Posts Tagged ‘jenny davis’

Snap to Grid Exhibition. LACDA.

Monday, December 23rd, 2013

My latest group exhibition at the Los Angeles Center for Digital Art

SNAP TO GRID:

Jenny Davis_Fragility_2013

Slices in Time. Fragility. Jenny Davis.
In creating this artwork I used various processes. By physically dismantling objects and clothing I then wax the pieces. Some time later I reassemble the items and stage them into a still life composition in the studio.

December 12, 2013-January 4, 2014

Opening Reception December January 12, 7-9pm
in conjunction with the Downtown Art Walk

Los angeles center for digital art

104 East Fourth Street

Los Angeles, CA 90013

2013 Snap to Grid installation shots

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Warm Hot Collage – Lafayette Pink

Thursday, November 7th, 2013

Warm Collage – Lafayette Pink

( Please see all my other collages from “30 Days of Collage” at  Cottontail Art Design and Vintage)

Thinking of my daughter today, living in Paris France. Last time I was there I experienced my first ever white Xmas. It snowed and snowed. We went to Galleries Lafayette but didn’t buy anything as it just too expensive but I did grab samples, advertising papers and junk for my art.

The colours that Winter were hot pinks with oranges. In this collage I wanted to capture the feeling of extravagance and contemporary Paris.

I painted the background of the canvas board with warm acrylic paint in yellow ochre , next , paper scraps from Galleries Lafayette in gold flourish, then orange and red velvet fabrics, squares of hand painted paper in hot pink, orange piece of French packaging and a little snow flake in hot pink created with a little punch I bought in Asnieres. Topped off with a little perfume bottle cut-out from Lafayette advertising. I also added some gold glitter paint in areas for sparkle.

 

 

 

 

 

 

 

 

 

( Please see all my other collages from “30 Days of Collage” at Cottontail Art Design and Vintage)

Found Object Sculpture. Process.

Thursday, October 31st, 2013

 

 

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Art I saw in Paris

Sunday, April 14th, 2013

 

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IMGP8723IMGP8773Louvre Paris

 

 

 

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“LAND TO LIGHT – Photo Diaries”

Monday, April 23rd, 2012
 All Photo’s by Charles Farrugia
Here are some pictures of the opening and links

Land to Light – 4 Victorian Artists

Monday, March 26th, 2012

 

 

Your invited to the opening of “LAND TO LIGHT” exhibition at 5pm on Tuesday 17th April at Switchback Gallery – Curated by Charles Farrugia and Rodney Forbes

Artists
Jenny Davis
Charles Farrugia
John Martin
Mark Story

Exhibition dates: 17th April to 24th May, 2012 – Mon-Fri 9.00 to 5.00 or by appt.
Address: Gippsland Centre for Art and Design
Building 6S Monash University Gippsland Campus
Churchill 3842

Contact:  gippsland@artdes.monash.edu.au

Website: http://www.artdes.monash.edu.au/gippsland/switchback/

Phone (03) 9902 6261

How to get there: http://www.gippsland.monash.edu.au/campus/getthereandpark.html

Make a Large Studio Easel in 6 Easy – Peasy Steps

Saturday, February 4th, 2012

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How to Make a Large Studio Easel in 6 Easy- Peasy Steps

When I built my studio years ago, I needed to have a versatile easel. I couldn’t find anything suitable in the shops and my budget wouldn’t allow for much.  So, I went about creating one from my left over pieces of timber. I needed one that would take small to very large canvas’s all at once. I needed lots of space too. Being an abstract painter, I slosh paint and work very quickly, sometimes on many canvas’s at once. I wanted a permanent spac,e where I could work on small canvas’s 30x30cm up to very large ones 4 x 2 Meters . My easel ended up being 9 meters long x 4 meters high and after 12 years of daily use, my rough and ready easel is still going strong.

My simple Plan

Materials & Equipment

Cut yourself, or buy 2 equal lengths of  hardwood or pine, however long you want the easel to be. This is for the floor and wall runner that will hold all the upright struts.

Cut yourself, or buy equal lengths of hardwood or pine for the uprights. Decide how many uprights you want to hold your canvas .To get the length of each piece , measure from floor to top wall at the angle you want the easel to be.

