My art is inspired by underground spaces and the debris left behind in the streets.
Graffiti, graphics and consumer packaging I collect from cities worldwide.
Have your speakers on and please enjoy my video! “Urban Strazz”
My art is inspired by underground spaces and the debris left behind in the streets.
Graffiti, graphics and consumer packaging I collect from cities worldwide.
Have your speakers on and please enjoy my video! “Urban Strazz”
11 Feb 11 @ 06:01am by Kimberley Seedy
Jenny Davis shows some of the paintings and photographs at her Burrinja Cafe exhibition.s LAWRENCE PINDER N33FP405
A COLLECTION of paintings and photographs featuring some overseas locations are on display in a new exhibition in Upwey. Abstraction and Beyond, featuring the work of artist Jenny Davis, is on at the Burrinja Cafe until March 1.
It consists of seven framed abstract oil paintings on paper, created in Barcelona in 2005, together with mounted night photographs shot in underground locations in Paris in 2010.
Davis describes her photographs as a “non-cliched” look at Paris.
Instead of focusing on the famous monuments, she zoomed in on what was beneath the surface, photographing hidden places, including a storage area under an apartment.
Davis said she loved the spaces underground.
“There’s a life underneath the earth, and people don’t know about it, but it’s very busy and living,” she said.
“I have taken photos of the Eiffel Tower but I go under it, and look at closer fragments.”
Exhibition update:
Feb.2-1 March
Burrinja Cultural Center
351 Glenfern Road (cnr Matson Drv),
Upwey, VIC, 3158 .
Open Daily 9am-5pm.
If you are heading over to the Dandenongs over the next month, checkout my exhibition “Abstraction & Beyond’ at the Burrinja Cultural Center in Upwey, Victoria.
I just finished hanging the exhibition on Tuesday with the help of Amy Jo Jory, who runs the gallery at Burrinja. A cross-cultural mix of oil paintings I created at an arts residency in Barcelona, Spain, together with mounted night photographs I shot in Paris last winter.
I’m very pleased with the way it looks. My Spain paintings really connect to the space. At Burrinja they have taken on a very Australian feel yet, they are also Spanish. I can see both cultures in the paintings.
I’m relieved it’s finally up and running and all the hard work has been done. Now I like to sit back, let go of the work and relax. Although I love having exhibitions, once they are over, I am always glad to move on and begin new ideas and projects.
Burrinja Café & Bar
Open every day
Bookings: 9754 5707
Burrinja Café provides great food and coffee in a fantastic intimate atmosphere that continues the indigenous theme of Burrinja Gallery. It is an 80 seat fully licensed café that will seduce you the moment you walk in. Escape the hustle into warm ochres, great art and comfy lounges. Enjoy lunch, group get-togethers, music events, or just relax. Burrinja cafe is the ideal place to eat while visiting Burrinja to enjoy the great art or day-tripping in the Dandenong Ranges.
Functions
Burrinja  & Café Bar caters for all types of functions.
Call for details on our wide range of tailored menu options
Music – see Events for the line up of music, spoken word and more at Burrinja Café
Fabulous cakes, coffees, chai and more – all fresh!·
Menu selections are always being updated, and we can cater to your individual needs
More Café Gig & Events Info at the Burrinja Cafe website
Thank you Tyrrell’s wine, Mirvac and Sebel Heritage
“Outlook View”
Thinking of my home when I was in Europe.
This is the digital art print created from a
section of one of my original oil paintings for a wine label
Last night I attended a cocktail evening at the Sebel Heritage in the Yarra Valley. The whole idea of the evening was to introduce exhibiting artists to the new manager to chat about the current Yarra Valley Arts exhibition displayed at the resort.What a nice surprise I had when they announced my painting “Outlook View” was the winning entry for the Tyrrell’s Wine label competition. I was so excited, especially as I’d forgotten I entered the competition.
As an artist I love the idea that my art will travel, “Nomad Art” on a wine bottle.
Why should art be only framed on a gallery wall?
