Posts Tagged ‘Art materials’

Homemade Gesso Update!

Tuesday, August 14th, 2018

Homemade Gesso!

Update 2018! Since writing this recipe in 2014, Ive been using this homemade Gesso recipe, for 14 years now and haven’t had an issue, with ageing, layers coming apart, seepage, changes in colour etc. on any of my artworks. I use it with both oil and acrylic paints. I also seal my papers with it when, making books, sewing on paper, paper for collage, painting with paint, inks etc. As to the quality, I find the homemade isn’t as white, but just as good quality, as professional artists Gesso. I also use store bought gesso too, if I’ve run out and for convenience. My version is more gritty, than store bought, but if you sandpaper in between coats, I find it’s not an issue. For me, this recipe is just as good as, the store bought and if you use archival PVA/Elmers glue, it will make it all the more stable, for longevity.

Homemade Gesso!

I love Gesso paint and use heaps of it in my work. It’s gritty, chalky and can be applied to artwork to give a translucent or opaque look. It’s also very expensive so I decided to make my own.

 

Gesso is used for many things such as a primer for canvas or on paper to give a good base for painting, drawing or mixed media work.  When making collage I use it as a gluing medium to stick on papers, in-between, painting and drawing layers.

The recipe below makes 2 litres of Gesso paint

( If not using straight away, this Gesso will last approx. 4-6 weeks)

Homemade Gesso

PLASTER MIX

1 cup Plaster of Paris or fine white plaster powder

1 cup of PVA or white glue (archival if available)

1 cup hot water

PAINT

3 cups white acrylic paint

UTENSILS

Container, cup and mixing stick or spoon

RATIO: 1-3

Plaster Mix 1 – Acrylic paint 3

Method

To make the plaster mix. Add the plaster to the hot water and stir ( Safety purposes: always add the plaster powder to the liquid, not liquid to plaster, as it will blow up into your face and always wear a dust mask)

Dust Mask

“Plaster of Paris” and cup

Hot water and mix

Next add the PVA or white glue, stir.

Finally add the white acrylic paint and mix. ( I used some acrylic powder paint I had and made it up with water) You can use any kind of acrylic paint or colour .

 

Result

I was very happy with the result. The gesso is translucent with the gritty bits I like. You can also do several layers of gesso to give a more opaque appearance. It covered my canvas very well with only 1 coat. When adding more than 1 coat you can sand in- between to give a really smooth surface for detailed work .

2 litres of Gesso

Gesso on stretched canvas

Gesso on paper

 

© 2014 – 2018, Jenny Davis. All rights reserved.

© 2018, Jenny Davis. All rights reserved.

Rustmatter abstract paintings now available.

Sunday, July 8th, 2018

New paintings available in my gallery. “Rustmatter” series. I want to capture the “beauty & hope” in decline, before its gone and continues my investigation into the disintegration and decay of the environment, of life and the human psyche.

 

Experiments with layers of rust, paint, iron shavings and salt. Finally, surfaces emerged, worn , weathered and sometimes ancient. I then sealed the paintings to keep stable and lock in the layers.

 

 

 

 

Each painting is a visual and textural descent into the abandoned, the derelict, the vacant and the forgotten. Curator & Arts Writer, Dr. Ewen Jarvis.

 

 

Rustmatter 17

 

Rustmatter 12

 

Rustmatter 16

Rustmatter 14

 

Rustmatter 15

 

 

NOTE – All inclusive : Express Post, Tracking, Signature, Insurance & Packaging.

 

© 2018, Jenny Davis. All rights reserved.

View of Urban Paris.

Friday, April 6th, 2018

One thing leads to another, everything is connected…

split second images flash by –  embed

opening cracks

rough

rust

decay

rubble

dirt

paint

crumble

torn

scratchy

weathered

worn

unseen

forgotten

abandoned beauty…

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

© 2018, Jenny Davis. All rights reserved.

Fragments. An old chair. Inspiration for new work.

