Posts Tagged ‘Art materials’

Digital Collage and Photoshop.

Wednesday, November 16th, 2016

Digital Collage and Photoshop.

When making my art, I rarely follow rules. Not knowing, techniques, materials and technology, doesn’t bother me and can be a blessing. It gives me more freedom to play around and discover things, that wouldn’t otherwise, be found.

A few images of recent experiments in Photoshop and other programs using my own artworks.

 

 

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Do you always follow the rules when creating?

 

Crut. New Paintings. Cradled Boards.

Saturday, June 25th, 2016

Crut. New Paintings. Cradled Boards.

Jenny Davis_Crut_Acrylic paint oil paint on birch cradled Board under 2rgb

 

3 new paintings, well, it’s actually one painting, a triptych, I did for a recent art prize. Each painting was made with acrylic paint and small areas of oil paint on birch cradled boards.

 

Jenny Davis_2016_Crut_Acrylic Paint, Oil Paint on Birch Cradled Board 1

 

I love using boards for painting. The surface is much more forgiving than canvas. Perfect for the spontaneous, mark-making and material layering I tend to do.  I can scratch, sand, scrape back, engrave and it won’t tear, or break like canvas.

 

Jenny Davis_2016_Crut_Acrylic Paint, Oil Paint on Birch Cradled Board

 

If I could get larger cradled boards and still be able to lift them, I would be very happy. The size of these boards are 50 x 50cm. each. Overall size 150cm. x 50cm.

 

Jenny Davis_2016_Crut_Acrylic Paint, Oil Paint on Birch Cradled Board 2

 

About Crut

Communication to the masses. Text in the environment can mark territory, give control and can validate those, who don’t have a voice in the mainstream order. Through mark-making in the environment everybody can be heard. I see beauty and at times, desperation in the messages, found in the streets, and in the abandoned, underground and derelict spaces. Layers of tagging, graffiti and found marks on weathered surfaces tell stories about the past, present and future. Aesthetically they can be beautiful, even though they may have been painted illicitly on a wall, or other surface’s. My abstractions are investigations into, marks, traces and messages, left behind, in the urban and rural environment.

 

Jenny Davis_Crut_Acrylic paint oil paint on birch cradled Board under 2rgb

Experimental Painting. Industrial Materials and Methods.

Friday, April 22nd, 2016

Experimental Painting. Industrial Materials and Methods.

Its been almost a year since I started this group of paintings using traditional, non traditional, industrial, materials and processes. There are 20 paintings altogether.

After several months of research and practical experiments, I finally discovered how to make my textural, gritty surfaces, stable and permanent for a flexible base.

 

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Jenny Davis_Wallmatter Paintings lot_ 2016

Jenny Davis_Wallmatter Paintings_ 2016

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Jenny Davis_Wallmatter Paintings closeup2_ 2016

Jenny Davis_Wallmatter Paintings_Mixed Media_ 2016

Jenny Davis_Wallmatter Paintings closeup_ 2016

Jenny Davis_3 Wallmatter Paintings _ 2016

 

 

Stripping Back Layers. Plaster. Old Wallpaper. Paint.

Saturday, January 16th, 2016

Stripping Back Layers. Plaster. Old Wallpaper. Paint.

Taking away layers stripping back identity to get to the essence of something

 

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is much more interesting to me than creating something recognizable

 

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As a child I was more interested in pulling things apart to investigate the material it was made from

 

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I then went further and tried to destroy the material scratching into it to get back the original source

 

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I still do that today in all my work

 

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experimenting with layers of paint plaster found papers antique french print vintage wallpapers and ink

 

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pulling apart scratching tearing and ripping

 

 

Experimentation & New Free Tutorials Page.

Wednesday, October 14th, 2015

Experimentation & New Free Tutorials Page.

My blog updates have been scarce lately, as, Ive been studying a couple of arts business and creative courses. This week I created a new “Free Tutorials”  page, where I share some of my favorite, creative ideas and things to do.

 

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I’ve also, been experimenting with shellac and acrylic paints in the studio

 

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and plan to create some textile and sculpture pieces too.

 

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After working on many creative projects and group exhibitions, here and overseas, the past couple of years

 

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I really think it’s time, to get back into a gallery and start exhibiting again in 2016.

 

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So, I’m looking for suitable spaces in Melbourne or Sydney, that aren’t too expensive.