Although I didn’t get paid in money for my design I couldn’t think of a better marketing tool for getting my art seen and tasted:). The exposure for my art will be extensive, especially as Tyrrell’s wine is sold widely in Australia and exported all over the world. I was also presented with the new wine label beautifully framed, a gift card from Mirvac hotels & resorts and the most beautiful bunch of flowers. In the future I may even receive a case of the wine with my artwork.
Winning the competition also got me thinking a lot about the art on a wine label…
I know, when I buy a bottle of wine, I choose it primarily for its label. If the label is dull and boring visually, I won’t buy it. I also think the design of a wine label could make or break a new wine introduced to the market.
Do you choose a wine by the label?
A list of artists who have created a Château Mouton Rothschild label. Many of the artists received no payment for the work, but were given cases of wine, including of the vintage which they have illustrated.
• 1924: Jean Carlu 
• 1945: Philippe Jullian
• 1946: Jean Hugo
• 1947: Jean Cocteau
• 1948: Marie Laurencin
• 1949: André Dignimont
• 1950: Arnulf
• 1951: Marcel Vertès
• 1952: Léonor Fini
• 1953: Centenary year commemoration
• 1954: Jean Carzou
• 1955: Georges Braque
• 1956: Pavel Techelitchew
• 1957: André Masson
• 1958: Salvador Dalí
• 1959: Richard Lippold
• 1960: Jacques Villon
• 1961: Georges Mathieu
• 1962: Matta
• 1963: Bernard Dufour
• 1964: Henry Moore
• 1965: Dorothea Tanning
• 1966: Pierre Alechinsky
• 1967: César
• 1968: Bona
• 1969: Joan Miró
• 1970: Marc Chagall
• 1971: Wassily Kandinsky
• 1972: Serge Poliakoff
• 1973: Pablo Picasso (posthumous recognition – in memoriam, as he had died in Mougins in April of that year)
• 1974: Robert Motherwell
• 1975: Andy Warhol
• 1976: Pierre Soulages
• 1977: Tribute to Queen Elizabeth The Queen Mother, who stayed at the chateau in April 1977
• 1978: Jean-Paul Riopelle (2 labels)
• 1979: Hisao Domoto
• 1980: Hans Hartung
• 1981: Arman
• 1982: John Huston
• 1983: Saul Steinberg
• 1984: Agam
• 1985: Paul Delvaux
• 1986: Bernard Séjourné
• 1987: Hans Erni
• 1988: Keith Haring
• 1989: Georg Baselitz
• 1990: Francis Bacon
• 1991: Setsuko
• 1992: Per Kirkeby
• 1993: Balthus (2 labels)
• 1994: Karel Appel
• 1995: Antoni Tàpies
• 1996: Gu Gan
• 1997: Niki de Saint Phalle
• 1998: Rufino Tamayo
• 1999: Raymond Savignac
• 2000: Special gold enamel relief of the “Augsburg Ram” in the Mouton museum
• 2001: Robert Wilson
• 2002: Ilya Kabakov
• 2003: 150th Birthday Tribute
• 2004: Charles, Prince of Wales
• 2005: Giuseppe Penone
• 2006: Lucian Freud
A couple of exciting things have happened to me lately that I’d like to share with you.
My latest exhibition at TPTP Project space in Montmartre Paris, France.
ROOM OF REFERENCES invites artists to share idea-evoking images and objects, and look into the ones of others. The piece can be of any kind (art work, photo, drawing, music piece, book, magazine, letter or other object) as long as it has very special/profound meaning to you, and has worked as inspiration source for you during a longer period.
You can see more about the exhibition at the gallery’s website.
https://sites.google.com/site/roomofreferences/
This is one in a series of shots I took in the underneath
area of an apartment building in Asnieres-sur-seine, Paris 2007.
The image inspired me to create “Meet the Tenant” project.
Since 2007 I have continued the project, had an image
published in a horror magazine in Australia,created a portfolio of photographs,  a video
and sound installation which was exhibited in Melbourne
Australia, 2008. I also developed an art proposal seen here
http://www.outlook8studio.com/2010/01/24/meet-the-tenant-project/
In 2009/10 went back to Paris to photograph and video in
the same space including other other underground areas for future art projects in Paris and Melbourne.
