Giving vintage textiles a new life.

September 23rd, 2019

Recently, a very kind lady donated her mothers doilies to me, for my next textile, art project. Though I have found it hard, rusting and burying this lot, I was re-assured that her mother would be happy to know they were given to someone who would give them a new life. 

I’ts been perfect weather lately for rusting and burying.

After a good soak with white vinegar I wrap some with wire.

Mostly, I just lay the the cloth under a slabs of metal sheets, left over from my studio build then stack on top of one another.

I like to get them all dirty by burying them and stacking a heaver tray and rocks on top. I leave them there from 24 hrs. or, many months until I get the look I’m after.

4 weeks underground. Final unveiling just before dunking in a sink of water and bicarb soda, to stop rusting process.

This piece really excites me with the intense rust and black marks.

Such gorgeous delicate lace work crochet in this doily.

Rust n dirt with tiny black marks and colourful hand embroidery.

Rust with the contrast of beautiful hand embroidery peeking through.

A lovely bundle of vintage rust material ready to go for new projects.

© 2019, Jenny Davis. All rights reserved.

Deep Purple on Rose On Cad. New Paintings & Collage.

August 14th, 2019

New collages and paintings now available in my gallery

Collages – created from vintage papers on 300gm thick water-colour paper. Some of the water- colour paper has been dyed and baked to give an aged appearance. Size 29 x 19cm.(Unframed) Signed with “Certificate of Authenticity”.  ( Please click on images to purchase artworks )

 

Sea Scaping
By
Jenny Davis
Flight 175
By
Jenny Davis
Birds Of
By
Jenny Davis
EITTI
By
Jenny Davis

Paintings – Bright & bold abstract painting’s with splashes of deep, bright colours, with layers of marks and lines. On deep sided canvas. 92 x 92 x 2cm. (Unframed) Ready to hang. Signed by Artist with “Certificate of Authenticity” ( Please click on images to purchase artworks )

Deep Purple on Rose on Cad with Orange Splash
By
Jenny Davis
Deep Purple on Rose on Cad
By
Jenny Davis

FREE SHIPPING AUSTRALIA WIDE. Shipping 1-2 weeks Australia wide. Includes Tracking & Insurance.

For postage outside of Australia please request a quote. Please contact me info@outlook8studio.com prior to purchase with your address and I will quote you the extra cost for shipping & insurance to your location.

Delivery Times

Australia – usually within 7-14 days

International depending on country usually within 14-30 days of payment clearance.

Returns – Refunds
Outlook8studio is committed to ensuring the 100% satisfaction of our art collectors. We want you to be completely happy with your purchase. If you don’t like your artwork we have a 5 day cooling off period. Within this period you can return the artwork to us for a full refund. Shipping and insurance of the artwork back to us is at your own expense. We must receive the artwork back in the same condition you received it in order to receive a refund, less return shipping.

Please read our policy page before purchasing for more info.

© 2019, Jenny Davis. All rights reserved.

New Colour. New Paintings.

July 13th, 2019

I’ve spent the past week working on a new series of paintings. A parcel arrived in the post with big tubes of colour, I hadn’t used before. What could be more motivating to get me back in the studio, than, new art supplies, especially after weeks of medical and physio appointments getting in the way.

I didn’t want to open them and make dents in the big chunky tubes. When I finally did, it was quite confronting, to play with colour I knew nothing about. I took the plunge, slapped it on, moved it about, without thinking too much. Enjoying the colour, texture and flow of the paint. The process, I knew would take care of itself. I just had to be present, stand back, look and go back into it.

Quickly, I came up with the first layer which I was very happy with. Of course, I went back in with more layer’s wanting further depth and richness.

I now, look back at the photos, taken at the start of the process and maybe, I lost the freshness, freedom and flow of the marks I had at the start. Maybe, I didn’t need to go any further…

I believe sometimes, the essence of the story is at the beginning and “nothing else” is needed to tell it.

Back to the studio to play more, or leave alone.

© 2019, Jenny Davis. All rights reserved.

Artworks Available. Paintings. Sculpture & Textiles.

June 29th, 2019

A small selection of artworks available from my studio. To see the artworks below and more, please go to the Art section in the menu on the left.

FREE SHIPPING AUSTRALIA WIDE. Shipping 1-2 weeks Australia Wide.

For postage outside of Australia please request a quote. Please contact me info@outlook8studio.com prior to purchase with your address and I will quote you the extra cost for shipping to your location.

It’s a chilly weekend in Melbourne, hope you are all keeping warm xox

© 2019, Jenny Davis. All rights reserved.

