artworks, descriptions, layouts, seo, meta tags, as well as, getting your website seen in many areas, including search engines.

 

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Social media is one way of getting your website seen if you post regularly. A Facebook business page,  Twitter and Instagram account will help you get a following, who in turn, may visit your website to find out more.

 

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Create newsletters, blog posts set- up exhibitions and share your art life with others on your website. Network and collaborate with other artist’s on forums and in art groups.

On your website and social- media sites, its good to share, how you make your art, your challenges, your successes. Make it real! This will build up a following of people who are genuinely interested in your art, and, in what you do. People want to trust and get to know an artist, before they buy online.

 

 

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Unless your famous, well known, or an established artist, picked up by reputable galleries, as a working artist, you really need to learn, how to diversify with your art.

It may not suit every artist, but, if you want to make a living from your art, these days, you need to be a creative business person too. Be open to, exploring other creative avenues, for sales and work. Your bread and butter money. This can be done alongside making, your more, serious gut- felt work for exhibitions and projects

 

Jenny Davis_Wallmatter Project 2

 

My bread and butter online websites Outlook8studio, Strazz and Atelierinparis I do have a vintage shop, as well,  Nostalgi but, after 8 years of being on Etsy, I am in the process of downsizing all shops and combining some together. Many thanks to some wonderful business advice, I received from Penny! at Sparrow Savage recently.

 

Modern living room with white colors

 

When uploading your artwork images onto your website, always make sure your photographs are professional looking, not blurred and as close possible to the colours in your original artwork. After-all,  it’s your photographs that sell your art, online.

 

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Great customer service is a must! Quickly answer any questions and concerns your customer may have. Don’t argue with your customers and be polite. If you do come across a problem, try to stay calm, cool and business- like, in your correspondence with them. They will eventually go away, but a bad business reputation won’t online.

 

Jenny Davis_Wallmatter single_ 2016

 

Packaging your artwork. Wrap your artwork professionally. I like to include a hand- signed “Certificate of Authenticity” (A statement that a work of art is genuine) with my artworks. To package small to medium size paintings on stretched canvas, I first wrap layers of acid free, tissue paper around the painting, then cut out a piece of stiff cardboard for each side. Bubble wrap it all, then pop the package into a custom- made box. A “thank you” note and instructions on how to look after the artwork, included in your package, goes a long way. Remember to slip in some extra business cards too, that can be passed onto other potential collectors/customers.

 

Art packing_Jenny Davis

If your artwork needs to be framed behind glass, I would suggest using, crystal clear perspex instead of glass. It looks like glass and is much safer and lighter, to ship, especially internationally, without the costs of breakages.

Once you get used to having a website and a presence online. It does get easier and is not so overwhelming. You may find by having your own website, it will open up a whole new world of opportunities for you and your arts business as well get your your artwork sold and out of the studio.

 

Jenny Davis_Wallmatter Paintings lot_ 2016

 

What do you do to get your art seen online?

 

 

Experimental Painting. Industrial Materials and Methods.

Friday, April 22nd, 2016

Experimental Painting. Industrial Materials and Methods.

Its been almost a year since I started this group of paintings using traditional, non traditional, industrial, materials and processes. There are 20 paintings altogether.

After several months of research and practical experiments, I finally discovered how to make my textural, gritty surfaces, stable and permanent for a flexible base.

 

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Jenny Davis_Wallmatter Paintings lot_ 2016

Jenny Davis_Wallmatter Paintings_ 2016

Jenny Davis_Outlook8studio

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Jenny Davis_Wallmatter Paintings closeup2_ 2016

Jenny Davis_Wallmatter Paintings_Mixed Media_ 2016

Jenny Davis_Wallmatter Paintings closeup_ 2016

Jenny Davis_3 Wallmatter Paintings _ 2016

 

 

Heat. Bush Fire. Painting.

Sunday, December 20th, 2015

Heat Bush Fire Painting

After 3 days of sweltering heat and bush fires nearby it’s time to relax and do some mark-making on big sheets of paper

Jenny Davis_ Mixed Media on Paper in Progress 4

using dyes

 

 

Jenny Davis_ Mixed Media on Paper in Progress 5

ink and pen

 

Jenny Davis_ Mixed Media on Paper in Progress 2

with hand painted papers

 

Experimentation & New Free Tutorials Page.

Wednesday, October 14th, 2015

Experimentation & New Free Tutorials Page.