Wednesday, February 7th, 2018

As a small child I pulled things apart. Even, before I could talk, I ripped apart dolls and toys. I used to make little displays, installations of the fragments and other discarded things. Today I still pull things apart. I find fragments more pleasing and sometimes, even more interesting than the original object.

 

 

Recently, I pulled apart an old chair that had been hanging around for years. The wood was still good. The cloth and leather had grit and rust, just perfect for sculpture. The rustic bits and pieces also related to some textile fragments, I unpicked from an 1800’s, quilt topper. I’m still working on outcomes and painting has crept in too. Below are some pics of the process.

 

 

 

 

 

© 2018, Jenny Davis. All rights reserved.

How to Stretch a Canvas for Painting

Monday, December 4th, 2017

When I first started painting, the thought of stretching my own canvas was frightening, but after a few attempts of stretching a canvas it came to me automatically. I was able to make canvases for half the price of store bought ones. Also, stretching your own canvas can trigger off the beginning of the creation through the hands on process of doing it yourself. Hope this helps.

Materials and equipment

Pre- made stretcher frame/ or self-made

Canvas material cut 10cm approx larger than your stretcher frame

Canvas staple gun

How to Stretch a Canvas

Lay your canvas on a flat surface wrong side up then lay your stretcher right side down on top of canvas. Pull the sides of your canvas up and round to the top of the stretcher.

DIAGRAM 1 Secure the 4 points with staples or tacks to create a diamond shaped wrinkle in the canvas. Check diagonals and adjust the stretcher for squareness before going further.

 

CANVAS DIA 1DIAGRAM 2– Secure the canvas to the stretcher with staples approx. every 6 cm. around the edge, working from the center points outwards. Pulling the canvas as you go. Continue working out to the corners in this pattern. Do not overstretch the canvas. When applying tension, the canvas pliers should not be forced to pull the canvas in place. The tension of course will become greater as you work towards the corners.

CANVAS DIA 2FOLD– the corners under; as neatly as you can, leaving no exposed tab that maybe caught and damaged. Staple or tack excess canvas that wraps around to the back of the frame.

HINT– Once finished and your canvas and is not as tight as you would like, fill a small spray bottle with luke-warm water and spray the canvas on the back. Once dry your canvas will be as tight as a drum. Happy painting!

Back to Outlook8studio  Tutorials

© 2017, Jenny Davis. All rights reserved.

Rust & Decay. Experiments with Rust Paint.

Sunday, November 19th, 2017

Everybody who knows me, knows, how much, I love metal, rust and decay. Many years ago, I collected old rusty, metal objects from the roadsides and turned them into sculptures. I also gained my certificates in welding. At the time, with myself and 3 children to support,  I welded in factories to make a living and in between, I made sculptures from the rusty found objects. I don’t weld much anymore, as it’s a problem for me to move around the heavy metal, but I still have a large collection of smaller bits, I use, to rust up, paper, objects and textiles for my projects. Lately, I have been playing around with some commercial rust paints.

 

 

Clay, Botanics Rust Paint, IOD Décor Moulds

 

 

Today, I tried out, Botanic’s rust paint, from L’essential in Australia. I love the fact they are all environmentally-conscious products, free from nasty additives and are preservative-free where possible. They smell good too. I’m very pleased with the result and it does, really look like rust.

 

Clay, Botanics Rust Paint, IOD Décor Moulds

 

The problem I have is, I need large amounts of rust paint for my projects and now looking for a brand with reasonable prices.

Maybe I could even make my own…

 

 

© 2017, Jenny Davis. All rights reserved.

Homemade Gesso Paint!

Saturday, November 18th, 2017

I love Gesso paint and use heaps of it in my work. It’s gritty, chalky and can be applied to artwork to give a translucent or opaque look. It’s also very expensive so I decided to make my own.

 

Gesso is used for many things such as a primer for canvas or on paper to give a good base for painting, drawing or mixed media work.  When making collage I use it as a gluing medium to stick on papers, in-between, painting and drawing layers.