YAVA – New Gallery – Members 11 Exhibition

June 16th, 2019

If your heading into the Healesville area over the next couple of weeks. Check out Healesville’s newest art gallery and arts hub. 

YAVA Art Gallery & Arts Hub was recently created by Yarra Valley Arts members so artists/community can show their their work, attend workshops, talks and more…

A very contemporary modern space for artists with plenty of wall space for solo exhibitions too.

Why not come up have a browse of the latest exhibition, grab a coffee  or wine and sit out on the gallery balcony overlooking the beautiful township of Healesville.

Latest Exhibition.

‘Members Exhibition II’ : Showcasing Yarra Valley Artists

Artists in show:

Jenny Davis
Jerry Osadczuk
Christine Caferella-Pearce
David Miller
Cathie Berry
Bev Hardidge
Ernst Fries
Agnes Szetey
Amanda Ruck

Contact

252A Maroondah Highway
Healesville, VIC, 3777

Gallery Opening Hours:
Mon: 11 am – 5pm
Tues: Closed
Wed – Sun: 11am – 5pm

T: +613 5906 1149‬
E: info@yava.org.au

FREE EXHIBITION

 

 

© 2019, Jenny Davis. All rights reserved.

New Work. Abstract Paintings

May 17th, 2019

I use my work as a way to process whatever I’m seeing or thinking at the time. This can be purely self indulgent and personal, as well as sometimes, tapping into a broader or shared concern.

I like to let people bring their own thoughts to a piece. My work is the entry point, then people might be inclined to look harder and tease out other thoughts and connections to the work. 

© 2019, Jenny Davis. All rights reserved.

The life of an Abstract Painting.

February 27th, 2019

It’s amazing how many stages an abstract painting goes through. Ive had the beginnings of this painting sitting in the studio a few months now. Its only recently, I started to photograph the process of painting. Eventually I want to do time lapse video’s while working, but not sure yet, how I will set up my camera.

I wanted to dirty it up a bit

Added some black lines and spaces

The red slowly crept in

More drawing with oil pigments below and the circle was bothering me so I took a risk and blocked it out with red. And that’s what its all about. Taking risks, going along with whatever comes along and using your gut feeling.

I’m pretty happy with the results but will sit with it for a while, before I touch it or, leave it alone. It’s only afterwards, I’ll see connections and links to the context or meaning. Sometimes though this happens when doing, but mainly it’s a play with colour, line and space and knowing when it’s resolved.

© 2019, Jenny Davis. All rights reserved.

Time & Nature

February 3rd, 2019

Exploring objects and textiles is keeping me away from painting in the studio at the moment, but that’s ok, because I’m not just a painter…..

Today, I have been working with time and nature but, now it’s too hot to do anything much, as the temp in the valley has reached 39 Celsius and getting hotter.

I get torn between contemporary and lush, extravagant. Old bones, textiles, rusted wires, watch faces, bits of stick with moss , vintage cosmetic bottles and handmade French influenced, embellishments are on my bench.

Memories and feelings keep flooding back from my times spent in France. Especially touched by Versailles palace and other places in Europe and England. Old history feeds my creativity.

Old rusted wire and found textiles are twisted and sewn with gold threads and remind me of couture and Versailles decadent history.

Formed into fragments that will probably be part of something else.

This one looks like a weird kind of bird.

I’ve also had the de-clutter bug lately so its feels liberating to use up stuff Ive been hoarding for ever.

© 2019, Jenny Davis. All rights reserved.

Art & Recycling. Textiles & Mixed media.

January 18th, 2019

Art and recycling goes hand-in-hand in the textile and mixed- media side of my arts practice.

My artworks are often created from old, discarded clothing, vintage and antique textiles, papers and found objects. I enjoy making use of stuff that has had a life already; a life that is often purely functional and as far removed from ‘art’ as you can imagine.

I’ve been recycling all my life to make art. As a child, I pulled apart, old clothing and nylon stockings “I used to collect fabric waste from mum’s sewing and knitting basket, making wall hangings out of that.” Nowadays, I cut up my own clothing and others, antique quilts, vintage linens, fancywork and men’s suits.

The process of searching and collecting materials, is also, a very important part of my art’s making. It may take weeks, months, even years, to find a piece that talks to me. Most of the time though, a fragment of fabric, clothing or object, will trigger off the idea. I collect and document many of the pieces I find, by labeling or remembering, its history of when & where it was found. This gives me another layer to work with.

The search for materials has taken me to many weird and wonderful places over the years.