My blog updates have been scarce lately, as, Ive been studying a couple of arts business and creative courses. This week I created a new “Free Tutorials”  page, where I share some of my favorite, creative ideas and things to do.

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I’ve also, been experimenting with shellac and acrylic paints in the studio

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and plan to create some textile and sculpture pieces too.

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After working on many creative projects and group exhibitions, here and overseas, the past couple of years

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I really think it’s time, to get back into a gallery and start exhibiting again in 2016.

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So, I’m looking for suitable spaces in Melbourne or Sydney, that aren’t too expensive.

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My favourite thing to make, at  Free Tutorials  is my large studio easel. I created it when I built my studio in 2000. I wanted something big, so I could work on many paintings at once. It’s a bit slap happy, (I’m no carpenter) but, works perfectly for me.

Gestural Acrylic Paintings. Mixed Media on Canvas.

Friday, June 26th, 2015

Gestural Acrylic Paintings. Mixed Media on Canvas.

Mixed media on gallery stretched canvas.

Acrylic paint & oil pigments.

 

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Spontaneous gestural marks

 

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with a play of colour

 

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and forgotten marks

 

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on gallery stretched canvas.

 

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Landscapes of traces

 

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left behind

 

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in the environment

 

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and mind.

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Each painting measures, 40cm. x 30cm. x 4cm.

 

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Year completed, 2015

 

 

Professional Arts Business. Artist’s Wear Many Hats.

Wednesday, June 24th, 2015

Artist’s Wear Many Hats. Professional Arts Business.

Wouldn’t it be nice to get up everyday and just create and not have to worry about running an arts practice. Being an artist today means you are in business. You can’t survive on sales alone and have to create opportunities for yourself for those, who want to make a living from it.

According to the Australian Tax Office,“A professional arts business is a business you carry on as an author of an artistic work. This can be the artist, sculptor or photographer who created the work.”

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Artists need to wear many hats: creator, promoter, product developer, maker, writer, photographer, record keeper, shipper, packer, marketer, customer service rep. and so much more.

There are no hard and fast rules, or right or wrong way, on how, to run an arts business. Just use your creativity, trust your own artistic impulses and have fun. A few of my tips . ( Not in any order)

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Get plenty of rest.

Eat and sleep well.

Exercise daily. Walk, even if it’s only around your own garden.

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Make an effort to create everyday, even if it’s only for 10 mins. I have bouts of creativity, every few days. They can last days, weeks, or months. When I am working to a deadline though, I just have to create and everything else needs to take second place.

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I try to have enough work ready, for 2 exhibitions, just encase I’m asked to have a show, suddenly. (It has happened to me 2 times this year)

I have finally, learned, to say NO in my life and business. I am now, very selective in choosing, exhibitions and work I do. Once upon a time, I took on everything offered to me and suffered severe burnout.

Write down ideas and visuals in a small sketch book, journal. Keep it beside you everywhere. I make, or, bulk buy, sketch books when school sales are on.

Jenny Davis_ Hession Journal

Ask for help when you need it. Partners, family friends or professional help. Barter with your art if your unable to pay someone to help.

Darth Vadar Sculpture small

I find sitting at the computer in short bouts helps, as, I have back, neck and arm problems.

Tweaking my online websites, is a full time job, in itself. I get it done, in small bits, daily.

I check my emails when I get up in the morning. Any sales, or urgent things, I try to deal with straight away, otherwise, I worry all day and night and won’t get anything, done.

I make major lists of all the biggish, events, exhibitions, grant writing, gallery submission, residency applications, I want to apply for, over next 12 months. I then, cut down the jobs, I need to do into small steps, to achieve my goals. I recently found a good site for this Evernote I use the basic free plan.

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1 or 2 days a week I photograph and document my artwork.

As soon as I make a sale, commission etc. I document it and keep a record of my customers, contact details and which artwork they bought.

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A website is a must for every artist, as most galleries want to see an online portfolio, for submissions, including, awards and arts residency, jobs and courses you apply for.

Social media sites, all help you to get your art seen. Link up your website/blog post updates, to automatically post to your other social media sites.

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A blog is like your own personal space to create in. I use mine, as an art journal, to share, ideas, work in progress and a bit about, who I am. As well, it’s a place to see and buy my artwork.

Make a video of your creative process. People are interested in what you do. Make sure to have your website details in the credits so they see more art at your website.

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Take risks. Be resilient, flexible and find innovative ways to make money to fund your art.

