Started stitching the 3rd artwork in the “Land Wrap” series with antique textiles. I find my textile pieces are just like creating my big abstract paintings except, I’m using cloth & stitch instead of oil paint and pigment stick. A bit slower than the swish of a big paint brush or rag but worked in the same way. Antique textiles 200 years old, ink, gesso, rust, found objects and wax linen threads
Exploring objects and textiles is keeping me away from painting in the studio at the moment, but that’s ok, because I’m not just a painter…..
Today, I have been working with time and nature but, now it’s too hot to do anything much, as the temp in the valley has reached 39 Celsius and getting hotter.
I get torn between contemporary and lush, extravagant. Old bones, textiles, rusted wires, watch faces, bits of stick with moss , vintage cosmetic bottles and handmade French influenced, embellishments are on my bench.
Memories and feelings keep flooding back from my times spent in France. Especially touched by Versailles palace and other places in Europe and England. Old history feeds my creativity.
Old rusted wire and found textiles are twisted and sewn with gold threads and remind me of couture and Versailles decadent history.
Formed into fragments that will probably be part of something else.
This one looks like a weird kind of bird.
I’ve also had the de-clutter bug lately so its feels liberating to use up stuff Ive been hoarding for ever.
Art and recycling goes hand-in-hand in the textile and mixed- media side of my arts practice.
My artworks are often created from old, discarded clothing, vintage and antique textiles, papers and found objects. I enjoy making use of stuff that has had a life already; a life that is often purely functional and as far removed from ‘art’ as you can imagine.
I’ve been recycling all my life to make art. As a child, I pulled apart, old clothing and nylon stockings “I used to collect fabric waste from mum’s sewing and knitting basket, making wall hangings out of that.” Nowadays, I cut up my own clothing and others, antique quilts, vintage linens, fancywork and men’s suits.
The process of searching and collecting materials, is also, a very important part of my art’s making. It may take weeks, months, even years, to find a piece that talks to me. Most of the time though, a fragment of fabric, clothing or object, will trigger off the idea. I collect and document many of the pieces I find, by labeling or remembering, its history of when & where it was found. This gives me another layer to work with.
The search for materials has taken me to many weird and wonderful places over the years.
The sometimes, dodgy, back streets of cities, in Barcelona, Italy and France. Markets and charity shops in Australia, France and England. Underground spaces, abandoned buildings, coast lines and vacant beaches. Friends, family and strangers, have also, donated materials to use in my work.
By transforming old, recycled and reused materials, it enriches the stories I like to tell in my contemporary art and gives a new life, to materials destined to be wasted and thrown away.
Connections and contrasts of imperfections, found in the urban environment, highlighting, insignificant marks, weathered surfaces and cast – offs. I am influenced by abandoned and derelict spaces, vacant industrial sites, structures, old walls & graffiti.One of a kind, handmade ( Limited Edition) artist books from Australian contemporary artist Jenny Davis
Each book consists of:
1 Vintage cigar tin lined with eco- dyed crochet scrap in Shibori- dyed indigo blue, or rust.
1 Handmade concertina artist book, collage with rust – dyed papers and slow stitched with Japanese Shibori threads.
A vintage button with an 1800’s, rusted suspender buckle, winds around the book to close. Some buckles have “Paris” engraved.
1 Scrap piece of rust – dyed canvas cloth, frayed, embellished with slow stitching.
1 Handmade collage created from aged, rust paper, antique suspender buckle and slow stitching.
2 photographs in an acrylic pouch, taken beneath the City of Paris, France.
1 rusted fence loop found in the outback Australia.
(Each artist book is original, handmade and differs from the other. They are all created from the same materials though, making each one, a collectable piece of art)
Please click on photos to purchase!
Rust 2
Rust 3
Rust 4
Rust 5
Rust 6
Rust 7
Rust 8
Rust 9
Rust 10
100 yr old cotton textile fragments, vintage found objects, oil pigments,vintage card, linen thread, linen cloth.
The pieces of cloth are extremely fragile so each piece
needs to be reinforced and sealed and stitched into very carefully
before being attached to book board.
New Sculpture in the Gallery. Concretematter.
New sculpture available from my exhibition at The Memo,in Healesville Victoria Until Tues.16th August 2016
For more information please contact
Jade Bitar
Regional Exhibitions Officer
03 5965 3509 / 0419 384 526
exhibitions@yarraranges.vic.gov.au
Concretematter
To construct my 3D objects, I have used various methods: eco rust and Japanese Shibori dyeing, molding, casting, curing, sanding, chiselling, engraving, embedding, propagating, tearing, burning, sealing and finishing. To create the pieces, I combine hard and soft materials: industrial concrete, found packaging, lichen, moss, seaweed, vintage glass, cloth fragments and rusted found objects.
Wallmatter Exhibition Photos – Jenny Davis – 2016
A huge thank you to everybody who attended the opening of my new exhibition Wallmatter last Saturday. A special thank you to all the people who helped me pull it altogether and make it a special day. I feel so blessed and encouraged with all the support shown for my artwork and the new friendships I made.