The sometimes, dodgy, back streets of cities, in Barcelona, Italy and France. Markets and charity shops in Australia, France and England. Underground spaces, abandoned buildings, coast lines and vacant beaches. Friends, family and strangers, have also, donated materials to use in my work.

By transforming old, recycled and reused materials, it enriches the stories I like to tell in my contemporary art and gives a new life, to materials destined to be wasted and thrown away.

© 2019, Jenny Davis. All rights reserved.

Rust Dyeing Fabrics

December 28th, 2018


Summer in Australia is the perfect time for eco and botanical dyeing outdoors. During Winter, I like to save little bits of fabrics, lace and papers in a box for Summer dyeing. This is how I rust dye my fabrics….

Many years ago, I collected heaps of metal junk to use for sculpture. As, I no longer weld, I now use the rusty bits and pieces that are scattered all over my property, for my dyeing projects.

The gathering of the metal objects, wrapping them with the fabric spraying with vinegar and binding with rope and wire is quite relaxing. I call it mummy wrapping.


Rust Dyeing Fabric

MATERIALS:

Fabric: cottons silk… work best

Rusty metal objects: cooking pans, car parts, rusty nails, screws, pipes, copper objects

Wire, string, wool or rope just something to bind the fabric to the rusted item

Plain white vinegar

Rubber gloves

Plastic sheet or bags

METHOD

1. Gather all the items together wet your fabric and spray with vinegar.

2. Wrap the fabric around and around the rusted object as best you can.

3. Make sure it’s tightly bound with the string rope or wire. Cover with plastic so it stays moist.

4. Leave and wait for the magic to happen.

5. This may take an hour or 2 or if you want deeper textures of rust a week or 2. Then un- wrap your beautiful rusted fabric.

6. Once the fabric is dyed to the depth you want, soak for 30mins in warm water with a couple of tablespoons of salt to make the rust dye colourfast.

7. Wash gently in warm water with soap powder rinse dry and voila!

I also rust papers and larger pieces of fabric using a different method that I will share in a future post.

To see more of my free tutorials please go here

© 2018, Jenny Davis. All rights reserved.

Christmas Greetings!

December 18th, 2018

To all my family, friends and followers. I wish you all a very  “Happy & Joyful Christmas”

May the the “New Year” ahead bring you happiness, kindness, peace and good health with plenty of creativity. To those struggling, may your healing journey be short and you find your inner harmony, peace & renewed physical health swiftly. Jenny Davis 2018.

© 2018, Jenny Davis. All rights reserved.

Thoughts in the studio today. Stacks, towers and painting.

December 1st, 2018

A bit of colour in the studio today. How many colours and layers can I stack up on top of one another?

 

 

 

They remind me of Claude Courtecuisse’s   “Hacking Objects” sculptures I saw in Paris at the Georges Pompidou Museum in 2007.

He erected towers and stacks of common objects.

 

Image photographed from original 2007 catalogue. Copyright Georges Centre Pompidou Original photos Copyright Claude Courtecuisse. 2007

 

 

Balance, colour, repetition, scale and transparency is what I took away from that exhibition.

 

  Copyright Jenny Davis

 

As a child, I too, would build little towers of objects in my bedroom.

Still today I play and stack with my vast collection of vintage objects.

The towers have been getting higher and higher over time and eventually, I aim to make huge, tall one’s, up to the roof or even higher.

 

 

Now back to the painting…I’m not sure if I’ve resolved it yet, as something about it is still annoying me. Maybe that’s a good thing?… as sometimes things that are a bit odd are more successful.

I think I will sit with it a bit longer.

 

© 2018, Jenny Davis. All rights reserved.

Focus, Simplify & London.

November 15th, 2018

Recently, I’ve been unable to focus fully on my work. I feel I may have too many things going on in my life and need to simplify. I’ve also been procrastinating too long, putting off a few decisions, I need to make, regarding my arts practice.  I know, I just have to get on with it,  if I only knew what “IT” was ? Also, its been hard lately having to divide my time, between creating and dealing with with other life circumstances that have been cropping up.  I know as an artist, my main focus is to create, or nothing will get done, but more important, my inner- self will suffer.

In the meantime, my daughter and her partner (xox) , gifted me a trip to London to visit  them. After not seeing her for a few years, it was so nice to catch up and do stuff together again. We managed to fit in some very interesting exhibitions.  The Anni Albers (1899-1994) textile exhibition at Tate Modern, was excellent. She was student of the Bauhaus art school and like other women at that time , was discouraged from becoming a painter. Instead, she enrolled in the weaving shop and made textiles her means of expression. Albers rose to become an influential figure, exploring the technical limits of hand-weaving to pioneer innovative uses of woven fabric as art, architecture and design.