Bolts, nails or screws

Wooden dowel lengths of wood for pegs

Drill with a “spade” drill bit the same circumference as the dowel pieces you have

(Spade bits are used for rough boring holes in wood.)

Tape measure

Hammer

Drill

Method

1.Everything will need to be measured and cut for the area your are working on.

2. Grab the floor runner piece, lay it perpendicular to the wall on the floor, judging the best space between the floor runner and the wall . Screw, bolt or nail to the floor at intervals to secure. (Note) Remember to allow enough space from floor runner to wall for a slight angle for the upright pieces of wood so your painting canvas can to sit without falling

3. Grab the wall runner piece and screw, bolt or nail to the upper wall at intervals and make secure.

4. Lay all your upright pieces of wood together on a flat surface together (floor )and take your drill with the spade bit and make holes from bottom to the top on all the lengths of wood. The spacing has to be equal across the whole lot.

(If painting the easel do this now before attaching to wall)

5. Take your pre- cut lengths of wood with the holes and sit each one so the bottom is sitting behind the attached floor runner and at the top against the wall runner with the holes facing you. Screw bolt or nail the upright struts to the floor runner and to the wall runner at top. (Note) Go along the floor runner at whatever spacing you want with the upright struts to be.

Almost done. Cut lengths ( 6inches) of dowel for the pegs that will hold all your canvas’s

Note: If the pegs don’t fit in the holes… Round off one end with sandpaper by hand, or with an electric sander.

All done!!!  Now grab your canvas and paint to your hearts content

What is a Glaze?

Monday, October 31st, 2011


Layers layers layers. Did you know? many of my paintings, especially oil paintings, have layer upon layer of pigment and glazes. Each painting can take many hours,weeks even months to complete.

What is a Glaze?
A glaze combines two or more transparent layers of paint, which have been applied over an opaque underpainting. Each transparent layer builds on the ones under them, creating new colors and added richness depth and interest to a piece.

Rembrandt would paint in layers, building from the back of the painting to the front, by using coats of glazes. He would use at least 15 layers of transparent glazes in many of his paintings. That is why they seem to glow and emerge from the darkness of the background.

A few good sites to find out how to create glazes in your paintings
http://painting.about.com/od/oilpainting/a/glazing_FAQ.htm
http://painting.about.com/od/oilpainting/a/Glazing_Tips.htm
http://painting.about.com/od/oilpainting/a/GeraldD_glazing.htm

Back to “Free Tutorials”

How to Rust Dye Fabric.

Tuesday, October 4th, 2011

Lately I’ve been experimenting with natural dyeing processes for fabrics and papers. I’m trying out rust dyeing at the moment. I want to build up a collection of natural and rust dyed fabrics and papers so when my next creative spurt comes around, I’ll have plenty to work with.

Over the years I have collected heaps of metal for welding my sculptures so have plenty bits hiding on my property just rusting away. The gathering of the metal objects, wrapping them with the fabric spraying with vinegar and binding with rope and wire is quite relaxing. I call it mummy wrapping.

It only takes a couple of hours for marks to appear but I like to keep mine for up to a week or two so I can get deeper impressions and colours. I discovered if I wrap fabric around old pieces of copper pipe the amazing green and red patinas are transferred to the fabric as well.

I’m happy with the end result and see connections to the abstract marks I create in my paintings. There are paintings in themselves

Go to my tutorial on Rust Dyeing here

Art Squats. Hybrid Arts. Studio in a box Paris.

Sunday, October 2nd, 2011

I believe art can no longer be only confined within the walls of established art institutions and be thought as only painting or sculpture. At a time when we are at the peak of global creativity I see artists refusing to be labelled and contained. Art venues and spaces are struggling to keep up and are experimenting with new ways to present this explosion of creative output artists for multidisciplinary and multidimensional.

When I was in Paris last time, I saw evidence of this. In a city of almost 300,000 living artists Paris seems to find creative outlets for multidisciplinary and multidimensional. Little “Hybrid art” spaces are popping up everywhere in the streets. Artists themselves have had to think of innovative ways to get their art seen. Many making their home an art space open to the public.

Art squats, sandwiched between homes in residential areas, art has taken over abandoned buildings where a rich cultural life of concerts, debates, exhibitions, lectures and workshops unravels in clandestine venues.