The recipe below makes 2 litres of Gesso paint

( If not using straight away, this Gesso will last approx. 4-6 weeks)

Homemade Gesso

PLASTER MIX

1 cup Plaster of Paris or fine white plaster powder

1 cup of PVA or white glue

1 cup hot water

PAINT

3 cups white acrylic paint

UTENSILS

Container, cup and mixing stick or spoon

RATIO: 1-3

Plaster Mix 1 – Acrylic paint 3

Method

To make the plaster mix. Add the plaster to the hot water and stir ( Safety purposes: always add the plaster powder to the liquid, not liquid to plaster, as it will blow up into your face and always wear a dust mask)

Dust Mask

“Plaster of Paris” and cup

Hot water and mix

Next add the PVA or white glue, stir.

Finally add the white acrylic paint and mix. ( I used some acrylic powder paint I had and made it up with water) You can use any kind of acrylic paint or colour .

 

Result

I was very happy with the result. The gesso is translucent with the gritty bits I like. You can also do several layers of gesso to give a more opaque appearance. It covered my canvas very well with only 1 coat. When adding more than 1 coat you can sand in- between to give a really smooth surface for detailed work .

2 litres of Gesso

Gesso on stretched canvas

Gesso on paper

 

 

To see this and more of my free tutorials, please go to  Tutorials I even show you how to make my large studio easel.

 

© 2017, Jenny Davis. All rights reserved.

The Life of a Painting. Changing Back to Oil Paints.

Sunday, November 5th, 2017

A few years ago, I changed from oil paints, to acrylics, after I became allergic to the turps. I’m still not used to painting with acrylics as, I just love the lushness, depth and movement of oil paints. Something, I haven’t been able to achieve with acrylics. So, recently I bought some oil painting supplies, eco friendly turps, to see, if I’m still allergic to it.

 

The life of a Painting.

Oil paint , medium, wax on canvas

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sometimes I think, I should stop earlier, when its fresh and spontaneous, but usually keep going. I  just have to trust the process and know, that eventually, I will end up with something I’m happy with.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I will revisit the painting, in a few days time to decide, whether I will take it further. At the moment, I’m feeling, times long past.

© 2017, Jenny Davis. All rights reserved.

Working with Textiles. Textile Collage & Drawing.

Tuesday, April 11th, 2017

I am a visual artist who works with a range of mediums and my process varies.

 

 

I use which ever vehicle helps me to express my ideas. Each work informs the other and leads onto the next idea.

 

 

The collages I’m working on at the moment are a follow on from my hand sewn fabric pieces and with more experiments I can see 3d objects creeping in

 

 

 

 

© 2017, Jenny Davis. All rights reserved.

Time, Change, Erosion and Decay + Freebie Rust Dyeing Tutorial

Friday, March 17th, 2017

The process of transformation. Time, change, erosion and decay are qualities I like to celebrate. I examine and explore, the properties and possibilities, of my material and want to push the boundaries of something to get a deeper understanding.

In my latest project, I’m working with textiles over a 100 years old. I want to work with the worn and deteriorated textiles and collaborate alongside those, who in the past, so carefully stitched, mended and created, the pieces for comfort and warmth.

Each piece was once, carefully hand -stitched and now, breaking down and worn. I have very selectivity pulled apart and unpicked areas, and kept some intact.

Some areas of fabric, are so badly worn it breaks in my hands, so I have to reinforce it. Most pieces though are just left in their original state.

I then, like to push the process further with, natural & rust dying methods, mark making, hand stitching and painting with caste iron, botanical paints.

Numerous times, I expose the materials to the elements to experience the changes.

Getting to the essence of my material helps me to translate and describe its being. I rarely know the outcome of my projects and just go with the flow.

Wanting to know how to rust – dye?  Please see my  free rust – dyeing tutorial

© 2017, Jenny Davis. All rights reserved.