Posts Tagged ‘abstract art’

Time, Change, Erosion and Decay + Freebie Rust Dyeing Tutorial

Friday, March 17th, 2017

The process of transformation. Time, change, erosion and decay are qualities I like to celebrate. I examine and explore, the properties and possibilities, of my material and want to push the boundaries of something to get a deeper understanding.

In my latest project, I’m working with textiles over a 100 years old. I want to work with the worn and deteriorated textiles and collaborate alongside those, who in the past, so carefully stitched, mended and created, the pieces for comfort and warmth.

Each piece was once, carefully hand -stitched and now, breaking down and worn. I have very selectivity pulled apart and unpicked areas, and kept some intact.

Some areas of fabric, are so badly worn it breaks in my hands, so I have to reinforce it. Most pieces though are just left in their original state.

I then, like to push the process further with, natural & rust dying methods, mark making, hand stitching and painting with caste iron, botanical paints.

Numerous times, I expose the materials to the elements to experience the changes.

Getting to the essence of my material helps me to translate and describe its being. I rarely know the outcome of my projects and just go with the flow.

Wanting to know how to rust – dye?  Please see my  free rust – dyeing tutorial

3 New Collages using fragments.

Friday, March 3rd, 2017

100 yr old cotton textile fragments, vintage found objects, oil pigments,vintage card, linen thread, linen cloth.

 

 

The pieces of cloth are extremely fragile so each piece

 

 

needs to be reinforced and sealed and stitched into very carefully

 

 

 

 

 

 

 

 

before being attached to book board.

 

 

 

 

Stuck for Ideas.

Tuesday, February 28th, 2017

Sometimes, when I’m stuck for ideas making artwork and it’s just not happening, I  like to throw a heap of things together and arrange them near my work.

The items, may relate in colour, texture and type or be opposing which, I find much more exciting. Your brain will automatically try to come up with solutions. Expanding your ideas and creating new ones.

The flow on of ideas is sometimes amazing. It can lead to, resolving the artwork in front of you, as well as, give you ideas for a whole new body of work.

Juxtaposition and connections of items together seems to work for me.

I believe there is a creative force that is connected to everything we do.

Mixed- Media Collage on Vintage Book Pages

Wednesday, December 21st, 2016

Mixed- Media Collage on Vintage Book Pages

3 abstract artworks
Size: Each artwork
Artwork 7.5″ x 5.5″ – 19 x 14cm
Size: with matt, 10″ x 8″ – 26 x 20cm.
Year 2016

“No Goodbye”

 

Mixed media collage. Found book paper, archive grey matt, thread on vintage book pages (Unframed)

 

“Indigo”

 

( Artwork is matted ready to frame)

 

“Air Attacks”

 

Signed and dated on the back.

 

 

Wallmatter. New Paintings and more available in the Gallery.

Monday, December 5th, 2016

New Paintings, sculpture and more available in the Gallery   Some are already framed others are ready to hang with all hardware attached.   Shipping included in the price!

I am influenced by abandoned and derelict spaces, vacant industrial sites, structures, old walls & graffiti.  The paintings below are about the connections and contrasts of imperfections, found in the urban environment, highlighting, insignificant marks, weathered surfaces.

Wallmatter 13

 

 

 

 

 

 

 

 

 

 

 

Wallmatter 13

 

 

 

 

 

 

 

 

 

 

Wallmatter 17

 

 

 

 

Wallmatter 17

 

 

Wallmatter 14

 


 


 

     

Wallmatter 14

 

 

 

Wallmatter 16

 

 

 

 

Wallmatter 16

 

 

 

Wallmatter 12

 

 

 

 

Small Abstract Oil Paintings. Still & Interruption.

Sunday, November 20th, 2016

Small Abstract Oil Paintings. Still & Interruption.

 

 

 

jenny-davis_still2-_oil-paint-on-canvas_2016jenny-davis_still3-_oil-paint-on-canvas_2016jenny-davis_still1-_oil-paint-on-canvas_2016s

 

 

 

 

 

I spent a lot of time trying to get the surface just right, on these 3 paintings, as I wanted each piece to stand on its own, as well as, together as a whole. I also wanted to convey a feeling of stillness. A space to sit awhile.

 

 

 

 

jenny-davis_sti-l-horizontal_oil-paint-on-canvas_2016

 

 

 

The 3 below have colour and movement. I feel they are not yet resolved and will probably work back in with more layers.

 

 

 

jenny-davis_interuption_oil-paint-on-canvas_2016bs

 

 

 

I’m enjoying, the smaller scale paintings at the moment, especially after all the large ones I did over the past year for my “Wallmatter” exhibition.

 

 

 

 

jenny-davis_interuption-3-_oil-paint-on-canvas_2016sjenny-davis_interuption-1-_oil-paint-on-canvas_2016sjenny-davis_interuption-2-_oil-paint-on-canvas_2016s

 

 

Its a whole different way of working. Large paintings have huge sweeping strokes, where the whole body is involved. Smaller artworks allow me to come in close and are not so hard on my body. I can work longer on them, without too much pain to my back and neck.

