Posts Tagged ‘mixed media’

Artworks Available. Paintings. Sculpture & Textiles.

Saturday, June 29th, 2019

A small selection of artworks available from my studio. To see the artworks below and more, please go to the Art section in the menu on the left.

FREE SHIPPING AUSTRALIA WIDE. Shipping 1-2 weeks Australia Wide.

For postage outside of Australia please request a quote. Please contact me info@outlook8studio.com prior to purchase with your address and I will quote you the extra cost for shipping to your location.

It’s a chilly weekend in Melbourne, hope you are all keeping warm xox

© 2019, Jenny Davis. All rights reserved.

Art & Recycling. Textiles & Mixed media.

Friday, January 18th, 2019

Art and recycling goes hand-in-hand in the textile and mixed- media side of my arts practice.

My artworks are often created from old, discarded clothing, vintage and antique textiles, papers and found objects. I enjoy making use of stuff that has had a life already; a life that is often purely functional and as far removed from ‘art’ as you can imagine.

I’ve been recycling all my life to make art. As a child, I pulled apart, old clothing and nylon stockings “I used to collect fabric waste from mum’s sewing and knitting basket, making wall hangings out of that.” Nowadays, I cut up my own clothing and others, antique quilts, vintage linens, fancywork and men’s suits.

The process of searching and collecting materials, is also, a very important part of my art’s making. It may take weeks, months, even years, to find a piece that talks to me. Most of the time though, a fragment of fabric, clothing or object, will trigger off the idea. I collect and document many of the pieces I find, by labeling or remembering, its history of when & where it was found. This gives me another layer to work with.

The search for materials has taken me to many weird and wonderful places over the years.

The sometimes, dodgy, back streets of cities, in Barcelona, Italy and France. Markets and charity shops in Australia, France and England. Underground spaces, abandoned buildings, coast lines and vacant beaches. Friends, family and strangers, have also, donated materials to use in my work.

By transforming old, recycled and reused materials, it enriches the stories I like to tell in my contemporary art and gives a new life, to materials destined to be wasted and thrown away.

© 2019, Jenny Davis. All rights reserved.

Mixed Media Collage. 3 New Works on Paper.

Sunday, September 2nd, 2018

3 New mixed- media collages on 300gsm watercolour paper (Unframed).

I  like to create new visions, by recycling and dissecting vintage papers that I may, or not hand paint with acrylic paints and inks.

Process – On a background of strong 350gsm artist water- colour paper, I add layers of acrylic paints, fragments of vintage papers and random marks, using French ink pens.

Earth Renewable

Recycled Polyhedron

Recycled Symmetry

 

 

© 2018, Jenny Davis. All rights reserved.

Line Walking. Working with Line.

Friday, August 3rd, 2018

Line is a point moving in space. Playing with line fascinates to me. By letting go and just allowing the movement to take over, allows me to go in-between, out and off edges.

 

 

The materials I use vary. I may use paint, pencil or crayon on vintage book papers, thread on antique cloth, scratch with implements, or, use wire to make tangles. Lines often define the edges of a form, but not very often in my arts practice.

 

 

Lines can be horizontal, vertical, or diagonal, straight or curved, thick or thin.

 

 

Paint lines

 

 

Drip lines

 

 

Thread lines

 

 

Free flowing lines

 

 

Frottage lines

 

 

String lines

 

 

© 2018, Jenny Davis. All rights reserved.

Rustmatter abstract paintings now available.

Sunday, July 8th, 2018

New paintings available in my gallery. “Rustmatter” series. I want to capture the “beauty & hope” in decline, before its gone and continues my investigation into the disintegration and decay of the environment, of life and the human psyche.

 

Experiments with layers of rust, paint, iron shavings and salt. Finally, surfaces emerged, worn , weathered and sometimes ancient. I then sealed the paintings to keep stable and lock in the layers.

 

 

 

 

Each painting is a visual and textural descent into the abandoned, the derelict, the vacant and the forgotten. Curator & Arts Writer, Dr. Ewen Jarvis.

 

 

Rustmatter 17

 

Rustmatter 12

 

Rustmatter 16

Rustmatter 14

 

Rustmatter 15

 

 

NOTE – All inclusive : Express Post, Tracking, Signature, Insurance & Packaging.