Also ,when I was in Paris earlier this year I was selected to put in 3 of my paintings into a new publication “Abstractions 2010” ,New Art Review magazine, MI.USA
You can purchase the book here http://new-art-review.com/bookstore.html
Cheers for now
Fresh from my temporary studio in Paris…..  It has been an interesting challenge creating  from my “Studioinabox” in Paris set up for me by my daughter Amy .Ive had to work differently from my usual  larger pieces. Pieces have become more intricate and detailed.I even created some more hand made books and collages using whatever I could find .I am enjoying re-cycling everything I can get my hands on….I just sent back to Australia 5, 7kg. boxes of junk ,collected from the streets and stuff that lovely people have  given to me to re-use in  my art.

Meet the Tenant Project – The Dungeon Paris
Over the past 3 months I have been living and making art with my daughter in Paris. I came here to finish off an arts project I started 2 years ago.
Meet the Tenant project began during the Summer of 2007, when I ventured down into the underground area of an apartment block in Asnieres sur seine. I sensed the presence of past lives lurking within the walls and this became the starting point for my project.
I call this space “The Dungeon” Within days I had massed hundreds of images, video, photos and drawings. I took them back to my studio in Australia and have been working on the project ever since. I edited the videos into an 18 minute piece and printed out some of the photos. Developed a story-line which keeps changing, and created a proposal to be performed . (See 1st draft below)
Today back in Paris 2010, I’m still no closer to resolving this project its forever ongoing and not sure where it will end up and its driving me mad.
Proposal No.1 $10,000 – Jenny Davis 2010
“Go to Paris from Australia & live in an underground space for 7 days and document everything that happens with video, photographs, drawings, whatever. All things created become yours. You will own the experience, everything, including my clothes, shoes, food containers ,implements etc…I will deliver them to you. The art piece is… The whole experience…. you can do with it what you want”
(Due to sub zero temps. this project was canceled and may be performed at a later date)
An underground space under the Notre Dame Paris

Map copyright PlanetWare.com
DIARY ENTRY 2005“Surfaces tell the stories of History’s children. I travelled the surface of the battles. Napoleon and Hitler’s slaughter. The senseless bloodshed of scores of the Holy wars. As I entered the borders it invaded my skin, then, seeping into my soul, I saw where it happened over and over again. It clings to me and will stay.
In England I saw a ghost in nave at Canterbury Cathedral and visited the wonderful sea side village of Rye. Nearby the weird, bizarre but wonderful Dungeness. And the fantastic museum in Maidstone where I was the only one, creeping through the old corridors. I loved its ancientness.
In Spain, I felt the genius of Dali, Gaudi , Miro, Picasso and Antoni Tapies.The magic of Don Quixote, Flamenco, the dance and Catalan language.
I had fun with Tarrentino’s, Pulp Fiction in France and the beautiful city of Paris with its beautiful goldness, but no toilets. I fell in love with Venice , Florence and the Renaissance. The architecture cathedrals and more.”
Continuing on from my last post …
I would like to share with you just a sample of what can be done through marketing and promoting your arts business online.Without the computer I couldn’t have done any of this and ANYONE can do this if you are willing to put in the time and energy….while still saving time for precious creative pursuits
I have included parts of a letter I sent to an arts body in Australia “explaining” (as typically artists constantly have to do)… How serious I am about what I do…
To whom it may concern,
I wanted to write this to let you know how serious I am about my arts business and how I have great expectations for its continual growth internationally.It takes time for artists to establish themselves; we have to approach the” business” of being an artist slightly differently, from the usual manufacturer of goods and products because our income can come from many different creative areas, not always with the one product.
Also to be a “successful artist” doesn’t always mean a huge income though this helps.
My main objective is to expose and market my art to an international audience.
To do this, I regularly network with my peers, directors, collectors and with other artists to get known and to find spaces and galleries to show my work for sales, invitations to international events, engagements and commissions.