Digital Collage and Photoshop.

Wednesday, November 16th, 2016

Digital Collage and Photoshop.

When making my art, I rarely follow rules. Not knowing, techniques, materials and technology, doesn’t bother me and can be a blessing. It gives me more freedom to play around and discover things, that wouldn’t otherwise, be found.

A few images of recent experiments in Photoshop and other programs using my own artworks.

 

 

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Do you always follow the rules when creating?

 

Bluethumb Melbourne, Article.

Tuesday, August 2nd, 2016

Bluethumb Melbourne, Article.

Many thanks to Bek at Bluethumb  in Melbourne, for the recent feature article about my exhibition, Wallmatter.

 

Jenny Davis_Wallmatter Exhibition_2016 5s

 

Jenny Davis_Wallmatter Exhibition_2016 18s

 

Wallmatter Exhibition update! In addition to the recent Bluethumb article, I was recently interviewed to be included in a book project about female artist’s for release next year. More details on that coming soon!

I would also like to remind any visitors to my latest exhibition, Wallmatter, to not forget to check out the collection of smaller artworks in the foyer and the reception desk, with prices ranging $50 – $150. Thank you to all who have visited Wallmatter! The Memo, Healesville Victoria. Until Tues. 16th. August 2016

Wallmatter Exhibition Photos – Jenny Davis – 2016

Thursday, July 14th, 2016

Wallmatter Exhibition Photos – Jenny Davis – 2016

A huge thank you to everybody who attended the opening of my new exhibition Wallmatter last Saturday. A special thank you to all the people who helped me pull it altogether and make it a special day.  I feel so blessed and encouraged with all the support shown for my artwork and the new friendships I made.

Wallmatter continues until Tuesday August 16th at The Memo, Healesville Victoria. Free Entry. All artworks are for sale.

A few photos I took the next day as I forgot my camera on opening night.

Wallmatter

An installation of paint, concrete, rust and
textiles, inspired by imperfections and
weathered surfaces, linking to the abandoned
and neglected spaces found in urban and rural
environments.

Jenny Davis_Wallmatter Exhibition_2016 5s

 

Jenny Davis_Wallmatter Exhibition_2016 4s

 

Jenny Davis_Wallmatter Exhibition_2016 16s

 

Jenny Davis_Wallmatter Exhibition_2016 3s

 

Jenny Davis_Wallmatter Exhibition_2016 8s

“Surfaces and objects touched by time tell a
story and are a raw reflection of their environment.
I want to highlight the significance of a random
mark, or the crumbling texture of a wall in an
underground space. They are evidence to a
previous time in history. My abstractions are
investigations into marks and traces left behind
in the urban and rural environment.”
– Jenny Davis, Artist

 

Jenny Davis_Wallmatter Exhibition_2016 s

 

Jenny Davis_Wallmatter Exhibition_2016 19s

 

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Jenny Davis_Wallmatter Exhibition_2016 14s

Crut. New Paintings. Cradled Boards.

Saturday, June 25th, 2016

Crut. New Paintings. Cradled Boards.

Jenny Davis_Crut_Acrylic paint oil paint on birch cradled Board under 2rgb

 

3 new paintings, well, it’s actually one painting, a triptych, I did for a recent art prize. Each painting was made with acrylic paint and small areas of oil paint on birch cradled boards.

 

Jenny Davis_2016_Crut_Acrylic Paint, Oil Paint on Birch Cradled Board 1

 

I love using boards for painting. The surface is much more forgiving than canvas. Perfect for the spontaneous, mark-making and material layering I tend to do.  I can scratch, sand, scrape back, engrave and it won’t tear, or break like canvas.

 

Jenny Davis_2016_Crut_Acrylic Paint, Oil Paint on Birch Cradled Board

 

If I could get larger cradled boards and still be able to lift them, I would be very happy. The size of these boards are 50 x 50cm. each. Overall size 150cm. x 50cm.

 

Jenny Davis_2016_Crut_Acrylic Paint, Oil Paint on Birch Cradled Board 2

 

About Crut

Communication to the masses. Text in the environment can mark territory, give control and can validate those, who don’t have a voice in the mainstream order. Through mark-making in the environment everybody can be heard. I see beauty and at times, desperation in the messages, found in the streets, and in the abandoned, underground and derelict spaces. Layers of tagging, graffiti and found marks on weathered surfaces tell stories about the past, present and future. Aesthetically they can be beautiful, even though they may have been painted illicitly on a wall, or other surface’s. My abstractions are investigations into, marks, traces and messages, left behind, in the urban and rural environment.

 

Jenny Davis_Crut_Acrylic paint oil paint on birch cradled Board under 2rgb