 

© 2018, Jenny Davis. All rights reserved.

TurkRedghost Series. Textile Art. Antique & Vintage Textiles.

Wednesday, June 27th, 2018

I grew up in a “make do and mend” family, where nothing much was thrown away and would be mended or, re-purposed into something else, therefore, many of my textile pieces are hand- made, created from antique & vintage sourced materials and may include, discarded, abandoned, found objects. I have been working with textiles all my life. My mother was a dressmaker and as a child, I would collect the fabric scraps and make wall hangings and soft sculpture.

For further details about my textile pieces, please go to my gallery page and click under  “Textile Art”

“TurkRedghost” series

Sometimes the antique textiles I work with, seem to yell at me, but mostly, they lay silent, as I make my own marks alongside, others gone before. Ragged bits, old and new stitching, tracing marks left behind on old textiles are a reminder, of a time when women, had many obligations and few choices. I feel comfortable, as I stitch, tear, dye and reinforce the fragmented pieces. Somehow, I hope, in a small way, by reclaiming and reworking the textiles, I can give a voice to those women.

 

 

 

 

TurkRedghost 1

 

 

 

TurkRedghost 4

 

 

TurkRedghost 3

 

 

 

TurkRedghost 2

 

 

© 2018, Jenny Davis. All rights reserved.

After Exhibition Blues. Textiles.

Wednesday, May 2nd, 2018

After exhibition blues has hit!  I’m all painted out at the moment, but still enjoying some textile pieces Ive been playing around with for a while now.  Looks like some old photos and found objects will make their way into the project too.  Please see “Spaces Below” exhibition details in the sidebar on the right.

 

 

Ragged bits , old and new stitching, tracing the marks left behind on, 120 yr old textiles.

 

 

Memories and ghosts from the 1800s, remind me, as I work, of a time when women had many obligations and few choices.

 

 

A time when, women were completely controlled by their fathers, brothers and male relatives and their sole purpose in life was to find a husband, reproduce and then spend the rest of their lives serving him.

 

 

If you were to break free, you would be crucified, ridiculed and seen as “not normal, insane, bullied and tossed aside.

 

 

The textiles from the 120 year old quilt toppers I work with, sometimes, seem to yell at me, but mostly, they lay silent, as I make my own marks alongside others gone before.

 

 

I feel comfortable, as I stitch, tear, dye and reinforce the fragmented pieces.

 

 

Somehow, I hope, in a small way, by reclaiming and reworking the textiles, I can give a voice to those women.

 

 

Just like in my own life, when I was powerless, art gave me a voice to express myself, where once I had none.

 

 

 

 

 

© 2018, Jenny Davis. All rights reserved.

Small Ideas. An installation of abstract paintings and found images.

Friday, March 30th, 2018

My next exhibition,”Spaces Below” is an installation of new & older paintings, linking to found, instantaneous marks, surfaces and fragments. Subconscious notes and messages, snatched from urban and rustic environments when passing through. Also includes, a series of framed images, shot in the city and outer suburbs of Paris, France.

(Please see details of “Spaces Below” exhibition in the sidebar)

 

 

I’m still amused and amazed, how one little idea can consume, inspire and provide enough fodder, leading to many forms of expression.

 

 

 

 

 

 

 

 

© 2018, Jenny Davis. All rights reserved.

Spaces Below. Bubble – Wrap. Gaffa Tape.

Wednesday, March 28th, 2018

The countdown is on… only 14 days until I install my exhibition, “Spaces Below” at Yering Station Gallery, which means, 14 days of bubble-wrap and gaffa tape tangles, labeling, organizing transport, invites, and the opening.

 

 

The artworks in the house are all ready to go and still lots more in the studio to wrap, but for now, I think its time to grab some lunch and veg out for awhile….

 

 

 

© 2018, Jenny Davis. All rights reserved.

“Spaces Below” Jenny Davis

Saturday, March 17th, 2018

Jenny Davis

Spaces Below

11th – April – 20th May

Official Opening: Friday April 13th –  6.00 – 7.30 pm

Dear Friends

Jenny Davis would like to invite you to her new exhibition, “Spaces Below”

 in the beautiful Yarra Valley, at the historical Yering Station at Yarra Glen in Victoria.

