Posts Tagged ‘textile arts’

Landwrap – Public Art Project

Sunday, June 4th, 2023

Land Wrap by Jenny Davis

Coming soon…Rydges CBD Hotel Melbourne. July 2023

Early last year in 2022, I was commissioned by Janet Graham Interiors Sydney, to create a series of large scale artworks for the lobby and penthouse of the Rydges CBD Hotel in Melbourne.

My artworks are now finished and shortly, I will send out information where you can view my artworks and other artists on permanent display in the hotel. The hotel reopens in late July 2023.

There will be artwork in the public areas, guestrooms and corridors that celebrates the best of local artists. Interior designer Janet Graham spent many months researching and engaging with the local Victorian art community to compile a list of artists’ works on mixed mediums to enhance the guest’s local experience.

You can also view my whole creative process here

About Landwrap Series & Arts Practice

My practice fuses together the aspects of both the traditional and the contemporary ideas to explore themes of history, environment, and women’s history through abstract painting, mark making, intuitive hand stitching, and found objects to create a unique visual vocabulary

Through my use of mixed media, I use spontaneous mark making techniques, created intuitively and randomly, exploring the imperfections and incompleteness of space and unseen marks to convey my ideas. In my latest works I celebrate the beauty of the rust, random stitching, and the ever-evolving act of recycling, re-discovering and re-purposing in our current cultural context.

Each Landwrap piece is full of history with antique textiles, rust, sepia inks and found objects… rusty fence droppers from outback Australia, 200yr old textiles, metal detector finds from goldfields, in Victoria, 1800’s suspender buckles and 17th century smoking pipe fragments dug up from the Thames in London & more.

Landwrap Statement

The artworks link to the primal aerial view over Australia. Land Wrap is my relationship with the earth. A subconscious rendering of the desolate wilderness, granite landscapes, deserts, forests, waterholes and walking tracks of Australia. Being a primal source of the earth , once one is cloaked in “Land Wrap” it gives protection and wisdom for our future survival.

About Antique Textiles

The antique textiles I work with in the “Land Wrap” series are centuries old and sometimes, they seem to yell at me, but mostly, they lay silent. I think of the conversations had as I make my own marks alongside, others gone before. Ragged bits, old and new stitching, tracing marks left behind on old textiles are a reminder, of a time when women, had many obligations and few choices. I feel comfortable, as I stitch, tear, dye and reinforce the fragmented pieces. Somehow, I hope, in a small way, by reclaiming and reworking the textiles, I can give a voice to those women. Jenny Davis 2023

Sizes

2 – 2800 x 100cm

1 – 210 x 100cm

Desolate wilderness, granite landscapes, deserts, forests, waterholes walking tracks, Australia @outlook8studio

Little Cloth Book. In Isolation.

Sunday, April 19th, 2020

I created 4 more pages today in my little cloth book. Adding to this little book bit by bit each day, while in isolation. 

Giving vintage textiles a new life.

Monday, September 23rd, 2019

Recently, a very kind lady donated her mothers doilies to me, for my next textile, art project. Though I have found it hard, rusting and burying this lot, I was re-assured that her mother would be happy to know they were given to someone who would give them a new life. 

I’ts been perfect weather lately for rusting and burying.

After a good soak with white vinegar I wrap some with wire.

Mostly, I just lay the the cloth under a slabs of metal sheets, left over from my studio build then stack on top of one another.

I like to get them all dirty by burying them and stacking a heaver tray and rocks on top. I leave them there from 24 hrs. or, many months until I get the look I’m after.

4 weeks underground. Final unveiling just before dunking in a sink of water and bicarb soda, to stop rusting process.

This piece really excites me with the intense rust and black marks.

Such gorgeous delicate lace work crochet in this doily.

Rust n dirt with tiny black marks and colourful hand embroidery.

Rust with the contrast of beautiful hand embroidery peeking through.

A lovely bundle of vintage rust material ready to go for new projects.

Art & Recycling. Textiles & Mixed media.

Friday, January 18th, 2019

Art and recycling goes hand-in-hand in the textile and mixed- media side of my arts practice.

My artworks are often created from old, discarded clothing, vintage and antique textiles, papers and found objects. I enjoy making use of stuff that has had a life already; a life that is often purely functional and as far removed from ‘art’ as you can imagine.

I’ve been recycling all my life to make art. As a child, I pulled apart, old clothing and nylon stockings “I used to collect fabric waste from mum’s sewing and knitting basket, making wall hangings out of that.” Nowadays, I cut up my own clothing and others, antique quilts, vintage linens, fancywork and men’s suits.

The process of searching and collecting materials, is also, a very important part of my art’s making. It may take weeks, months, even years, to find a piece that talks to me. Most of the time though, a fragment of fabric, clothing or object, will trigger off the idea. I collect and document many of the pieces I find, by labeling or remembering, its history of when & where it was found. This gives me another layer to work with.

The search for materials has taken me to many weird and wonderful places over the years.

The sometimes, dodgy, back streets of cities, in Barcelona, Italy and France. Markets and charity shops in Australia, France and England. Underground spaces, abandoned buildings, coast lines and vacant beaches. Friends, family and strangers, have also, donated materials to use in my work.