Australian Contemporary art is much sort after in Europe and USA however, New York has never had a major exhibition of important Australian art but, it will happen.
Since 2001, I have concentrated on exporting my art overseas. I have been part of an Australian exhibition in New York in 2004, Leipzig Germany and Spain 2005 Berlin & Paris 2007 and more in US… I have traveled to England, Europe and was awarded an arts residency in Barcelona Spain. In 2007 I went to Paris to set up a network in France and to oversee my Melb5 art exhibition opening in Berlin Germany 2007.
I spend at least 2/3 hours daily (depending on my physical self) at the computer contacting potential clients and exploring all areas of the International markets. I upload my images onto websites all over the world. I have numerous international spaces and have just released a new series of digital artworks onto the international market.
My main websites and blog, draw in various people who contact me. I receive invites to art fairs, international exhibitions in galleries and online solo & group exhibitions and collaborate with artists worldwide on projects. I also apply for and enter art awards, exhibitions, photography competitions and arts residencies.
Lately, I have collaborated with other international artists in art projects worldwide and received magazine work and published a book of my art in Australia and US.
Included are sites for selling my original art pieces, limited edition art prints, a design site for images on products such as t-shirts, cards, etc. Art, photography and crafts sites. Blog sites let the world know who I am and what I do. A video site where I can create a short video advertising my artwork or experiment with new work.
I am represented by Ausgallery with Austrade in Australia for International representation.
When overseas, I market and promote my work by approaching and meeting with gallery directors, managers. I attend openings of other artists work for networking and researching market trends. I always have a good supply of my professional gallery package I designed. The package may consist of a CD of my images, CV, digital prints, postcards, of my work and an exhibition history all in a folder.
I am in the process of developing a short video of my practice to add to it. When I travel I always leave my art packages at the airports I pass through.
When I don’t have funding and income to travel, myself, I send my work all over the world to events. Example : I’ve also had invitations to the Florence Biennale 6 times, Louvre complex in Paris twice, Sala Barna Gallery in Spain, Galleria Gora in Montreal, Mont Serrat Gallery in New York, Armory art fair NY, Singapore Art Fair, Miami, and may be a possibility for me to attend the next Cityscape in Dubai and much more.
I have just spent 3 months in Paris where I networked, visited and negotiated with gallery directors for future exhibitions, projects and events. I have put in many applications for arts residencies and studio spaces in Paris and in other parts of Europe. In Paris, I developed new work in an area, I had never ventured before. I experimented with video and digital work, an extension to my arts practice. In Berlin, I had an exhibition at the Bob Curtiz Contemporary Movement Gallery with 4 other Melbourne artists in which members of the Australian Embassy in Berlin attended. Recently, I was asked to go to the Shanghai Art Fair with Chaira Goya from Goya Galleries in Melbourne.
Through hard work and determination I feel there is a market out there for my art.
Finally after many years of knock backs I did receive that grant …….
ART FOR LIFE: Art Auction Bushfire Appeal
What is Art For Life all about
The Art for Life Bushfire Appeal has been established to raise money for the rebuilding of communities tragically affected by the recent bushfires in Victoria.
It is a grassroots “community for community” effort to raise funds but we also want it to be a celebration of our communities creative spirit and provide exposure and recognition for Australian artists and their works.
100% of funds raised from the sale of works will go to the cause. As well as that, within our best efforts, every aspect of the event will be donated to maximize the amount that can go to the cause. All involved in making this idea a reality are volunteering their time, this includes the entertainers and function volunteer staff who we gratefully acknowledge.
Art For Life bushfire appeal is an auction of donated art works to be held in the Melbourne Town Hall Supper Room on 27 March from 6.30pm.
We look forward to seeing you there.
The event is sponsored by Melbourne City Council under the auspices by The Lord Mayors Charitable Foundation
Some of the contributing artists include Lisa Roet, Heather Shimmen, Angela Brennan, Debra Rhee, Jamie Daddo, Jenny Davis, Thomas DeKessler, Elisabeth Sands and Mary Newsome.