Exhibition runs – April 11th – May 20th

Address – Yering Station Art Gallery
38 Melba Highway Yarra Glen

Opening Times – Monday-Friday
10:00am – 5:00pm
Weekends & Public Holidays (including Anzac Long weekend)
10:00am – 6:00 pm

 

Commission from all sales will be donated to… L.A.R.C.H. 

(Leukaemia Auxiliary Royal Children’s Hospital)

 

For more information please contact

Dr Ewen Jarvis

Curator

Yering Station Gallery

PO Box 390

Yarra Glen Vic 3775

P + 61 3 9730 0100

M + 0400 894 646

artgallery@yering.com

www.yering.com

 

Yering Station is located at 38 Melba Hwy Yering 3770 Victoria, Australia. Directions.

© 2018, Jenny Davis. All rights reserved.

Pure Abstract Painting. Abstract Art. New Course.

Sunday, March 4th, 2018

Abstract art strips away the narrative, the real and expected visual story. It requires us to resolve a problem. We want to impose a rational explanation – or see something in abstract art so we feel comfortable. It makes our brains work harder and in a different way – at a subconscious level.

 

 

 

Maybe that’s why some people find abstract art more intimidating and are quick to dismiss it.

 

 

If you are interested in learning more about abstract art and how to create abstract paintings, I am in the process of creating my first online course. “Pure Abstract Painting”

 

 

 

This is something I have been wanting to do for many years and will let you know when my course is ready for enrollment.

 

 

A few abstract paintings I’ve been working on today.  I love the continual changes when working this way.

 

 

 

© 2018, Jenny Davis. All rights reserved.

Spaces Below. New Exhibition. Yering Station Gallery.

Saturday, March 3rd, 2018

A small glimpse of paintings in progress for my next exhibition, in April at Yering Station Gallery. I will be showing, new and older paintings and will include an installation of framed photographs, “Spaces Below”, shot in France. The gallery is large and raw with an industrial feel.  A perfect space for larger abstracts. All commissions taken from my sold artworks at Yering Station Gallery will be donated to…

 

 

© 2018, Jenny Davis. All rights reserved.

Fragments. An old chair. Inspiration for new work.

Wednesday, February 7th, 2018

As a small child I pulled things apart. Even, before I could talk, I ripped apart dolls and toys. I used to make little displays, installations of the fragments and other discarded things. Today I still pull things apart. I find fragments more pleasing and sometimes, even more interesting than the original object.

 

 

Recently, I pulled apart an old chair that had been hanging around for years. The wood was still good. The cloth and leather had grit and rust, just perfect for sculpture. The rustic bits and pieces also related to some textile fragments, I unpicked from an 1800’s, quilt topper. I’m still working on outcomes and painting has crept in too. Below are some pics of the process.

 

 

 

 

 

© 2018, Jenny Davis. All rights reserved.

How to Stretch a Canvas for Painting

Monday, December 4th, 2017

When I first started painting, the thought of stretching my own canvas was frightening, but after a few attempts of stretching a canvas it came to me automatically. I was able to make canvases for half the price of store bought ones. Also, stretching your own canvas can trigger off the beginning of the creation through the hands on process of doing it yourself. Hope this helps.

Materials and equipment

Pre- made stretcher frame/ or self-made

Canvas material cut 10cm approx larger than your stretcher frame

Canvas staple gun

How to Stretch a Canvas

Lay your canvas on a flat surface wrong side up then lay your stretcher right side down on top of canvas. Pull the sides of your canvas up and round to the top of the stretcher.

DIAGRAM 1 Secure the 4 points with staples or tacks to create a diamond shaped wrinkle in the canvas. Check diagonals and adjust the stretcher for squareness before going further.

 

CANVAS DIA 1DIAGRAM 2– Secure the canvas to the stretcher with staples approx. every 6 cm. around the edge, working from the center points outwards. Pulling the canvas as you go. Continue working out to the corners in this pattern. Do not overstretch the canvas. When applying tension, the canvas pliers should not be forced to pull the canvas in place. The tension of course will become greater as you work towards the corners.