Diversify with your art, without diluting it, so you can make a living. Doesn’t mean you are compromising yourself, or art. It’s just another, clever way, to get your art out there, make an income and continue your creative ideas.

Example: Limited edition art prints and quality home-wares etc. Teach from your studio, or create, online art courses. It all helps you make an income, so you can continue creating the art you want to do.

Modern living room with white colors

Sensor Ship aqua Jenny davis

(I sold a selection of my art throw pillows and prints, which were curated, into an exhibition, at Federation Square, in Melbourne in, 2014) Helped fund, new art materials petrol and food.

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Make an arts mailing list. First, ask people, if they want to be on it. ( suppliers, customers, friends, collectors, galleries, magazines, interior designers, architects, director’s, artists and all those who have shown an interest in your art etc.)

Have packaging ready and try to reuse and recycle packaging where possible for when the sales come in.

I also, buy custom made boxes for my artworks and rigid mailers, cello bags for smaller ones. Every couple of months I do a inventory of packaging, to see what I need to replenish.

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Ship only a couple times a week so your not having to go out everyday.

Most of my art sales are overseas. To save money,  I package them myself, weigh them and go to the Auspost website, to calculate domestic and international costs.

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Most important! Take time out to do something different, or relax and do nothing.

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I need to get out of the studio occasionally, to spend time with other artists, family and friends.

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Spoil yourself, or someone else.

Have fun!

Back to “Free Tutorials”

Mixed Media Painting on Paper. Acrylic paint. Oil Pigment. Shellac & Rag Paper.

Sunday, June 21st, 2015

Mixed Media Painting on Paper.

 

Acrylic paint

 

Jenny Davis_ Mixed Media on Paper

 

Oil Pigment

 

Jenny Davis_ Mixed Media on Paper 2

 

Shellac & Rag Paper

 

Textiles. Shellac. Wood. Work in Progress.

Friday, March 13th, 2015

Not fully resolved, this is the first in a series of mixed-media art works on cradled wooden board, followed by further details of the process.

 

This artwork was inspired by an old piece of spotty paper.

 

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I wanted to leave space around the wooden board and still show the grain

 

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An old piece of canvas and hand- stitching.

 

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Found papers with generous pourings of shellac and ink.

 

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More papers and cloth.

 

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I’m still not satisfied and will probably sand back in areas.

 

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See Jenny’s other artworks in this series

Art + Mel. Federation Square.

Saturday, November 15th, 2014

ART+MEL from Redbubble on Vimeo.

ART+MEL 2014

A selection of my artworks have been chosen to be included in Art + Mel a two day art event in Melbourne. We are taking art out of the galleries and onto the streets of Melbourne, showcasing local artists at two interactive hotspots in the heart of the CBD, at Federation Square and city lane-ways in the heart of the CBD Melbourne

Meet the Tenant 11 sml

Numbers Game Pale Purple Greens

Everyone is welcome!

ART+MEL 2014

Purple Haze in Yellow. Procrastination.

Thursday, November 13th, 2014

Two new paintings from the studio!

  Procrastination

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Sitting on a line at the cusp of making a decision enjoying the moment before.
Acrylic paint, Oil pastel and sealer on gallery wrapped canvas
12″x 16″ X 1-3/4″ (30x40x4cm)

See more here…

 

Purple Haze in Yellow

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Colour field abstract painting
Acrylic paint, Oil pastel and sealer on gallery wrapped canvas
12″x 16″ X 1-3/4″ (30x40x4cm)

See more here…

Paris Manhole. Underground Spaces.

Sunday, October 26th, 2014

Found Abstractions
Manholes utility holes, cable chambers, access chambers, inspection chambers, maintenance holes,  confined spaces) Top openings to underground spaces.

Photographs taken in Paris, France and England by Jenny Davis. 2005,2007 & 2009.

Mixed Media Collages. Abandoned Matter.

Saturday, October 18th, 2014

A series of mixed media collages. By reclaiming and re-using abandoned matter, each piece gives new meaning to the (discarded) found in the environment. Mark making with thread, found papers and stains.