 

 

 

 

Other exhibitions on at the V&A Museum.

Fashioned from Nature, explores the complex relationship between fashion and nature from 1600 to the present day.

 

 

A Frida Kahlo exhibition of her belongings. There was also huge jewelry exhibition and video game exhibition on. The collections are immense. I particularly enjoyed Asian textiles & objects.

 

 

 

 

The “Censored! Stage, Screen Society at 50”  exhibition was brilliant. Especially as I can remember most of it happening when I was a teenager.

 

 

 

It took a bit of getting around the V&A  building, as its built around a very large inner courtyard. The signage wasn’t brilliant and quite confusing. I only saw a small portion of the collections and if I get another chance Id like explore it some more.

Another exhibition, I particularly loved and related too, The Viktor Wynd Museum of Curiosities, Fine Art & Natural History.

 

A “Kunstkammer” of cabinets full of weird and wonderful curiosities. Extraordinary dioramas displayed in a dark underground cellar, reached only by going down a very steep, spiral stair case.

 

 

 

 

 

 

 

 

 

 

I also managed to do a brief  bit of mudlarking on the Thames. I found a handful of bits & pieces. A handmade nail used to secure sails to the masts of sailing ships and a few shards of pottery and I think part of a Tudor terracotta tile.

 

 

 

 

I’m home in Australia now and slowly getting back into studio mode. Having spent time with my family and inspired by new adventurers, I’m feeling more nurtured to just get on with “IT” and not think too much.

 

 

 

© 2018, Jenny Davis. All rights reserved.

New Collages on Vintage Paper. Ochre Pigments, Acrylic Paints and Ink.

September 15th, 2018

Just finished another series of mixed- media collages on good quality thick papers. I prefer to use a thick water- colour paper base for collage, as it doesn’t tear and buckle when I load on papers glues, paint and inks. I use vintage, antique and or any papers laying around.

1958

 

 

Tannica

 

 

Farmlands Water

 

 

Ordovician

 

 

Knowledge in Depth

 

 

Taxonomy

 

© 2018, Jenny Davis. All rights reserved.

Mixed Media Collage. 3 New Works on Paper.

September 2nd, 2018

3 New mixed- media collages on 300gsm watercolour paper (Unframed).

I  like to create new visions, by recycling and dissecting vintage papers that I may, or not hand paint with acrylic paints and inks.

Process – On a background of strong 350gsm artist water- colour paper, I add layers of acrylic paints, fragments of vintage papers and random marks, using French ink pens.

Earth Renewable

Recycled Polyhedron

Recycled Symmetry

 

 

© 2018, Jenny Davis. All rights reserved.

Homemade Gesso Update!

August 14th, 2018

Homemade Gesso!

Update 2018! Since writing this recipe in 2014, Ive been using this homemade Gesso recipe, for 14 years now and haven’t had an issue, with ageing, layers coming apart, seepage, changes in colour etc. on any of my artworks. I use it with both oil and acrylic paints. I also seal my papers with it when, making books, sewing on paper, paper for collage, painting with paint, inks etc. As to the quality, I find the homemade isn’t as white, but just as good quality, as professional artists Gesso. I also use store bought gesso too, if I’ve run out and for convenience. My version is more gritty, than store bought, but if you sandpaper in between coats, I find it’s not an issue. For me, this recipe is just as good as, the store bought and if you use archival PVA/Elmers glue, it will make it all the more stable, for longevity.

Homemade Gesso!

I love Gesso paint and use heaps of it in my work. It’s gritty, chalky and can be applied to artwork to give a translucent or opaque look. It’s also very expensive so I decided to make my own.

 

Gesso is used for many things such as a primer for canvas or on paper to give a good base for painting, drawing or mixed media work.  When making collage I use it as a gluing medium to stick on papers, in-between, painting and drawing layers.

The recipe below makes 2 litres of Gesso paint

( If not using straight away, this Gesso will last approx. 4-6 weeks)

Homemade Gesso

PLASTER MIX

1 cup Plaster of Paris or fine white plaster powder

1 cup of PVA or white glue (archival if available)

1 cup hot water

PAINT

3 cups white acrylic paint

UTENSILS

Container, cup and mixing stick or spoon

RATIO: 1-3

Plaster Mix 1 – Acrylic paint 3

Method

To make the plaster mix. Add the plaster to the hot water and stir ( Safety purposes: always add the plaster powder to the liquid, not liquid to plaster, as it will blow up into your face and always wear a dust mask)

Dust Mask

“Plaster of Paris” and cup

Hot water and mix

Next add the PVA or white glue, stir.