When I’m in Paris I have a couple of creative spaces I made out of necessity. “Studioinabox” and “The Dungeon”

 

 

“Studioinabox” is a wooden trunk in the apartment living room where all my creative materials are stored. I create the work on top of the box or the floor space. I  may even display or exhibit in side the box. As I move from country to country, my “nomad art’ has to be small and transportable. I enjoy the challenge creating in the immediate space and using only items, I collect from the streets,used packaging and a few other bought art supplies that I can fit into my “Studioinabox’

 

‘The Dungeon” is a space underneath an apartment block in Paris. It’s damp, smelly and creepy with dark corridors, full of earth walls with red wooden doors. The lights are on a timer and go out every minute, so you can be stuck in a very unearthly dark abyss, if you don’t press one of the buttons on the wall quick enough. I have devised a way to stop them turning off and over the years, I have become more brave and allow myself to connect to the dark hole, for longer periods. Eventually I want to open the space and show my video and photography down there. I also have ideas of a performance in the space.

In Australia, I find there are too many artists and not enough art spaces as well. So, I’m playing around with a few ideas using my home and website, as my art space for all sorts of creative experiments. Nothing, is fully formulated or resolved yet, and will keep you all informed of my progress from this blog.

Do you have a special space where you create and show your work?

Gleaning Paris for Art Materials

Thursday, July 14th, 2011

WATCH my…

Gleaning Paris for Art Materials video. From the streets of Paris I collect stuff,junk to create with, plus other inspirations behind my ideas. Works in progress from my studio’s in Paris, Spain and Australia. Photos taken in Paris, Spain and Australia.
All artwork copyright to Jenny Davis

2nd Place Winner

Friday, July 1st, 2011

Thank you very much to John R. Math at  Light Space & Time Gallery for choosing my painting, VM IMP. Berlin as 2nd. prize in the Abstracts Art Exhibition .My work was chosen from 550 other artists from all over the world.

All winners will now be featured on the Light Space & Time website for the month of July 2011. Thereafter, the artworks and links to the artist’s websites will remain online in the Light Space & Time Archives. Congratulations to our artists who made our Abstracts Art Exhibition so successful this month. At any time, we invite our winners and other interested visitors to link their websites to the Gallery’s archive page for further ongoing promotion.

2nd Place Winner – Jenny Davis – “VM6 IMP. Berlin”

Jenny Davis is an Australian artist, working from studio’s in Victoria Australia and Paris France, where she sometimes lives. As an artist, she enjoys working in many disciplines including: painting, sculpture, photography, installation, video, collage, recycled design, sound and virtual worlds. Jenny has shown her work in many countries, including Australia, Germany, Spain, France and USA. Her work is in private and public collections across Australia, UK, Europe and the U.S.A. Outlook8studio

 

Featured Artist at “Artsy Shark”

Tuesday, June 14th, 2011

Latest news!

I’ve just been featured at Artsy Shark. Thank you!  Carolyn Edlund for all your hard work and for doing such a great job promoting artists and getting their work seen.

Featured Artist Jenny Davis
Artsy Shark presents Australian artist Jenny Davis. Her mixed media work uses recycled and reclaimed materials. Enjoy her portfolio and see more about Jenny here.

Jenny Davis is an Australian artist, working from studios in Victoria, Australia and Paris, France, where she sometimes lives. As an artist, she enjoys working in many disciplines including: painting, sculpture, photography, installation, video, collage, recycled design, sound and virtual worlds. Jenny has shown her work in many countries, including Australia, Germany, Spain, France and USA. Her work is in private and public collections across Australia, UK, Europe and the U.S.A.

Starting out primarily as an abstract painter and sculptor, Jenny’s arts practice has evolved and crosses over into many areas and disciplines. Recycling and reusing items in her work is very important. Stuff that usually goes into landfills and gleaned from the streets of Melbourne and Paris, or wherever she travels. Street litter, food packaging, advertising materials, advertising materials and all kind of paper ephemera are collected and saved for this purpose.

“All this wonderful stuff I reclaim and use in my collage and sculpture.”

“My source of creativity is spontaneous. It can mean spending days even weeks in the studio and strange places contemplating and “collecting energy”. Once I focus and sit with that energy it can take off in all areas. I then definitely need to put down a feeling or emotion, with colour, marks, words, assembled objects, or digital images still and moving. Whatever it takes to get it out! I use various techniques, materials and tools to realize my ideas.