Wallmatter continues until Tuesday August 16th at The Memo, Healesville Victoria. Free Entry. All artworks are for sale.
A few photos I took the next day as I forgot my camera on opening night.
An installation of paint, concrete, rust and
textiles, inspired by imperfections and
weathered surfaces, linking to the abandoned
and neglected spaces found in urban and rural
environments.
“Surfaces and objects touched by time tell a
story and are a raw reflection of their environment.
I want to highlight the significance of a random
mark, or the crumbling texture of a wall in an
underground space. They are evidence to a
previous time in history. My abstractions are
investigations into marks and traces left behind
in the urban and rural environment.”
– Jenny Davis, Artist
Rust & Shibori. Vintage Cigar Tins. Work in Progress.
A heap of vintage cigar tins in the process of change.
Vintage buckle, Japanese Shibori dyed scrap. Rusty fence wires and Victorian silk buttons were purchased from Penny’s antique and vintage mixed media supplies. Faginsdaughter
Old rusted door lock and fence wire with weaving made from beach- combed finds and indigo cotton string.
The beginnings of a textile book.
Rust and indigo dyed wall piece
Finally, another tin. Metal detector find, central Victoria, 1800’s suspender buckle, rusty wire and rust indigo dyed doily scrap. Unfortunately the beautiful buckle broke in this installation. It could be made from gold, as it was very soft.
I may use some of these artworks in my next solo exhibition, “Wallmatter” in July
I’m not sure where I’ve heard this, but fully believe in this saying,
“Just turn up and the work will show itself”
Today, I headed to the studio and let go of all the pressure, I had been putting on myself for weeks, about starting new work for my next exhibition.
I sat for awhile without any expectations, trying to connect to something.
I then started playing around with materials, I hadn’t used since art school
and after finding some leftover weathered metal from my welding days
my ideas eventually came together.
By just letting go and believing in the creative process
I now, have a better idea of where I’m heading with my project
and some of the materials I will be using.
Found Object Installation & Stacks. Ideas & Photography.
I like to hijack, pull-apart, dissect and manipulate, familiar and found objects, to give new meaning to my installations, photograph’s and 3d ideas.
As a child, I would create little dioramas and arrangements and place them in my everyday environment, hoping to alter my reality, for awhile.
I used to watch my mum do this, to pretty- up the house and garden. She would use, whatever, objects we had on hand.
Using plastic flowers, decorated doilies and domestic objects, she would make our surrounds more, pleasing.
I recall an amazing tower of old TV’s, stacked high, with plastic fruit, flowers, floral china and decorated cloths in between.
A stack of hand-made books
A stack of shotgun cartridges
Rock and a hard place
Seven
Bench top full of found objects
Endless ideas to play with…
See more images here
COLLECTING
Collecting. What do you like to Collect? Collecting can become so addictive, especially for an artist. My found objects and things are the inspiration and starting point for most of my artwork and ideas. When I see something, it can trigger off an instant idea and give me a vision to work with. I think this is why I love museums, as display and arranging objects are an important part of my sculptural and photographic work.
I have been collecting since I was born. I used to hide stuff under my bed in boxes as a child. As an adult, I’m still putting stuff into boxes, plastic bags and other strange things. I view my collections as arrangements. They are all art installations scattered around my place, as well as, material for use in my arts projects
Walking through the streets to the local shop I always come home with something foot trodden. A piece of paper, packaging, a bright piece of plastic, glass all, will be used in my art, eventually.
When I travel overseas (much to the sometimes embarrassment to friends and family) I pick up off the ground, bottle tops, lolly papers, wires bright bits of plastic, even if an item might disturb me, I’ll bring it home. On a tour once, in Europe the whole busload of passengers collected bottle tops for me.
My stuff may brood for years in a dark space or cupboard, till I come across it again, sending me off on another project.
On my last trip to France, I came home with 15 kilo of junk. I collected baguette bags, string, stones, free ad cards, labels from food items, torn posters, books and papers from a bin.
I also, collect vintage photographs. They tell stories of people and places, I’ll never know about, so, I make my own narrative.
Scientific stuff, equations, wire, tin, bones, animal skeletons, fur, hair, watches, old mobile covers, old shuttlecocks, vintage buttons, eye glasses, shriveled things, found numbers and fonts from keyboards.
Magazines and advertising, boxes, packaging, all sorts paper, vintage clothes, fabrics, wall papers, shells, vintage items and china, driftwood, snow-globes, toys, children’s books and so much more
I go to op shops, city streets, airports, underground spaces, beaches, garage sales, friends houses and sometimes, find stuff on EBay. Part of the fun and attraction for me is, the actual finding of discarded material that has been thrown away. I will recycle it into something else or, just show it’s beauty, as it is.
Collections of things are extremely important, for future generations too. 100’s of years from now, someone may come across my piece of fabric, wallpaper ,lolly paper, box ,bone etc. that will give them information on how we lived in our time, in our place.
Collections are also portraits of those who love to glean…..
Check out Andy Warhol’s boxes of stuff he collected over his life time
“Warhol Time Capsules”