By transforming old, recycled and reused materials, it enriches the stories I like to tell in my contemporary art and gives a new life, to materials destined to be wasted and thrown away.

Line Walking. Working with Line.

Friday, August 3rd, 2018

Line is a point moving in space. Playing with line fascinates to me. By letting go and just allowing the movement to take over, allows me to go in-between, out and off edges.

 

 

The materials I use vary. I may use paint, pencil or crayon on vintage book papers, thread on antique cloth, scratch with implements, or, use wire to make tangles. Lines often define the edges of a form, but not very often in my arts practice.

 

 

Lines can be horizontal, vertical, or diagonal, straight or curved, thick or thin.

 

 

Paint lines

 

 

Drip lines

 

 

Thread lines

 

 

Free flowing lines

 

 

Frottage lines

 

 

String lines

 

 

Rustmatter. Limited Edition Artist Books

Wednesday, November 1st, 2017

Connections and contrasts of imperfections, found in the urban environment, highlighting, insignificant marks, weathered surfaces and cast – offs. I am influenced by abandoned and derelict spaces, vacant industrial sites, structures, old walls & graffiti.One of a kind, handmade ( Limited Edition) artist books from Australian contemporary artist Jenny Davis

Each book consists of:
1 Vintage cigar tin lined with eco- dyed crochet scrap in Shibori- dyed indigo blue, or rust.
1 Handmade concertina artist book, collage with rust – dyed papers and slow stitched with Japanese Shibori threads.
A vintage button with an 1800’s, rusted suspender buckle, winds around the book to close. Some buckles have “Paris” engraved.
1 Scrap piece of rust – dyed canvas cloth, frayed, embellished with slow stitching.
1 Handmade collage created from aged, rust paper, antique suspender buckle and slow stitching.
2 photographs in an acrylic pouch, taken beneath the City of Paris, France.
1 rusted fence loop found in the outback Australia.
(Each artist book is original, handmade and differs from the other. They are all created from the same materials though, making each one, a collectable piece of art)

Please click on photos to purchase!

Rust 2

 

Rust 3

 

Rust 4

 

Rust 5

 

Rust 6

 

Rust 7

 

Rust 8

 

Rust 9

 

Rust 10

 

 

 

How to make Collages from Old Damaged Books.

Wednesday, August 9th, 2017

Re: Artwork & Article Published in US. Magazine.

Vintage Pulp

As, mentioned in an earlier post , (Vintage Pulp Fiction Collages) here are some photos of my published article last year, in “Sew Somerset Summer 2016” magazine. (Now Sold Out) I have also included below, how you can to make your own mixed – media collage and drawings from damaged books. I get really addicted to making these little artworks and love reclaiming, tattered books, destined for the garbage, giving them a new life.

Supplies:

 

Supplies:
Damaged vintage “Pulp Fiction” books, or any other book
Acrylic gesso paint.
Coloured pencils, pens, inks, crayons etc. (I wouldn’t use felt pens as they might seep through)
Vintage fabric. (Damaged, stained, vintage tablecloths, tea towels, even old doilies)
Glue stick
Needle
Threads (any colour)

Equipment
Cutting mat
Box knife or scalpel
Scissors
Sewing machine (Optional)
Small cheap paint brush or, sponge brush
A few rags for wiping paint or glue

Instructions
Carefully cut or tear out a page from the book. This will be used for your artwork base.

To stabilize the delicate book page, paint each side with acrylic Gesso paint, leaving sections of text, and images showing.

Now for the fun part. Once the Gesso paint is dry, draw, paint, scribble and smudge, onto one side of the paper only. You can use paint, coloured pencils, ink, pens etc. Start gluing on bits of found text and images, cut from other pages in the book. It doesn’t have to make sense. It’s fun creating nonsense “gibber jabber”

Next, cut a piece of vintage cloth, about 1 inch – 2cm. larger, than the book page.

Leaving the edges of the cloth raw, hand or machine stitch the cloth to the page, on all 4 sides. Without being too precious, make random marks, by stitching and detouring across and through the piece, as you like.

Continue working on the collage with more stitching, marks and text, until satisfied.

Note: On the underside of the collage the stitching will have left some very interesting marks. Two artworks in one!

Displaying your artwork

The finished artwork could be displayed in a conventional frame, or in a double sided, glass or acrylic frame. As an installation, hang a piece of string from the ceiling and peg the artwork to the string. Both sides can be viewed when it swings around. Several collages could be used for journal pages, book making, or just as a piece of artwork to sit on a shelf in a special place.

Tips

Using damaged vintage books and vintage fabrics, adds to the character of the artwork and saves it from landfill.

Collect found papers, textile scraps and text to make collage.

Old books can be found cheaply, from second-hand shops, flea markets and library throw outs.

A sharp scalpel is very good for cutting close to the book spine.

Add a tiny amount of water to your Gesso paint to make it more translucent.

To give your page a more aged appearance, stain with a tea dye. Put any amount of tea bags in a sink, 1/4 filled with hot water. Plunge and leave until stained, then bake the page in a low oven for around 10 minutes.

Hope you enjoy creating your collage.