The same goes with my photography. It’s spontaneous and unrehearsed. I like to tell strange stories with my photography and will put myself in uncomfortable spaces to achieve this. I have a wonderful space I found in Paris, I call the dungeon. I can spend hours down there waiting for something to take off. “

At the moment, I am fascinated by the narrative we tell ourselves, when placed in unfamiliar situations. Our mind seems to fly into “spontaneous imagination” and not focus in the moment. I want to seize those imaginary stories and create something with it.

I love spaces underground. There’s a life underneath the earth, and people don’t know about it, but it’s very busy and living, I have taken photos of the Eiffel Tower but I go under it, and look at closer fragments. I’m inspired by many things: Creative minds, Science as art, varies art movements and artists, Ernst, Miro, Tapies, Surrealism, Dada, Abstract Expressionists’, Natural history, Psychology, de-construction , Chaos theory, collecting found- objects and street litter, graffiti, street art, books, vintage and antique, travel and more.

 

Meet the Tenant Book.

Tuesday, March 29th, 2011

MEET THE TENANT BOOK (20% discount)

During the week I was cleaning out my book shelves and came across my book, “Meet the Tenant”. An underground survey of Paris.  It’s an unusual photographic survey of Paris. My photographs in this book are a “non-clichéd” look at Paris. Instead of focusing on the famous monuments, I zoom in on what is beneath the surface, photographing hidden places, including a storage area under an apartment.

I know I’m crazy but, I love spaces underground.

“There’s a life underneath the earth, and people don’t know about it, but it’s very busy and living,” she said.“I have taken photos of the Eiffel Tower but I go under it, and look at closer fragments.”

If you would like to buy a copy of my book…

Buy “Meet the Tenant’

DESCRIPTION: ” Meet the Tenant” Photography in Paris Australian Artist Jenny Davis. After a venture into the dungeon area under a Paris apartment. I could feel past lives lurking within its damp walls and eerie narrow chambers of numbered red doors. I spent many days down there alone soaking in the atmosphere of the space in order to connect to some sort of creative energy which eventually took off in all directions. I am fascinated by the beauty in the unseen the contained and murky, sometimes thought of as dirty and ugly.

Hidden Spaces Exposed.

Tuesday, February 15th, 2011

Thank you very much Kimberley Seedy and Lawrence Pinder, for the great article and photographs you created for the Leader newspaper about my latest exhibition at Burrinja 351 Glenfern Rd, Upwey Victoria

11 Feb 11 @ 06:01am by Kimberley Seedy

Jenny Davis shows some of the paintings and photographs at her Burrinja Cafe exhibition.s LAWRENCE PINDER N33FP405

A COLLECTION of paintings and photographs featuring some overseas locations are on display in a new exhibition in Upwey. Abstraction and Beyond, featuring the work of artist Jenny Davis, is on at the Burrinja Cafe until March 1.

It consists of seven framed abstract oil paintings on paper, created in Barcelona in 2005, together with mounted night photographs shot in underground locations in Paris in 2010.

Davis describes her photographs as a “non-cliched” look at Paris.

Instead of focusing on the famous monuments, she zoomed in on what was beneath the surface, photographing hidden places, including a storage area under an apartment.

Davis said she loved the spaces underground.

“There’s a life underneath the earth, and people don’t know about it, but it’s very busy and living,” she said.

“I have taken photos of the Eiffel Tower but I go under it, and look at closer fragments.”

Burrinja Cafe is at 351 Glenfern Rd, Upwey.

Abstraction & Beyond (update)

Saturday, February 5th, 2011

Exhibition update:

“Abstraction & Beyond”

Feb.2-1 March

Burrinja Cultural Center

351 Glenfern Road (cnr Matson Drv),

Upwey, VIC, 3158 .

Open Daily 9am-5pm.

If you are heading over to the Dandenongs over the next month, checkout my exhibition “Abstraction & Beyond’ at the Burrinja Cultural Center in Upwey, Victoria.

I just finished hanging the exhibition on Tuesday with the help of Amy Jo Jory, who runs the gallery at Burrinja. A cross-cultural mix of oil paintings I created at an arts residency in Barcelona, Spain, together with mounted night photographs I shot in Paris last winter.

I’m very pleased with the way it looks. My Spain paintings really connect to the space. At Burrinja they have taken on a very Australian feel yet, they are also Spanish. I can see both cultures in the paintings.