 

VMX

VMX – Jenny Davis

TITLE VMX.
MED Acrylic gesso paint, ink, staining, acrylic sealer, found papers & font, thread and cardboard packaging mounted on deep olive green acid free board.
SIZE Artwork 5.5″x 3″ – 14x7cm.
SIZE Mount Board 8″ x5″ – 21 x 13cm. approx.
YEAR 2014
Signed on front by artist
Ready to frame

Buy here

TrackXE Jenny Davis

TraXE – Jenny Davis

TITLE TraXE.
MED Acrylic gesso paint, ink, staining, acrylic sealer, found papers & font, thread and cardboard packaging mounted on deep olive green acid free board.
SIZE Artwork 5.5″x 3″ – 14x7cm.
SIZE Mount Board 8″ x5″ – 21 x 13cm. approx.
YEAR 2014
Signed on front by artist
Ready to frame

Buy here

TrakX  Jenny Davis

TraX –  Jenny Davis

TITLE TraX.
MED Acrylic gesso paint, ink, staining, acrylic sealer, found papers & font, thread and cardboard packaging mounted on deep olive green acid free board.
SIZE Artwork 5.5″x 3″ – 14x7cm.
SIZE Mount Board 8″ x5″ – 21 x 13cm. approx.
YEAR 2014
Signed on front by artist
Ready to frame

Buy here

Trak2 - Jenny Davis

TraX2 – Jenny Davis

TITLE TraX2.
MED Acrylic gesso paint, ink, staining, acrylic sealer, found papers & font, thread and cardboard packaging mounted on deep olive green acid free board.
SIZE Artwork 5.5″x 3″ – 14x7cm.
SIZE Mount Board 8″ x5″ – 21 x 13cm. approx.
YEAR 2014
Signed on front by artist
Ready to frame

Buy here

VArow

VArow – Jenny Davis

TITLE VArow.
MED Acrylic gesso paint, ink, staining, acrylic sealer, found papers & font, thread and cardboard packaging mounted on deep olive green acid free board.
SIZE Artwork 5.5″x 3″ – 14x7cm.
SIZE Mount Board 8″ x 5″ – 21 x 13cm. approx.
YEAR 2014
Signed on front by artist
Ready to frame

Buy here

In the Studio. Work in Progress.

Sunday, October 12th, 2014

Started this painting at Jane’s studio

 

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Sat and watched it today

 

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Still a way to go with colour oil pastel & paint

 

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It’s been good getting back to larger paintings… 140x120cm.

 

 

 

 

 

5 New Paintings. Gaudi. Tuileries.

Friday, October 10th, 2014

Fresh from the studio…

Gaudi’s Catalan

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Touching Gaudi’s curves in Barcelona.
Acrylic paint, ink and sealer on gallery wrapped canvas
12″x 16″ X 1-3/4″ (30x40x4cm)
Signed by the artist
Ready to Hang

Buy Here

 

Sitting with Catherine at Tuileries

Jenny Davis_Sitting with Catherine at Tuileries_s

Little wooden chairs dotted around .Sitting enjoying the Tuileries garden after the Louvre.
Acrylic paint, Oil pastel and sealer on gallery wrapped canvas
12″x 16″ X 1-3/4″ (30x40x4cm)
Signed by the artist
Ready to Hang

Buy Here

 

Gaudi’s Play

Jenny Davis_Gaudis playground_crop  -s
Touching Gaudi’s curves in Barcelona.
Acrylic paint, Ink and sealer on gallery wrapped canvas
12″x 16″ X 1-3/4″ (30x40x4cm)
Signed by the artist
Ready to Hang

Buy Here

 

Playing at Tuileries

Jenny Davis_Playing in Tuileries_ s

Playing under the arch in the Tuileries garden after the Louvre.
Acrylic paint, Oil pastel and sealer on gallery wrapped canvas
12″x 16″ X 1-3/4″ (30x40x4cm)
Signed by the artist
Ready to Hang

Buy Here

 

Red Orange Float

Jenny Davis_Red Orange Float  -s

ABOUT THE ART – Red Orange Float.
Pure abstraction. A play with color, movement and line.

Acrylic paint, Oil pastel and sealer on gallery wrapped canvas
12″x 16″ X 1-3/4″ (30x40x4cm)
Signed by the artist
Ready to Hang

Buy Here

 

” No Yes” Book.

Monday, September 22nd, 2014

Today I made my first ever limited edition artist books. The past few weeks I’ve been working with Queensland artist, Jack Oudyn  creating, 2 original artist books. We sent the original books across the country many times in the post, from Victoria to QLD, so we could both add our marks.

"No Yes" Book Side 1

“No Yes” Book 1/3

 

It has been a challenge to get the maths right with the edition. They are far from perfect and I lost a few marks in the process, which, I think only adds to their charm and it’s been a lot of fun, learning from mistakes made along the way.