 
 
   Letters from the Border Jenny Davis
The flower rose from the desert floor
Pushing its way through the dry hard crust like a white rag flapping its surrender into the dust
Time slowed to a halt for one soldier he clicked the camera.
An interruption to the vile slaughter he had witnessed earlier that morning
The image arrived penetrating the depths of her soul for she knew the little desert flower from the border would change the fragility of humanity forever
Finally after all the fires in Victoria I’m starting to create again and catch up with my work in the studio. Pictures above show images of the hubcap I created for the Landfillart project in US.
ABOUT THE ARTWORK
LETTERS FROM THE BORDER is actually a series of many pieces I have been working on for years…..This piece is a collage of images taken from my collections.
A copy of an original Imperial letter from Berlin I own dated early 1900’s
A piece of writing I created in 2003 in connection to Iraq Photos and emails I received from a US soldier when he was on the border in Kuwait waiting to invade Iraq.He described to me what happened to his troops on that day and night.
They were bombed 30 times as they crossed the border.
We conversed with emails for a few months then nothing .I don’t know what happened to him I haven’t been able to find out.
The bomb like image is a photo of a plastic toy I have that sits inside one of my box sculptures.The soldier images are from the photos he sent me of himself and his crew. I had made a few zines out of these images then I tore one up for this work. It was all originally on stretched canvas but I cut it out for the hubcap and sealed it….
The desert flower refers to a photo he sent me as he was entering over the border into Iraq…a little flower a glimmer of hope in the dry dusty desert
ABOUT THE PROJECT
Landfillart is an international effort encompassing one-thousand-forty-one (1,041) artists to claim a piece of rusted metal garbage and create fine art.
The ultimate goals of this project are twofold. The first is to compile a book with the story and photos of the evolution of http://www.landfillart.org and the coming together of 1041 artists worldwide for a common cause, making great art out of rusted refuse. Only artists could lead such a charge. The other goal is to select 200 of these metal canvases to travel and inspire other such movement
 PARISGRIT VIDEO & SOUND INSTALLATION
PARISGRIT VIDEO & SOUND INSTALLATION
Photography – Painting – Collage
In Paris there is beauty everywhere. So where did my ‘head-down’ inspiration for Parisgrit come from?
Probably my contrary view that beauty is what we make it. So I explored the underground spaces, surfaces, corners, crevices, signage, graffiti and even discarded packaging of Paris, finding as much interest there as a tourist sees in the classic art and architecture.
It’s all street art – digital images, street litter and objects for collage – that I impulsively, obsessively collected from the Paris under my feet. Parisgrit is the other beauty of Paris, the ignored and neglected surprises and symbols, filtered through the mischief in my heart and grit in my eyes! Amusez vous …Jenny Davis 2007
In May 2007 ,I traveled to Paris and was part of an exhibition in Berlin with 4 other Melbourne artists, After a few hitches the artists finally enjoyed an opening at the Bob Curtiz Contemporary Movement gallery in Berlin ,which included the attendance of dignitaries’ from the Australian embassy in Germany.
I also spent 3 months in Asnieres-Sur-Seine in Paris, the once home of 18th century painter, Georges Seurat who painted the famous “Une Baignade a`Asnieres”
Living amongst the local, ethnic communities I was able to breathe in the essence of life and culture of Paris. Time was spent strolling through the museums, Louvre, D’orsay and the Pompidou, and the not so touristy areas, to network with the artists & galleries to see what their local artists were up to. I observed the spirit of the “French Café” noticing much of it remains as, it was in the earlier days with its red districts, brothels and porno joints, all still colorfully alive.
I explored areas like Mont Martre and places where legendary artists and writers once frequented. Where art movements, such as, Dadaism, Impressionism and Surrealism were argued and created. I loaded myself with camera, video, paintbrush and rubbish bags and explored underground spaces, surfaces, corners, crevices, signage, the Metro and Graffiti. I collected discarded, street litter and consumer packaging and bought it back to Australia to create with back in my studio.