I’m relieved it’s finally up and running and all the hard work has been done. Now I like to sit back, let go of the work and relax. Although I love having exhibitions, once they are over, I am always glad to move on and begin new ideas and projects.

Burrinja Café & Bar
Open every day

Bookings: 9754 5707

Burrinja Café provides great food and coffee in a fantastic intimate atmosphere that continues the indigenous theme of Burrinja Gallery. It is an 80 seat fully licensed café that will seduce you the moment you walk in. Escape the hustle into warm ochres, great art and comfy lounges. Enjoy lunch, group get-togethers, music events, or just relax. Burrinja cafe is the ideal place to eat while visiting Burrinja to enjoy the great art or day-tripping in the Dandenong Ranges.

Functions
Burrinja  & Café Bar caters for all types of functions.
Call for details on our wide range of tailored menu options
Music – see Events for the line up of music, spoken word and more at Burrinja Café
Fabulous cakes, coffees, chai and more – all fresh!·
Menu selections are always being updated, and we can cater to your individual needs

More Café Gig & Events Info at the Burrinja Cafe website

Wine Labels as Art

Saturday, November 27th, 2010

Thank you  Tyrrell’s wineMirvac and  Sebel Heritage

 

 

“Outlook View”
Thinking of my home when I was in Europe.
This is the digital art print created from a
section of one of my original oil paintings for a wine label

 

 

 

Last night I attended a cocktail evening at the Sebel Heritage in the Yarra Valley. The whole idea of the evening was to introduce exhibiting artists to the new manager to chat about the current Yarra Valley Arts exhibition displayed at the resort.What a nice surprise I had when they announced my painting “Outlook View” was the winning entry for the Tyrrell’s Wine label competition. I was so excited, especially as I’d forgotten I entered the competition.

 

 

As an artist I love the idea that my art will travel, “Nomad Art” on a wine bottle.

Why should art be only framed on a gallery wall?

Although I didn’t get paid in money for my design I couldn’t think of a better marketing tool for getting my art seen and tasted:). The exposure for my art will be extensive, especially as Tyrrell’s wine is sold widely in Australia and exported all over the world. I was also presented with the new wine label beautifully framed, a gift card from Mirvac hotels & resorts and the most beautiful bunch of flowers. In the future I may even receive a case of the wine with my artwork.

Winning the competition also got me thinking a lot about the art on a wine label…

I know, when I buy a bottle of wine, I choose it primarily for its label. If the label is dull and boring visually, I won’t buy it. I also think the design of a wine label could make or break a new wine introduced to the market.

Do you choose a wine by the label?

A list of artists who have created a Château Mouton Rothschild label. Many of the artists received no payment for the work, but were given cases of wine, including of the vintage which they have illustrated.
• 1924: Jean Carlu
• 1945: Philippe Jullian
• 1946: Jean Hugo
• 1947: Jean Cocteau
• 1948: Marie Laurencin
• 1949: André Dignimont
• 1950: Arnulf
• 1951: Marcel Vertès
• 1952: Léonor Fini
• 1953: Centenary year commemoration
• 1954: Jean Carzou
• 1955: Georges Braque
• 1956: Pavel Techelitchew
• 1957: André Masson
• 1958: Salvador Dalí
• 1959: Richard Lippold
• 1960: Jacques Villon
• 1961: Georges Mathieu
• 1962: Matta
• 1963: Bernard Dufour
• 1964: Henry Moore
• 1965: Dorothea Tanning
• 1966: Pierre Alechinsky
• 1967: César
• 1968: Bona
• 1969: Joan Miró
• 1970: Marc Chagall
• 1971: Wassily Kandinsky
• 1972: Serge Poliakoff
• 1973: Pablo Picasso (posthumous recognition – in memoriam, as he had died in Mougins in April of that year)
• 1974: Robert Motherwell
• 1975: Andy Warhol
• 1976: Pierre Soulages
• 1977: Tribute to Queen Elizabeth The Queen Mother, who stayed at the chateau in April 1977
• 1978: Jean-Paul Riopelle (2 labels)
• 1979: Hisao Domoto
• 1980: Hans Hartung
• 1981: Arman
• 1982: John Huston
• 1983: Saul Steinberg
• 1984: Agam
• 1985: Paul Delvaux
• 1986: Bernard Séjourné
• 1987: Hans Erni
• 1988: Keith Haring
• 1989: Georg Baselitz
• 1990: Francis Bacon
• 1991: Setsuko
• 1992: Per Kirkeby
• 1993: Balthus (2 labels)
• 1994: Karel Appel
• 1995: Antoni Tàpies
• 1996: Gu Gan
• 1997: Niki de Saint Phalle
• 1998: Rufino Tamayo
• 1999: Raymond Savignac
• 2000: Special gold enamel relief of the “Augsburg Ram” in the Mouton museum
• 2001: Robert Wilson
• 2002: Ilya Kabakov
• 2003: 150th Birthday Tribute
• 2004: Charles, Prince of Wales
• 2005: Giuseppe Penone
• 2006: Lucian Freud

