Archive for the ‘art process’ Category

Art & Recycling. Textiles & Mixed media.

Friday, January 18th, 2019

Art and recycling goes hand-in-hand in the textile and mixed- media side of my arts practice.

My artworks are often created from old, discarded clothing, vintage and antique textiles, papers and found objects. I enjoy making use of stuff that has had a life already; a life that is often purely functional and as far removed from ‘art’ as you can imagine.

I’ve been recycling all my life to make art. As a child, I pulled apart, old clothing and nylon stockings “I used to collect fabric waste from mum’s sewing and knitting basket, making wall hangings out of that.” Nowadays, I cut up my own clothing and others, antique quilts, vintage linens, fancywork and men’s suits.

The process of searching and collecting materials, is also, a very important part of my art’s making. It may take weeks, months, even years, to find a piece that talks to me. Most of the time though, a fragment of fabric, clothing or object, will trigger off the idea. I collect and document many of the pieces I find, by labeling or remembering, its history of when & where it was found. This gives me another layer to work with.

The search for materials has taken me to many weird and wonderful places over the years.

The sometimes, dodgy, back streets of cities, in Barcelona, Italy and France. Markets and charity shops in Australia, France and England. Underground spaces, abandoned buildings, coast lines and vacant beaches. Friends, family and strangers, have also, donated materials to use in my work.

By transforming old, recycled and reused materials, it enriches the stories I like to tell in my contemporary art and gives a new life, to materials destined to be wasted and thrown away.

© 2019, Jenny Davis. All rights reserved.

Thoughts in the studio today. Stacks, towers and painting.

Saturday, December 1st, 2018

A bit of colour in the studio today. How many colours and layers can I stack up on top of one another?

 

 

 

They remind me of Claude Courtecuisse’s   “Hacking Objects” sculptures I saw in Paris at the Georges Pompidou Museum in 2007.

He erected towers and stacks of common objects.

 

Image photographed from original 2007 catalogue. Copyright Georges Centre Pompidou Original photos Copyright Claude Courtecuisse. 2007

 

 

Balance, colour, repetition, scale and transparency is what I took away from that exhibition.

 

  Copyright Jenny Davis

 

As a child, I too, would build little towers of objects in my bedroom.

Still today I play and stack with my vast collection of vintage objects.

The towers have been getting higher and higher over time and eventually, I aim to make huge, tall one’s, up to the roof or even higher.

 

 

Now back to the painting…I’m not sure if I’ve resolved it yet, as something about it is still annoying me. Maybe that’s a good thing?… as sometimes things that are a bit odd are more successful.

I think I will sit with it a bit longer.

 

© 2018, Jenny Davis. All rights reserved.

Line Walking. Working with Line.

Friday, August 3rd, 2018

Line is a point moving in space. Playing with line fascinates to me. By letting go and just allowing the movement to take over, allows me to go in-between, out and off edges.

 

 

The materials I use vary. I may use paint, pencil or crayon on vintage book papers, thread on antique cloth, scratch with implements, or, use wire to make tangles. Lines often define the edges of a form, but not very often in my arts practice.

 

 

Lines can be horizontal, vertical, or diagonal, straight or curved, thick or thin.

 

 

Paint lines

 

 

Drip lines

 

 

Thread lines

 

 

Free flowing lines

 

 

Frottage lines

 

 

String lines

 

 

© 2018, Jenny Davis. All rights reserved.

Rustmatter abstract paintings now available.

Sunday, July 8th, 2018

New paintings available in my gallery. “Rustmatter” series. I want to capture the “beauty & hope” in decline, before its gone and continues my investigation into the disintegration and decay of the environment, of life and the human psyche.

 

Experiments with layers of rust, paint, iron shavings and salt. Finally, surfaces emerged, worn , weathered and sometimes ancient. I then sealed the paintings to keep stable and lock in the layers.

 

 

 

 

Each painting is a visual and textural descent into the abandoned, the derelict, the vacant and the forgotten. Curator & Arts Writer, Dr. Ewen Jarvis.

 

 

Rustmatter 17

 

Rustmatter 12

 

Rustmatter 16

Rustmatter 14

 

Rustmatter 15

 

 

NOTE – All inclusive : Express Post, Tracking, Signature, Insurance & Packaging.

 

© 2018, Jenny Davis. All rights reserved.