 

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My favourite thing to make, at  Free Tutorials  is my large studio easel. I created it when I built my studio in 2000. I wanted something big, so I could work on many paintings at once. It’s a bit slap happy, (I’m no carpenter) but, works perfectly for me.

Gestural Acrylic Paintings. Mixed Media on Canvas.

Friday, June 26th, 2015

Gestural Acrylic Paintings. Mixed Media on Canvas.

Mixed media on gallery stretched canvas.

Acrylic paint & oil pigments.

 

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Spontaneous gestural marks

 

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with a play of colour

 

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and forgotten marks

 

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on gallery stretched canvas.

 

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Landscapes of traces

 

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left behind

 

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in the environment

 

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and mind.

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Each painting measures, 40cm. x 30cm. x 4cm.

 

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Year completed, 2015

 

 

No. 2. Old clothes. Recycling. Art Making.

Sunday, March 1st, 2015

Follow-up from a previous post  Old clothes. Recycling. Art Making.

Playing with textiles, wax and trying to work out my new camera.

De-constructing a man’s suit.

 

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Wafers of wax, felt & linen

 

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Specimens to play with flesh- like

 

 

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Waxed string twined

 

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Spirals

 

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Hand- sewn surface marks

 

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Links to Joseph Beuy’s  felt works and underground spaces seen in Paris

 

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Similar to scientific or, geological specimens from an antique book

 

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Old Clothes. Re-Cycling. Art Making.

Monday, February 9th, 2015

Before, I throw anything away, I like to see if I can use it in my creative ideas. Not only am I dealing with issues concerning, over- consumption, re- cycling & renewing, I also love using the found material and always have a ready supply of art materials available.

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Recently, I acquired a large amount of men’s ties, I’m pulling apart, to create abstract paintings.

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I also have 3 wardrobes of old clothing, I’m slowly, using to make textile art pieces, books and more. The physical act of pulling apart and de-constructing my own clothing, connects me to the textures, memories and history of the piece. The materials are then, made into new ideas, re- introduced and re- valued.

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Paper packaging, used coffee filters, table napkins and clothing dyed and baked in coffee, tea and rust

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Vintage jumpers, jeans and shirts, torn and cut ready for book-making and other projects

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Artwork in progress using scraps of vintage sheer curtain and upholstery material, rust dyed.

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Thoughts on Collage.

Sunday, August 31st, 2014

 

My 10 quick thoughts on creating original collage.

 

"13 pour" Jenny Davis

“13 pour” Jenny Davis

 

1. Just when you think you’ve got it licked, it can change, by adding one tiny piece of paper, or mark.

 

"Bitter Interception" Jenny Davis

“Bitter Interception” Jenny Davis

 

2. Collage can’t be controlled, trust in the doing.

 

"No" Jenny Davis

“No” Jenny Davis

 

3. If you don’t like something tear it off, paint or paste over it.

 

"Generous Nation" Jenny Davis

“Generous Nation” Jenny Davis

 

4. By elimination, breaking and tearing to restructure the work, you can open up a new vision.

 

"Clash 3" Jenny Davis

“Clash 3” Jenny Davis

 

 

5. Text adds interest and throws it off again. Do you take it literally, or as a design element?

 

"De'ranger" Jenny Davis

“De’ranger” Jenny Davis

 

6. Working on the whole collage at once and not just in one area, is more satisfying.

 

"Clash" Jenny Davis

“Clash” Jenny Davis

 

7. Elements of design come into play too. Colour, shape, texture, line and form.

 

"84" Jenny Davis

“84” Jenny Davis

 

 

8. When creating collage, I use the same cognitive process as when painting.

 

"Torn" Jenny Davis

“Torn” Jenny Davis

 

9. It’s all about trusting the creative process, your intuition, taking risks and challenging yourself.

 

"Paris Burning" Jenny Davis

“Paris Burning” Jenny Davis

 

10. It’s also heaps of fun expressing yourself in this way!

Back to “Free Tutorials”

Sun Prints. Coffee. Vintage Textiles.

Saturday, August 23rd, 2014

Experimenting today with sun prints using coffee and the sun

Vintage damaged cloth stretched over wooden frames with French flourish stamping

 

Tattered antique French doilies placed on top of stretched cloth

 

 

Using the doilies as a stencils spray with coffee and vinegar diluted in hot water and leave under the sun for an hour or so

 

 

Resulting in subtle ghostly images embedded for further embellishment later

 

Iron each image 3 mins. to make colour fast