“A Bunch of Dirty Books” and more

Thursday, October 7th, 2010

Over the past few months I have been making art inside the house as the studio has been cold this winter. One day, when all my exhibitions are “sell-outs”, I will be able to install adequate heating in the studio. Until then,I just wear extra hats, scarves and jackets.

Lately, I have become quite addicted to bookmaking and drawing. This year I’ve made all kinds of books, using recycled, vintage papers, wallpaper, fabric and canvas mixed with found objects and new materials.

My latest “A Bunch of Dirty Books’  are made from damaged vintage medical and natural scientist books. I dirtied the pages from an old dye recipe I found and will work within the pages and eventually make an edition of around 100 or more.

Spirit of the Valley

Tuesday, August 10th, 2010

SPIRIT OF THE VALLEY


An abstract feeling ….In this painting I wanted to capture the “Spirit of the Valley” in an abstract way. The colours connect to the mood of Yarra Valley’s lively communities, rich in it’s, various cultures. The arts, food and wine intermingled with the tranquillity and soul of the surrounding landscape

To see all my work please go to my  ‘Gallery”

Funny how things seem to workout. Recently I had a fall and broke my arm.

I have been wanting for ages to update my” Gallery” but, always find it too hard to drag myself away from the studio. Since breaking my arm though, I’ve had too slow down and take it easy. Over the past few weeks I have managed to use the computer with my left hand to upload more paintings, drawings  and sculpture for you to browse.

I offer all my art at studio prices, eliminating huge gallery and agent fees.

Saving you $100’s…

Please see Buyer Info

If you have any questions or would like to see a high resolution photo of a piece, please contact me at Outlook8studio and I will do my best to help you.

Hope you enjoy !

“Stimulate your senses.Suggestive and powerful abstract art with a spark, to generate new ways of thinking, to move and inspire us. Jenny Davis award winning, Australian Contemporary artist , paint’s what she feels. Bold and stunningly colorful abstract paintings, that reveals the power and brightness of color, through the different effects of form and texture which spring from the canvas.”

Paula Trevisan, International Art,Ferrara , Italy in 2010

TPTP Project Space Paris

Thursday, April 29th, 2010

A couple of exciting things have happened to me lately that I’d like to share with you.

My latest exhibition at TPTP Project space in Montmartre Paris, France.

ROOM OF REFERENCES invites artists to share idea-evoking images and objects, and look into the ones of others. The piece can be of any kind (art work, photo, drawing, music piece, book, magazine, letter or other object) as long as it has very special/profound meaning to you, and has worked as inspiration source for you during a longer period.

You can see more about the exhibition at the gallery’s website.

https://sites.google.com/site/roomofreferences/

This is one in a series of shots I took in the underneath
area of an apartment building in Asnieres-sur-seine, Paris 2007.
The image inspired me to create “Meet the Tenant” project.
Since 2007 I have continued the project, had an image
published in a horror magazine in Australia,created a portfolio of photographs,  a video
and sound installation which was exhibited in Melbourne
Australia, 2008. I also developed an art proposal seen here
http://www.outlook8studio.com/2010/01/24/meet-the-tenant-project/

In 2009/10 went back to Paris to photograph and video in
the same space including other other underground areas for future art projects in Paris and Melbourne.

Also ,when I was in Paris earlier this year I was selected to put in 3 of  my paintings into a new publication “Abstractions 2010” ,New Art Review magazine, MI.USA

You can purchase the book here http://new-art-review.com/bookstore.html

Cheers for now