CANVAS DIA 2FOLD– the corners under; as neatly as you can, leaving no exposed tab that maybe caught and damaged. Staple or tack excess canvas that wraps around to the back of the frame.

HINT– Once finished and your canvas and is not as tight as you would like, fill a small spray bottle with luke-warm water and spray the canvas on the back. Once dry your canvas will be as tight as a drum. Happy painting!

Back to Outlook8studio  Tutorials

© 2017, Jenny Davis. All rights reserved.

Rust & Decay. Experiments with Rust Paint.

Sunday, November 19th, 2017

Everybody who knows me, knows, how much, I love metal, rust and decay. Many years ago, I collected old rusty, metal objects from the roadsides and turned them into sculptures. I also gained my certificates in welding. At the time, with myself and 3 children to support,  I welded in factories to make a living and in between, I made sculptures from the rusty found objects. I don’t weld much anymore, as it’s a problem for me to move around the heavy metal, but I still have a large collection of smaller bits, I use, to rust up, paper, objects and textiles for my projects. Lately, I have been playing around with some commercial rust paints.

 

 

Clay, Botanics Rust Paint, IOD Décor Moulds

 

 

Today, I tried out, Botanic’s rust paint, from L’essential in Australia. I love the fact they are all environmentally-conscious products, free from nasty additives and are preservative-free where possible. They smell good too. I’m very pleased with the result and it does, really look like rust.

 

Clay, Botanics Rust Paint, IOD Décor Moulds

 

The problem I have is, I need large amounts of rust paint for my projects and now looking for a brand with reasonable prices.

Maybe I could even make my own…

 

 

© 2017, Jenny Davis. All rights reserved.

Homemade Gesso Paint!

Saturday, November 18th, 2017

I love Gesso paint and use heaps of it in my work. It’s gritty, chalky and can be applied to artwork to give a translucent or opaque look. It’s also very expensive so I decided to make my own.

 

Gesso is used for many things such as a primer for canvas or on paper to give a good base for painting, drawing or mixed media work.  When making collage I use it as a gluing medium to stick on papers, in-between, painting and drawing layers.

The recipe below makes 2 litres of Gesso paint

( If not using straight away, this Gesso will last approx. 4-6 weeks)

Homemade Gesso

PLASTER MIX

1 cup Plaster of Paris or fine white plaster powder

1 cup of PVA or white glue

1 cup hot water

PAINT

3 cups white acrylic paint

UTENSILS

Container, cup and mixing stick or spoon

RATIO: 1-3

Plaster Mix 1 – Acrylic paint 3

Method

To make the plaster mix. Add the plaster to the hot water and stir ( Safety purposes: always add the plaster powder to the liquid, not liquid to plaster, as it will blow up into your face and always wear a dust mask)

Dust Mask

“Plaster of Paris” and cup

Hot water and mix

Next add the PVA or white glue, stir.

Finally add the white acrylic paint and mix. ( I used some acrylic powder paint I had and made it up with water) You can use any kind of acrylic paint or colour .

 

Result

I was very happy with the result. The gesso is translucent with the gritty bits I like. You can also do several layers of gesso to give a more opaque appearance. It covered my canvas very well with only 1 coat. When adding more than 1 coat you can sand in- between to give a really smooth surface for detailed work .

2 litres of Gesso

Gesso on stretched canvas

Gesso on paper

 

 

To see this and more of my free tutorials, please go to  Tutorials I even show you how to make my large studio easel.

 

© 2017, Jenny Davis. All rights reserved.

The Power of an Object. Identity through Object.

Sunday, November 12th, 2017

One of my life- time interests is collecting vintage, antique and found objects. I believe, through objects, stories can be told, and through imagination, new ones found.

Objects and their stories, often inspire my art making too. I deconstruct items for sculpture. Old clothing and antique quilts, are often used in textile pieces, artist books and collage. Aged  surfaces and patinas of collections, make their way into my abstract paintings, too.

