Archive for the ‘art process’ Category

New Colour. New Paintings.

Saturday, July 13th, 2019

I’ve spent the past week working on a new series of paintings. A parcel arrived in the post with big tubes of colour, I hadn’t used before. What could be more motivating to get me back in the studio, than, new art supplies, especially after weeks of medical and physio appointments getting in the way.

I didn’t want to open them and make dents in the big chunky tubes. When I finally did, it was quite confronting, to play with colour I knew nothing about. I took the plunge, slapped it on, moved it about, without thinking too much. Enjoying the colour, texture and flow of the paint. The process, I knew would take care of itself. I just had to be present, stand back, look and go back into it.

Quickly, I came up with the first layer which I was very happy with. Of course, I went back in with more layer’s wanting further depth and richness.

I now, look back at the photos, taken at the start of the process and maybe, I lost the freshness, freedom and flow of the marks I had at the start. Maybe, I didn’t need to go any further…

I believe sometimes, the essence of the story is at the beginning and “nothing else” is needed to tell it.

Back to the studio to play more, or leave alone.

© 2019, Jenny Davis. All rights reserved.

New Work. Abstract Paintings

Friday, May 17th, 2019

I use my work as a way to process whatever I’m seeing or thinking at the time. This can be purely self indulgent and personal, as well as sometimes, tapping into a broader or shared concern.

I like to let people bring their own thoughts to a piece. My work is the entry point, then people might be inclined to look harder and tease out other thoughts and connections to the work. 

© 2019, Jenny Davis. All rights reserved.

Time & Nature

Sunday, February 3rd, 2019

Exploring objects and textiles is keeping me away from painting in the studio at the moment, but that’s ok, because I’m not just a painter…..

Today, I have been working with time and nature but, now it’s too hot to do anything much, as the temp in the valley has reached 39 Celsius and getting hotter.

I get torn between contemporary and lush, extravagant. Old bones, textiles, rusted wires, watch faces, bits of stick with moss , vintage cosmetic bottles and handmade French influenced, embellishments are on my bench.

Memories and feelings keep flooding back from my times spent in France. Especially touched by Versailles palace and other places in Europe and England. Old history feeds my creativity.

Old rusted wire and found textiles are twisted and sewn with gold threads and remind me of couture and Versailles decadent history.

Formed into fragments that will probably be part of something else.

This one looks like a weird kind of bird.

I’ve also had the de-clutter bug lately so its feels liberating to use up stuff Ive been hoarding for ever.

© 2019, Jenny Davis. All rights reserved.

Art & Recycling. Textiles & Mixed media.

Friday, January 18th, 2019

Art and recycling goes hand-in-hand in the textile and mixed- media side of my arts practice.

My artworks are often created from old, discarded clothing, vintage and antique textiles, papers and found objects. I enjoy making use of stuff that has had a life already; a life that is often purely functional and as far removed from ‘art’ as you can imagine.

I’ve been recycling all my life to make art. As a child, I pulled apart, old clothing and nylon stockings “I used to collect fabric waste from mum’s sewing and knitting basket, making wall hangings out of that.” Nowadays, I cut up my own clothing and others, antique quilts, vintage linens, fancywork and men’s suits.

The process of searching and collecting materials, is also, a very important part of my art’s making. It may take weeks, months, even years, to find a piece that talks to me. Most of the time though, a fragment of fabric, clothing or object, will trigger off the idea. I collect and document many of the pieces I find, by labeling or remembering, its history of when & where it was found. This gives me another layer to work with.

The search for materials has taken me to many weird and wonderful places over the years.

The sometimes, dodgy, back streets of cities, in Barcelona, Italy and France. Markets and charity shops in Australia, France and England. Underground spaces, abandoned buildings, coast lines and vacant beaches. Friends, family and strangers, have also, donated materials to use in my work.

By transforming old, recycled and reused materials, it enriches the stories I like to tell in my contemporary art and gives a new life, to materials destined to be wasted and thrown away.

© 2019, Jenny Davis. All rights reserved.

Thoughts in the studio today. Stacks, towers and painting.

Saturday, December 1st, 2018

A bit of colour in the studio today. How many colours and layers can I stack up on top of one another?

 

 

 

They remind me of Claude Courtecuisse’s   “Hacking Objects” sculptures I saw in Paris at the Georges Pompidou Museum in 2007.

He erected towers and stacks of common objects.

 

Image photographed from original 2007 catalogue. Copyright Georges Centre Pompidou Original photos Copyright Claude Courtecuisse. 2007

 

 

Balance, colour, repetition, scale and transparency is what I took away from that exhibition.

 

  Copyright Jenny Davis

 

As a child, I too, would build little towers of objects in my bedroom.

Still today I play and stack with my vast collection of vintage objects.

The towers have been getting higher and higher over time and eventually, I aim to make huge, tall one’s, up to the roof or even higher.

 

 

Now back to the painting…I’m not sure if I’ve resolved it yet, as something about it is still annoying me. Maybe that’s a good thing?… as sometimes things that are a bit odd are more successful.

I think I will sit with it a bit longer.

 

© 2018, Jenny Davis. All rights reserved.

Line Walking. Working with Line.

Friday, August 3rd, 2018

Line is a point moving in space. Playing with line fascinates to me. By letting go and just allowing the movement to take over, allows me to go in-between, out and off edges.

 

 

The materials I use vary. I may use paint, pencil or crayon on vintage book papers, thread on antique cloth, scratch with implements, or, use wire to make tangles. Lines often define the edges of a form, but not very often in my arts practice.

 

 

Lines can be horizontal, vertical, or diagonal, straight or curved, thick or thin.

 

 

Paint lines

 

 

Drip lines

 

 

Thread lines

 

 

Free flowing lines

 

 

Frottage lines

 

 

String lines

 

 

© 2018, Jenny Davis. All rights reserved.

Rustmatter abstract paintings now available.

Sunday, July 8th, 2018

New paintings available in my gallery. “Rustmatter” series. I want to capture the “beauty & hope” in decline, before its gone and continues my investigation into the disintegration and decay of the environment, of life and the human psyche.

 

Experiments with layers of rust, paint, iron shavings and salt. Finally, surfaces emerged, worn , weathered and sometimes ancient. I then sealed the paintings to keep stable and lock in the layers.

 

 

 

 

Each painting is a visual and textural descent into the abandoned, the derelict, the vacant and the forgotten. Curator & Arts Writer, Dr. Ewen Jarvis.

 

 

Rustmatter 17

 

Rustmatter 12

 

Rustmatter 16

Rustmatter 14

 

Rustmatter 15

 

 

NOTE – All inclusive : Express Post, Tracking, Signature, Insurance & Packaging.

 

© 2018, Jenny Davis. All rights reserved.