Each little “No Yes” book measures W4 x H5 x L40cm. made from 160gsm. goatskin parchment paper in cream.

 

Thank you Bluethumb!

Saturday, September 6th, 2014

I’m a bit late with this…

Thank you BLUETHUMB ! for listing me as one of your top 20 artists to watch in 2014

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Thoughts on Collage.

Sunday, August 31st, 2014

 

My 10 quick thoughts on creating original collage.

 

"13 pour" Jenny Davis

“13 pour” Jenny Davis

 

1. Just when you think you’ve got it licked, it can change, by adding one tiny piece of paper, or mark.

 

"Bitter Interception" Jenny Davis

“Bitter Interception” Jenny Davis

 

2. Collage can’t be controlled, trust in the doing.

 

"No" Jenny Davis

“No” Jenny Davis

 

3. If you don’t like something tear it off, paint or paste over it.

 

"Generous Nation" Jenny Davis

“Generous Nation” Jenny Davis

 

4. By elimination, breaking and tearing to restructure the work, you can open up a new vision.

 

"Clash 3" Jenny Davis

“Clash 3” Jenny Davis

 

 

5. Text adds interest and throws it off again. Do you take it literally, or as a design element?

 

"De'ranger" Jenny Davis

“De’ranger” Jenny Davis

 

6. Working on the whole collage at once and not just in one area, is more satisfying.

 

"Clash" Jenny Davis

“Clash” Jenny Davis

 

7. Elements of design come into play too. Colour, shape, texture, line and form.

 

"84" Jenny Davis

“84” Jenny Davis

 

 

8. When creating collage, I use the same cognitive process as when painting.

 

"Torn" Jenny Davis

“Torn” Jenny Davis

 

9. It’s all about trusting the creative process, your intuition, taking risks and challenging yourself.

 

"Paris Burning" Jenny Davis

“Paris Burning” Jenny Davis

 

10. It’s also heaps of fun expressing yourself in this way!

Back to “Free Tutorials”

Collaborative Art Project.

Sunday, August 24th, 2014

The original “No Yes” book below is now finished after 2 collaborative swaps with Australian artist Jack Oudyn

Please see previous post on “Collaborative Art”

1st swap with my marks only

 

2nd swap with Jacks marks and we both decided it was finished!

 

It has an oriental feel to it.

Coming up soon, the other finished artist book!

 

The Hubcap as Art.

Wednesday, August 13th, 2014

UPDATE!

Details about the environmental installation I am participating in at The Museum of Shenandoah Valley in Virginia USA!

 

Second Time Around

 

  

MUSEUM OF THE SHENANDOAH VALLEY
901 Amherst Street, Winchester, VA, 22601 USA
888-556-57997th. September 2014  – March 1st. 2015Opening Saturday, September 06, 2014 at 7:00 PM – 9:00 pm

Finally, be sure to register for the opening party on September 6 if you plan to attend!
If you have any questions, please contact Marge Lee at mlee@museumword.comArts Project Creator

Ken Marquis Founder, The Landfillart Project

“Second Time Around. The Hubcap as Art”

Artist list 

 

Image credits on exhibition logotype: Pasta Maker Machine, 2010, Kathy Rebek, New Jersey, and Untitled 2009 by Linda Leviton, Ohio. Courtesy of the Museum of the Shenandoah Valley. 

My artwork selected for the “Second Time Around. The Hubcap as Art” exhibition.

 

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Letters from the Border. Jenny Davis. 2009.

This piece is a collage of images taken from my collection.

It includes 2003 emails I received from a US soldier

when he was on the border in Kuwait, waiting to invade Iraq.

He described the constant multiple bombings,

the daily life of his troops and photos of what he saw around him.

One photo, the little flower, represented the hope in the dusty dry dessert.

After several months of correspondence,

I never heard from him again and have been unable to locate him.

 

 

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One-minute video trailer by Los Angeles film and TV director Larry Carroll.

Second Time Around: The Hubcap as Art!

 

 Underwriters and Partners:

 

 

 


 

 

Mail Art. Nomad Art. Transportable Art.

Wednesday, July 9th, 2014

Finished Mail Art. Sending off to Australia, France, South Africa, USA, Canada and Portugal.

“Earth Works” series.

Gocco screen print. Distress inks. Stencil. Thread. Collage. Coloured pencil on vintage graph paper and  found cardboard packaging.