 

 

Lately, I have been asking myself a few questions about, collecting and identity. Especially after the passing of my step father a few years ago, when I had the huge task, of cleaning out his house and shed. Overwhelming at times, the hoard, has found it’s way into my life & studio

 

 

Having only known him for a short time, (5yrs) I’ve discovered, through his belongings and objects, a hidden or, new identity.

 

 

Strangely , I now find myself imagining, a new “make believe identity” through the objects he hoarded

 

 

This has lead me to many questions…

When alive, do we really know a person? and can things and objects help us to see, a new, or different identity?

Through objects and belongings, can we feel connected to that person?

Can objects change, how we see others & ourselves?

 

 

 

 

 

© 2017, Jenny Davis. All rights reserved.

Rustmatter. Limited Edition Artist Books

Wednesday, November 1st, 2017

Connections and contrasts of imperfections, found in the urban environment, highlighting, insignificant marks, weathered surfaces and cast – offs. I am influenced by abandoned and derelict spaces, vacant industrial sites, structures, old walls & graffiti.One of a kind, handmade ( Limited Edition) artist books from Australian contemporary artist Jenny Davis

Each book consists of:
1 Vintage cigar tin lined with eco- dyed crochet scrap in Shibori- dyed indigo blue, or rust.
1 Handmade concertina artist book, collage with rust – dyed papers and slow stitched with Japanese Shibori threads.
A vintage button with an 1800’s, rusted suspender buckle, winds around the book to close. Some buckles have “Paris” engraved.
1 Scrap piece of rust – dyed canvas cloth, frayed, embellished with slow stitching.
1 Handmade collage created from aged, rust paper, antique suspender buckle and slow stitching.
2 photographs in an acrylic pouch, taken beneath the City of Paris, France.
1 rusted fence loop found in the outback Australia.
(Each artist book is original, handmade and differs from the other. They are all created from the same materials though, making each one, a collectable piece of art)

Please click on photos to purchase!

Rust 2

 

Rust 3

 

Rust 4

 

Rust 5

 

Rust 6

 

Rust 7

 

Rust 8

 

Rust 9

 

Rust 10

 

 

 

© 2017, Jenny Davis. All rights reserved.

Art Blog Diaries. Reminiscing & Evolving as an Artist.

Saturday, May 13th, 2017

I started this blog back in the early 2000’s as a sort of diary, to document my work and creative life and to give something back to others.

 

 

Going through some of my old posts recently, I was able to pin point, some pivotal moments in my life, of where my ideas and artworks originally came from, why my work and arts practice has changed and how, it’s evolved over the years, to where it is today.

 

 

 

After visits to Europe, UK and an arts residency in Spain, in 2005, I especially noticed some changes in the way I was working. Though I have always worked between disciplines, painting was always my main form of expression. I was becoming more dissatisfied with just painting and found it hard to do any creative work for awhile. Then, after a 3 month stay in France 2007, I realized I could no longer, only use paint, to express my ideas.

 

 

 

 

This led to a series of experimental installations, videos and a book of photographs. Touched by Dada and Surrealist ideas, I had to re-access what I was doing as an artist.

 

 

 

 

 

The installation and video below “Parisgrit” was shown at Tilt Gallery, in Melbourne in 2006. I can see quite a few interesting elements in it, but it’s way too long and very noisy. Maybe someday, I will get around to re-working it and revamping it into something else.

 

 

 

 

 

By looking back over my old blog posts or (diary entries) I find it helpful, to reflect on the areas, where I can make improvements and expand on previous ideas. I can also see where, my ideas have come from. I get a glimpse of how & why, my artwork, techniques and materials have changed over time and maybe where I could be heading in my arts practice.

© 2017, Jenny Davis. All rights reserved.

The Venice Biennale 57. Wallmatter 17.

Saturday, May 6th, 2017

I just found out my painting “Wallmatter 17” has selected to be presented as a digital display at, The Biennial Project’s extravagant, event in Venice, Italy, during the opening/press week of The Venice Biennale 57. “La Biennale di Venezia”

Thank you The Biennial Project!

 

TITLE Wallmatter 17
MED Acrylic paint, lime, sand, cement, sealer on canvas. (Contemporary washed veneer wooden frame)

© 2017, Jenny Davis. All rights reserved.