Finally add the white acrylic paint and mix. ( I used some acrylic powder paint I had and made it up with water) You can use any kind of acrylic paint or colour .

 

Result

I was very happy with the result. The gesso is translucent with the gritty bits I like. You can also do several layers of gesso to give a more opaque appearance. It covered my canvas very well with only 1 coat. When adding more than 1 coat you can sand in- between to give a really smooth surface for detailed work .

2 litres of Gesso

Gesso on stretched canvas

Gesso on paper

 

© 2014 – 2018, Jenny Davis. All rights reserved.

© 2018, Jenny Davis. All rights reserved.

Line Walking. Working with Line.

August 3rd, 2018

Line is a point moving in space. Playing with line fascinates to me. By letting go and just allowing the movement to take over, allows me to go in-between, out and off edges.

 

 

The materials I use vary. I may use paint, pencil or crayon on vintage book papers, thread on antique cloth, scratch with implements, or, use wire to make tangles. Lines often define the edges of a form, but not very often in my arts practice.

 

 

Lines can be horizontal, vertical, or diagonal, straight or curved, thick or thin.

 

 

Paint lines

 

 

Drip lines

 

 

Thread lines

 

 

Free flowing lines

 

 

Frottage lines

 

 

String lines

 

 

© 2018, Jenny Davis. All rights reserved.

Art backgrounds or not? Do you like to see artwork in a room?

July 23rd, 2018

 

I’m not sure how I feel about showing artworks with mock -up backgrounds. So, recently I purchased a few mock – ups, and have been playing around with them. I’d like to display my artworks a little bit differently, being, there are, so many other artists online.  I’m just wondering, if putting artworks with interesting backgrounds, makes any difference, for viewers, collectors etc. and, in getting it found in the search engines easier. I think they look cleaner, but at the same time, I don’t want to categorize my artwork as being, just “interior design” pieces. I’d love to hear what others think…

 

 

If you feel inclined, your welcome to add a comment at the bottom of this post.

 

 

 

Do you like to see artworks viewed in a room, or framed ? or do you prefer see artworks on their own, with no backgrounds?

You can also view some of my artworks in rooms in my gallery area

 

 

Thank you in advance!

 

 

© 2018, Jenny Davis. All rights reserved.

Rustmatter abstract paintings now available.

July 8th, 2018

New paintings available in my gallery. “Rustmatter” series. I want to capture the “beauty & hope” in decline, before its gone and continues my investigation into the disintegration and decay of the environment, of life and the human psyche.

 

Experiments with layers of rust, paint, iron shavings and salt. Finally, surfaces emerged, worn , weathered and sometimes ancient. I then sealed the paintings to keep stable and lock in the layers.

 

 

 

 

Each painting is a visual and textural descent into the abandoned, the derelict, the vacant and the forgotten. Curator & Arts Writer, Dr. Ewen Jarvis.

 

 

Rustmatter 17

 

Rustmatter 12

 

Rustmatter 16

Rustmatter 14

 

Rustmatter 15

 

 

NOTE – All inclusive : Express Post, Tracking, Signature, Insurance & Packaging.

 

© 2018, Jenny Davis. All rights reserved.

Time Worn Surfaces. Fine Art Prints. Jenny Davis

July 1st, 2018

Currently available in my Gallery ,” Limited Edition” art prints

To purchase my Wallmatter series, please go to the Gallery  page.

Each collection of 10 prints is $35.00 AU. and includes (Free Worldwide Postage)

You will receive
1 collection of 10 Wallmatter art prints/cards shown
Blank on back + 10 white paper envelopes
One of each design
6″ x 4″ – 15 x 10cm. ea.
Designed from my original abstract paintings
Printed professionally
100% Recycled paper stock
Sustainably sourced
Matt finish

 

 

 

 

 

A beautiful way to send a personal message to your friends and family or, frame for a unique art display in your home or workplace.

 

About Wallmatter series.”A visual and textural descent into the abandoned, the derelict, the vacant and the, forgotten surface.”Through her utilisation of forlorn industrial structures, stained and crumbling walls, acts of graffiti, redundant signage, and portals giving access to meandering subterranean systems,of timeworn surfaces. Jenny Davis evokes a unique vision at once spare and lavish, material and ghostly. It is a vision that elevates the significance of random marks, stress fractures and other imperfections, while enfolding the viewer in an atmosphere of chromatically gentle and strangely opulent decay.”

 

 

To purchase please go to my Gallery page and scroll down to “Small Art Prints”.

(Free Worldwide Postage)

 

 

© 2018, Jenny Davis. All rights reserved.